The River Leven Estuary Framed Lake District Landscape Impasto Oil Painting
Located in Sutton Poyntz, Dorset
Helen Layfield Bradley. English ( b.1900 - d.1979 ). Sunshine & Shadows Across The Leven Estuary, Lake District, 1965. Oil On Board. Signed Lower Left. Image size 15.9 inches x 16....
Oil, Board
Venture Into The Dales Watercolor Painting, Signed, 1960s, Framed
By Ronald Lowe
Located in Sutton Poyntz, Dorset
Ronald Lowe. English ( b.1932 - d.1985 ). Venture Into The Dales. Watercolor. Signed Lower Right. Image size 20.9 inches x 27.2 inches ( 53cm x 69cm ). Frame size 29.1 inches x 35.6...
Watercolor
Framed Impasto En Plein Air Post Impressionist Oil Painting Of Rural Derbyshire
By Arthur Spooner
Located in Sutton Poyntz, Dorset
Arthur Spooner. English ( b.1873 - d.1962 ). Rural Derbyshire. Oil On Card. Signed Lower Left. Image size 6.7 inches x 9.1 inches ( 17cm x 23cm ). Frame size 10.2 inches x 12.6 inc...
Oil
Low Tide On The Minnows Cornwall Padstow Framed Cornish Impasto Oil Painting
By Nancy Bailey
Located in Sutton Poyntz, Dorset
Nancy Bailey. English ( b.1913 - d.2012 ). Low Tide On The Minnows, Cornwall, 1972. Oil On Canvas. Signed Lower Right. Image size 19.3 inches x 39.4 inches ( 49cm x 100cm ). Frame size 25.4 inches x 45.3 inches ( 64.5cm x 115cm ). Available for sale; this original impasto oil painting is by the Cornish artist Nancy Bailey and is dated 1972. The painting is presented and supplied in its original frame (which is shown in these photographs). The painted surface has benefitted from a light clean and a new preserving varnish coat has been applied. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right and on the reverse it is titled and signed again. Nancy Bailey was born in 1913 and started her working life at the age of 15. As a teenager she used her father’s camera to take photographs of West Country views, many of which were used to produce postcards, which sold throughout the country. This early talent demonstrated her knowledge and appreciation of light and composition that later enabled her to create the beautiful paintings for which she became internationally renowned. Her family moved frequently throughout the south west, before settling in Ireland where for thirteen years she produced high quality marquetry pictures, which sold all over the world. Nancy only started painting seriously when she returned to Cornwall in her fifties. Her painting career, though started somewhat late, continued over forty years. Nancy worked with a palette knife and never used a brush. This gives her work its distinctive texture and captures the landscape and light. Nancy became acclaimed as one of the leading palette knife artists in the UK. Although Nancy travelled widely, including a safari trip to South Africa with the acclaimed nature artist David Shepherd her best work is arguably of the coasts and rivers of the West Country, which she loved so much. Nancy died in 2012, since when demand for her original works has increased. © Big Sky Fine Art The Minnows Islands are a group of large rocks...
Canvas, Oil
Paysage Arboré Wooded Landscape Framed Provincial Oil Painting Flanders Artist
By Henri Joseph Pauwels
Located in Sutton Poyntz, Dorset
Henri Joseph Pauwels. Belgian ( b.1903 - d.1983 ). Paysage Arboré. (Wooded Landscape). 1966. Oil On Artist’s Board. Signed & Dated Lower Left. Image size 14.2 inches x 17.3 inches ( 36cm x 44cm ). Frame size 21.1 inches x 24.6 inches ( 53.5cm x 62.5cm ). Available for sale; this original oil painting is by the Flanders artist Henri Joseph Pauwels and is dated 1966. The painting is presented and supplied in a sympathetic contemporary replacement frame (which is shown in these photographs). The painted surface is entirely in its original untouched condition. No restoration, cleaning or conservation has been performed on the artwork. This vintage painting is in a good sound decorative condition. It wants for nothing and is supplied ready to hang and display. The painting is signed and dated lower left. Previously with Galerie Jean-Marr, Le Havre, France. Henri Joseph Pauwels was a notable twentieth century Flemish painter, rooted in Impressionist traditions. He was born on 16 December 1903 in Sleidinge near Antwerp. He died on 12 March 1983 in Beveren-Waas. Pauwels trained academically in Paris, then in private studios in Antwerp. His early works demonstrate his academic training, but he was heavily influenced by Impressionism and his later work has a more vibrant palette and airy, loose brushwork. He was known for his plein air technique, as shown in this piece. Pauwels exhibited widely, mainly in Paris, Brussels and Amsterdam and was successful both before and after WWII. Some of his works are held in public collections, including the Ghent Museum. His works were highly collectable amongst his contemporaries in Belgium, France and the Netherlands. He is known for a range of genres but is best known for his large canvases of romantic landscapes and country life. He also painted harbour scenes and some still life. His works remain collectable for their optimistic, poetic and nostalgic views of wholesome country life. © Big Sky Fine Art Discover Paysage Arboré, an original 1966 oil painting on board by Belgian artist Henri Joseph Pauwels (1903–1983). This tranquil landscape captures a lush, tree-lined riverbank rendered in rich Impressionist brushwork and a naturalistic palette of greens, browns, and blues. Signed and dated in the lower left, this collectible work showcases Pauwels’ mastery in capturing light, texture, and atmosphere in the Flemish countryside. A fine example of mid-20th century Belgian landscape painting...
Oil
Dartmoor Ponies Early Morning Mist & Haze Devon Landscape 1930s Oil Painting
By Charles Walter Simpson
Located in Sutton Poyntz, Dorset
Charles Walter Simpson. English ( b.1885 - d.1971 ). Dartmoor Ponies, Devon. Oil On Board. Signed Lower Right. Image size 20.7 inches x 28.2 inches ( 52.5cm x 71.5cm ). Frame size 29.5 inches x 37 inches (75cm x 94cm ). Available for sale; this original oil painting is by Charles Simpson and dates from the 1930s. The painting is presented and supplied in a contemporary and sympathetic wood frame (which is shown in these photographs) mounted using conservation materials and behind non-reflective Artglass AR 70™ glass. The previous ply backboard has been retained and is secured onto the new replacement backboard for posterity. This vintage painting is in very good condition, commensurate with its age. It wants for nothing and is supplied ready to hang and display. The painting is signed lower right. Previously with Harris & Sons, 70 George Street, Plymouth, Devon in July 1936. Charles Walter Simpson, known as Walter, was a leading figure in the Newlyn and St Ives art colonies in the early part of the twentieth century. He is perhaps best known in America for his horse paintings but is also widely acclaimed for his mastery of birds. It has been said that as a painter of wildfowl Simpson can have few rivals. He worked in oils, watercolors and tempera. Walter was born at Camberley on 8th May 1855. His mother was Leonora (nee Devas) and his father was Major-General Charles Rudyard Simpson of the Lincolnshire Regiment. Initially Walter was educated by a private tutor, and he later attended the Herkomer School at Bushey. As a youngster Walter was destined for a military career. However, this was prevented by a riding accident which affected both his hearing and sight. He had a considerable talent for drawing and determined to become an artist instead. Walter was initially largely self-taught, but then received guidance from family friends such as G.F. Watts and H.W.B. Davis, RA. He later studied for a short time under the renowned animal artist Lucy Kemp-Welch at Bishley, then with Sir Alfred Munnings, with whom he developed a life-long friendship, at Swainsthorpe. Munnings encouraged him to visit Cornwall, where he studied under Stanhope Forbes RA in Newlyn. Simpson’s first home in West Cornwall was Penzer House in Newlyn, where he was living in 1908. Finally, Simpson completed his studies at the Academie Julien in Paris in 1910. On his return from Paris, Simpson moved to Cornwall again and became engaged to fellow artist Ruth Alison just a couple of days after first meeting her. They were married in 1913, living first in Newlyn and then in Lamorna at “Brodriggy”. They had a daughter, Leonora, born in 1914. In 1916 Simpson and his family moved to St. Ives to set up their own School of Painting, which they ran from numbers 1 and 2 Piazza Studios. During this period Simpson dominated the St. Ives art scene. The family moved back to London in 1924 but returned to Cornwall in 1931. Altogether, they moved between West Cornwall and London eleven times. From his studio in Cornwall Simpson painted in earnest, often on a grand scale, producing wonderful large decorative canvases, specialising in wild ducks, gulls and other sea birds. He had a reputation as an outstanding animal and bird painter. Paget described Charles Simpson in 1945 as “undoubtedly the best bird painter living. He alone, of all artists past and present, can make his birds appear out of their backgrounds as one approaches them, or the light is increased as in nature…”. Simpson relished painting en plein air and Laura Knight commented, "He was so prodigal with paint, he could be traced by the color left on the bushes!". Simpson first exhibited at the Royal Academy in 1906, initially painting mainly non-sporting subjects. From then on, he was a regular contributor to the Royal Academy exhibitions. It was not until 1924, when a rodeo was held at Wembley during which he worked in the ring and produced a book call El Rodeo...
Oil
Oil Painting by Henry Foley, "The Old Hermitage Bridge on the Dee, North Wales"
Located in Mere, GB
Henry Foley who flourished 1870 - 1900 Stratford painter of atmospheric British and Continental town scenes, who painted views of Anne Hathaway's cottage which can be found in severa...
Oil
N. Howard - 1973 Oil, Bridge Over The River Dove, Farndale
Located in Corsham, GB
Signed to the lower left-hand corner. The title, date and artist's name are inscribed on the reverse. Presented in a wooden frame with a fabric detail, as shown. On canvas board.
Oil
Kirkton Bridge, Balquhidder Scotland Landscape Impressionist 20th century
By JD Henderson
Located in Hillsborough, NC
Impressionist landscape oil painting titled ‘Kirkton Bridge' by Scottish artist JD Henderson, is a Monet-like image of a Scottish stone bridge over a rocky stream. The bridge and str...
Canvas, Oil
Tony Wooding (b.1969) - 20th Century Oil, Stone Bridge in Winter
Located in Corsham, GB
A charming landscape scene depicting a stone bridge in a sun-drenched winter landscape. Signed to the lower right. Presented in a gilt frame. On canvas.
Oil
19th Century river landscape oil painting of Doeford Bridge, Lancashire
By Henry H. Parker
Located in Nr Broadway, Worcestershire
Henry H Parker British, (1858-1930) Doeford Bridge, Clitheroe Oil on canvas, signed & further inscribed in pencil to stretcher Image size: 11.5 inches x 17.5 inches Size including frame: 16.5 inches x 22.5 inches Provenance: MacConnal-Mason Ltd, Duke Street, London This attractive scene featuring Doeford Bridge near Clitheroe is by Henry H Parker. Two figures can be seen on the bridge overlooking the river Hodder. Doeford Bridge is located in Bowland Forest Low, Lancashire, 9 miles north-west of Clitheroe between Chipping Village and Whitewell. It spans over the river Hodder, near the confluence of the rivers Hodder and Loud. The bridge was built around 1770 and was constructed with squared sandstone blocks formed into 2 segmented arches with a central triangular cutwater. It was made a grade II listed building by Historic England in 1952. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon...
Canvas, Oil
The Bridge - Scottish 20thC art oil painting Industrial river landscape Glasgow
By Ernest Burnett Hood
Located in Hagley, England
An original oil on canvas by Ernest Burnett Hood which depicts a Glasgow industrial seascape marine with boats under a bridge. Very atmospheric this stunning work was exhibited at The Glasgow Art Club. The oil is signed lower right and dates to 1970. Provenance. The Glasgow Art Club, label verso. Condition. Large oil on canvas, image size is 36 inches by 30 inches and in fine gallery condition. Housed in a gallery frame in excellent condition. Framed size is 42 inches by 36 inches. Ernest Burnett Hood (1932-1988) - born Edinburgh. Painter in oil and watercolour of industrial landscapes and topographical scenes, occasional portraits, still life and scenes from opera: also aquatintist and lithographer. Educated in Glasgow. After being apprenticed to a lithographer studied Glasgow School of Art where he was befriended by William and Mary Armour...
Oil
