John Piper CH

Radcliffe Camera, University of Oxford lithograph by John Piper

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. after John Piper (1903 - 1992) View from the Upper Common Room, The Queen's College - Oxford Almanac 1972 (cropped) Lithograph 17 x 26 cm A lithograph featuring Oxford's skyline, including the towers of All Souls...

To see our other views of Oxford and Cambridge, or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

David Gentleman Radcliffe Camera Lithograph 53 x 64 cm Born on the 11th March 1930, David Gentleman is a British artist, illustrator, and designer known for his distinctive waterc...

Cities 20 – Evening, Radcliffe Camera Oxford by Susan Brown. A limited edition giclée print. The print edition is 150 The image size is 40 x 40 cm, overall size is 50 x 50 cm. Each ...

Radcliffe Oxford Camera Painting by Trevor Waugh. It has been painted on canvas. A cyclist passing by the monument and few people admiring it. Additional information: 42.5 H x 42...

Twentieth Century Limited Edition Screen Print entitled Vaux-Le-Vicomte, depicting a beautiful French Chateau. Vaux-le-Vicomte a Screenprint by another of Wales's most famous sons...

Cheltenham (Fantasia/Panorama), Pen and Ink Painting by John Piper, 1939 circa Additional information: Medium: Pen and ink 19 x 26.5 cm 7 1/2 x 10 3/8 in Inscribed extensively The upper image closely resembles a 1940 painting, Cheltenham Fantasia, which was sold to a Mr Anderson at the Leicester Galleries in March of that year. The lower image is a study for Piper's 1940 Curwen Press auto-lithograph 'Cheltenham', produced while he was also working on illustrations for the Shell and BP Shilling Guide to Gloucestershire (1939; not used in the project). Betjeman, then head of the project, also used the image to illustrate his article "Book Illustration Can Colour a Whole Town or City" in 'Signature' in 1940. The Cheltenham design is covered and reproduced in Hugh Fowler-Wright's book on Piper. John Piper was a painter of architecture, landscape and abstract compositions, a designer for the theatre and of stained-glass windows, and a writer on the arts. Piper was born in 1903 in Epsom, Surrey, the son of a solicitor. Throughout his childhood, he regularly visited Italy, and by 1924 he had published a book of poems and his own illustrations. He worked in his father's office in Westminster until 1928 when he began studying at the Richmond and Kingston Schools of Art. This was followed by two years study at the Royal College of Art. In 1927 he exhibited with David Birch at the Arlington gallery, and in 1931 with Clarice Moffat, P. F. Millard, and his first wife Eileen Holding...