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Anne Marie Migette Perard
Mid-20th Century Post-Impressionist French Harbour Scene with Boats and Flag

1961

$546.95
$683.6820% Off
£396
£49520% Off
€471.27
€589.0920% Off
CA$758.51
CA$948.1420% Off
A$763.16
A$953.9520% Off
CHF 442.96
CHF 553.7020% Off
MX$9,300.83
MX$11,626.0320% Off
NOK 5,112.93
NOK 6,391.1720% Off
SEK 5,246.56
SEK 6,558.2020% Off
DKK 3,522.63
DKK 4,403.2920% Off

About the Item

Title: Mid-20th Century Post-Impressionist French Harbour Scene with Boats and Flag by Anne Marie Migette Perard (French 1902-1977) Signed: Yes Medium: Watercolor on unframed paper Size: 20.5 inches (height) x 14.75 inches (width) Condition: As is normal with unframed works on paper there are some minor old creases or paper edge curls/ tears - all of which should be covered over or smoothed out once framed; generally very good and sound. Provenance: as with all the works we have by this artist, it has come from the artists estate in France. Description: This vibrant and characterful Mid-20th Century Post-Impressionist watercolour by Anne Marie Migette Perard captures a colourful harbour scene in France, dated 1961. In the foreground, a cluster of fishing boats painted in bold reds and blues float calmly on green-hued water. One boat features a billowing brown sail, adding texture and movement to the composition. The French flag flutters above the rooftops, anchoring the scene unmistakably in a coastal French town. Behind the boats, a row of tall houses lines the quay, their varied façades simplified with broad, confident brushstrokes in warm neutrals and soft greys. The inclusion of church spires in the background adds an architectural charm and sense of locality to the piece, likely depicting a port town in Normandy or Brittany. Perard’s distinctive style blends lively colour choices with loose, gestural application—evoking both the energy of working harbours and the nostalgic mood of a 20th-century French seascape. Ideal for collectors of maritime art, French regional scenes, or mid-century modernism with personality.

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