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Ettore Ferrante
Rome - In the Manner of G.Vanvitelli - Oil on Canvas Italian Landscape Painting

2003

$2,664.16
£1,954.78
€2,240VAT Included
CA$3,690.85
A$3,725.61
CHF 2,140.75
MX$45,158.87
NOK 24,778.05
SEK 25,309.38
DKK 17,079.51

About the Item

ROME - Oil on canvas cm.40x60 by Ettore Ferrante, Italy 2003 . In this precious oil painting Ettore Ferrante is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In this sunset we admire the Tiber, Castel Sant'Angelo and the dome of San Pietro shines in the background.
  • Creator:
    Ettore Ferrante (1945 - 2008, Italian)
  • Creation Year:
    2003
  • Dimensions:
    Height: 15.75 in (40 cm)Width: 23.63 in (60 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    pittura con crepe in alcuni punti, vedere foto.
  • Gallery Location:
    Napoli, IT
  • Reference Number:
    1stDibs: LU56839985782

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ROME - In the Manner of G.Vanvitelli - Italian Landscape Oil on Canvas Painting

ROME - In the Manner of G.Vanvitelli - Italian Landscape Oil on Canvas Painting

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ROME - In the Manner of G. Vanvitelli -Italian Landscape Oil on Canvas Painting

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Rome - Vincenzo Montella Italia 2009 - Oil on canvas cm. 40x50. In this precious oil painting Vincenzo Montella is inspired by the views of the Dutch neutralized Italian painter Gaspar Adriaensz van Wittel, known as Casper, and known in Italy as Gaspare Vanvitelli. In particular this is a reinterpretation of the painting "View of the Tiber with Castel Sant'Angelo and San Pietro in the background" by Vanvitelli. Taken from the left bank of the river, the view has its focal point in the circular mass of Castel Sant’Angelo, the pontifical fortress built on the central core of Hadrian's mausoleum and enriched with ramparts and patrol paths overlooking the water. In the background of the view, the Vatican basilica with the papal palaces responds to the vestiges of imperial power, while in the center the Sant'Angelo bridge, adorned with statues painted between 1669 and 1671 by Gian Lorenzo Bernini and his pupils, connects the two banks replacing the ancient Aelius bridge built by Hadrian. No less interesting is the minor urban fabric...

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