Karl Dempwolf

Hahamongna Park, The Arroyo

2023

This French summer landscape with surrounding river water and dense vegetation with trees is signed and dated E.P. Norselius 1923. It is painted during this Swedish artist’s years in...

Edward Glafke (American, 1925-1997) Carmel River Oil on canvas Signed lower left Titled on the verso Canvas: 20in H x 24in L In a vintage giltwood frame: 24in H x 27.5 in L x 1.5in D...

Work on cardboard Sketch of landscape and mansion on the back of the work

Technical Data Sheet Title: La Arboleda (Zaragoza) Artist: Juan Bayón Salado (Bay Sala) Technique: Oil on canvas Dimensions: 23.6 x 28.7 inches Condition: Unframed Period: Mid-20th century Style: Impressionism with Expressionist influences Description: This painting depicts a wooded riverside landscape, likely the Ebro River as it passes through Zaragoza. The open composition and vibrant natural light emphasize green and ochre tones, evoking an atmosphere of tranquility and connection with nature. The arrangement of trees in perspective guides the viewer's eye toward the horizon, where a red building provides contrast and balance to the scene. On the right, small human figures add dynamism and depth to the landscape. The loose brushstrokes and tonal transitions suggest an agile yet detailed execution. Artist's Biography Juan Bayón Salado, artistically known as Bay Sala, was born in Logroño on June 24, 1913, and passed away in Bilbao on April 2, 1995. In 1918, his family moved to Bilbao, where he developed most of his artistic career. In the early 1930s, he set up his easel in Bilbao’s Arenal district, painting and raffling his works to support his parents. In 1941, he held his first exhibition in Bilbao, followed by another in Zaragoza in 1942, where he began signing his works as Bay Sala. In 1950, he moved to Paris in search of Impressionist roots, residing there until the late 1960s. His style is characterized by Impressionist brushstrokes with Expressionist touches, focusing primarily on urban and rural landscapes. His works are part of significant collections and museums, including the Museum of Fine Arts in Bilbao and the San Telmo Museum in San Sebastián. Similar Artists Bay Sala’s style can be related to other artists who focused on landscapes and the capture of natural light. Among them are: Camille Pissarro: French Impressionist painter known for his rural and urban landscapes capturing atmosphere and natural light. Alfred Sisley: British-French artist celebrated for Impressionist landscapes reflecting the serenity of nature. Joaquín Sorolla: Spanish painter and master in representing Mediterranean light in beach scenes and landscapes. Martín Rico y Ortega: Spanish artist renowned for detailed landscapes and urban views with notable Impressionist influences. Darío de Regoyos...

A bright, verdant composition, executed with impressionistic brushwork. Well presented in an oak frame. Unsigned. On canvas board. Image size: 34 x 39cm.

Born in Russia, the son of Friede (1878 – 1956) and Benjamin Hoffman (1878 – a. 1942). Benjamin was a dealer in mineral and seltzer water and the family resided on Snediker Avenue in Brooklyn, New York, just down the streetfrom the home where George Gershwin (1898 – 1937) was born. This area of Brooklyn, known as Brownsville, “witnessed the development of one of the largest communities of Eastern European Jewish immigrants during the last decade of the 19th century and the first two decades of the 20 th century.” Today, little remains of this once thriving Jewish section of Brooklyn, which today houses many commercial and repair businesses. Hoffman studied at the Art Students League of New York, the National Academy of Design and in the art program at Cooper Union. His work at the National Academy received praise, and in 1921 he was awarded the 2nd prize and an honorable mention from the John Armstrong Chaloner Paris Prize Foundation at the National Academy, which allowed the recipient to study in Paris, France for as long as five years. The following year he was awarded the 1 st prize in the competition (with The Reform Advocate running the headline “Young Jew Wins Art Prize”) as well as the Suydam Bronze Medal for his achievements in the Academy’s Men’s Night Class. In 1923 he was residing in Long Branch, New Jersey, when he was awarded 4th place in the Chaloner competition. Early on, Hoffman exhibited his work throughout the city, including in 1925 with the recently organized Society of Independent Artists. He also received several solo exhibitions during the first part of his career, including one at Ferargil Galleries in 1929. In the spring of 1930 a solo exhibition of his portraits, including paintings and drawings, was held at at Babcock Galleries, where a reviewer noted: “Portraiture is obviously Mr. Hoffman’s specialty… his best work is characterized by a sensitive appreciation of character set down in a vigorous decisive statement. Later that same year, in August, he participated in Babcock’s summer exhibition where reviewer Jerome Klein, writing for The Baltimore Sun, felt Hoffman’s and other artists work was already becoming old fashioned, remarking “…if an effort toward accomplishment is to be made, it must be in the language of today. It is for that reason that such contemporaries as Eugene Higgins and Nathan Hoffman, in this show, seem artists of a bygone era…” The onset of the Great Depression appears to have slowed his success, as was the case for many up-and-coming artists. By 1939 Hoffman had become a gallerist in addition to being a painter, operating the collective exhibition space “Sutton Gallery,” which was originally located at 358 East 57th Street. There Hoffman exhibited his own works as well as those created by other prominent New York artists including David Burliuk (1882 – 1967), Charles C. Curran (1861 – 1942), Louis Eilshemius (1864 – 1941), Ann Goldthwaite (1869 – 1944), Maurice Kish (1895 – 1987), Lawrence Lebduska (1894 – 1966), Bradford Perin and Ellis Wilson...

A charming oil painting, depicting a river view with mountains in the distance. Signed partially illegibly to the lower left-hand corner. Presented in a grey slip and in a gilt-effec...

Stephen DENISON 1909 - 1965 Canvas Size: 20 x 24" (50 x 60cm) Outside Frame size: 27 x 31" (69 x 79cm) Signed and dated 1948 A wonderful example of Modern British art. This Englis...

A masterful oil painting depicting a view of a riverside wooded park in a beautiful sunny day at the early fall season. A figure seated on a blue bench with a bridge behind, a couple...

Original painting signed by the Artist on lower left.