Unknown

1950's French Modernist/ Cubist Signed Painting, Interior of a Ballroom

1950

Tall French Landscape by Bernard Labbe (French mid 20th century) signed original watercolour/ gouache painting on paper, unframed size: 18.5 x 12.5 inches condition: very good and re...

French landscape by Bernard Labbe (French mid 20th century) Original watercolour/ gouache painting on artist paper, unframed Size: 8.25 x 11.75 inches condition: very good and ready ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on card size: 25 x 25.5 inches condition: very good and ready to be enjoyed provenance: the artists atel...

French landscape by Bernard Labbe (French mid 20th century) Signed original watercolour/ gouache painting on artist paper, mounted on card, unframed Size: 18.5 x 10.75 inches Conditi...

Eugene Berman (1899–1972) An untitled stage design, ink and wash on paper. French, circa 1950. Signed lower right: EB.

Wesley Lea (1914-1981). Cubist Composition, ca. 1960. Oil on masonite panel, measuring 14.5 x 22 inches. Framed measurement: 19.5 x 27 inches. Signed lower left.

An original oil on board painting by American modernist John W. Hatch. This incredible cubist painting was created in the 1950's. Estate stamped on the reverse. The painting comes housed in a modern black frame presentation. John Woodsum Hatch 1919-1998 During his fifty-year career as an artist, John Woodsum Hatch explored the people, the landscape, and the seascape around him. From his extensive travels to his years in New Hampshire, he developed a body of work that captures a sense of place. Through watercolor, ink and sand, he depicted the grandeur of the White Mountains. The crisp light and distinct topography of the Isles of Shoals and Great Bay Estuary are precisely and clearly documented in acrylic and tempera paintings. His ability to convey the sheer scale and longevity of the mountains and sea, and by comparison the fleeting nature of human life, conveys in a not-so-subtle way that the natural environment is to be revered and preserved. Hatch took his first teaching job at the University of New Hampshire in 1949, the same year he graduated from Yale University. He never left. A former student, Sam Cady, described his contributions: “He was a wonderful mix of jokester and sage. A teacher who obviously loved people, loved teaching, and had a great gift for it.” After retiring in 1985, he was made an honorary Professor Emeritus at UNH. Hatch contributed to New Hampshire's cultural life in three areas: his teaching, his art, and his community service. His effectiveness in these three areas can be traced his commitment to give something of himself to help others. Many artists teach by necessity and resent it as a drain on their creative energies but Hatch found his greatest fulfillment from a combination of teaching, making art, and being deeply involved with his community as an art historian and as an environmentalist. Hatch’s work can be seen in numerous public collections, including: the Addison Gallery of American Art; DeCordova Museum; Pennsylvania Academy of Fine Arts; State of New Hampshire's Living Treasures Collection, and the Portland Museum of Art in Maine. John Woodsum Hatch, New Hampshire's 1997 Living Treasure Award recipient, died on August 6, 1998, at the age of 78. Hatch was a draftsman, an artist and a muralist. His works can be found in public and private collections throughout the region. He exhibited at the New Hampshire Art...

The Room is a drawing realized by Tony Johannot in the early-20th Century. Pencil and watercolor on paper. Good conditions with slight foxing. The artwork is realized through deft...