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James Kerr-Lawson
James Kerr-Lawson (1864-1939) View of the Alhambra, Granada, oil on panel

circa 1885

$974.11
£716.79
€820VAT Included
CA$1,349.23
A$1,352.71
CHF 783.88
MX$16,529.02
NOK 9,084.10
SEK 9,276.39
DKK 6,251.85

About the Item

James Kerr-Lawson (1864-1939) The Generaliffe seen from the Alhambra, Granada, oil on wood panel 30 x 24.5 cm Title on the Hazlitt Gallery label on the back Framed 43 x 38 cm Provenance : Hazlitt Gallery London, label on the reverse of the panel Private collection, France James Kerr-Lawson has chosen a particularly charming composition for this view of the Generalife from the Alhambra; The architectural elements of the window, characteristic of the Moorish architecture of the Alhambra Palace, embody it in a way, while the view of the Generalife Palace evokes the palace gardens and all the vistas that make Granada so rich. We can date this painting to between 1885 and 1890, as this was the period when the artist traveled to France, Italy, Spain, and Morocco—and, above all, when he painted there. The choice of particularly alluring warm colors attests to the fascination these regions held for the artist. James Kerr-Lawson was a Canadian painter born on October 28, 1862, in Fife, Scotland, and died in London on May 1, 1939. He is listed as a member of the Royal Canadian Academy of Arts James Kerr-Lawson emigrated with his family to Hamilton, Ontario, Canada, at the age of three. He first studied at the Ontario School of Art, then in Rome at the Académie de France and the Accademia di Belle Arti di Roma, and finally at the Académie Julian in Paris. He returned to Canada in 1885 before setting off again for Europe, where he traveled through France, Italy, Spain, and Morocco. He met the artists George Frederic Watts, John Lavery, Frank Brangwyn, and James McNeill Whistler, as well as other figures, including the ceramicist William Frend De Morgan, the poet Maurice Henry Hewlett, and the authors Elizabeth Robins Pennell and Joseph Pennell. Kerr-Lawson would paint portraits of all these friends. However, it was his encounter with the art dealer and critic Bernard Berenson that would prove most influential. The renowned dealer introduced the painter to the sale of antique artworks, which provided him with a significant source of income. An expert on Italian Primitives, he allowed these styles to influence his painting, particularly those of Canaletto and Tiepolo. His portraits are characterized by fine lines, muted tones, and decorative effects. His works are characterized by fine lines, muted tones, and decorative effects. Although he had settled in England, he remained in touch with his adopted country, where he was a member of the Canadian Art Club. In 1916, at the request of Lord Beaverbrook, he created murals depicting the battles of Arras and Ypres for the Canadian Parliament. His works are held by different museums such as The National Gallery of Canada, National Galleries of Scotland, National Portrait Gallery in London.
  • Creator:
    James Kerr-Lawson (1864 - 1939, British)
  • Creation Year:
    circa 1885
  • Dimensions:
    Height: 11.82 in (30 cm)Width: 9.65 in (24.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Paris, FR
  • Reference Number:
    Seller: Inv 8761stDibs: LU1112217970342

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