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Jeff Aeling
Moonrise, Kauai - Oceanfront Moonlight Through Cloudy Sky, Oil on Panel, Framed

2022

$7,800
£5,897.04
€6,884.14
CA$11,099.02
A$11,257.96
CHF 6,428.61
MX$136,337.60
NOK 75,680.42
SEK 75,429.24
DKK 51,459.41

About the Item

This painting of moonlight shining through clouds at night evokes the peaceful beauty and mystery of a moment at the seaside. Paintings at night time are a rare commodity and this moody, dusky image is masterfully painted by Jeff Aeling. The painting is framed in a heavy black custom wood frame measuring 44.5h x 32.5h inches. Jeff Aeling Moonrise, Kauai oil on panel 36h x 24w in 91.44h x 60.96w cm JAE028 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery - Kansas City, MO 1991 Tribal Textile Gallery - Kansas City, MO Selected Group Exhibitions 2022 Kiss Me, It’s Beginning to Snow, Gallery Victor Armendariz, Chicago, IL 2021 2019 Es-Scape, Gallery Victor Armendariz, Chicago, IL Earth Wind & Fire, Gallery Victor Armendariz, Chicago, IL 2018 Portraits and Places: Select works from Gallery Victor Armendariz, curated by Corporate Art Advisory, Metropolitan Capital Bank, Chicago, IL Art Hamptons, Gallery Victor Armendariz, Bridgehampton, NY Front and Center, Gallery Victor Armendariz, Chicago, IL 2004 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY FADA - Los Angeles, CA 5 Views of the Midwest Traveling Museum Show 2003 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY FADA - Los Angeles, CA 2002 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY Exhibition of Works from Permanent Collection, Daum Museum - Sedalia, MO FADA - Los Angeles, CA Winter in Tucson, Medicine Man Gallery - Santa Fe, NM 2001 Los Angeles Art and Antique Show Medicine Man Gallery - Santa Fe, NM 2001 FADA - Los Angeles, CA Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 2000 Art San Francisco - San Francisco, CA Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY FADA - Los Angeles, CA Landscape, Des Lee Gallery, Washington University - St. Louis, MO Landscape, Tory Folliard Gallery, Milwaukee, WI 1999 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY 1998 Going Places, Elliot Smith Contemporary Art - St. Louis, MO Summer, Sherry Leedy Contemporary Art - St. Louis, MO Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY Air, Land and Sea, Elliot Smith Contemporary Art - St. Louis, MO 1997 Art Chicago, Navy Pier, Perimeter - Chicago, IL and New York, NY Summer Show, Elliot Smith Contemporary Art - St. Louis, MO 1994 Summer Invitational, Sean Kelly Gallery - Kansas City, MO Collections 4 Point Energy American Century Investments Art Embassies Program - Zimbabwe Biltmore Hotel - Phoenix, AZ Capri Capital - Chicago, IL Charles Schwab - Denver, CO D.S.T. Systems Daniel Taylor and Associates Exeter Oil Corporation Federal Reserve Bank - Denver, CO Federal Reserve Bank - St. Louis, MO Federal Reserve Bank -Kansas City, MO First Western Trust Bank Gates Rubber Company Grand Hyatt Denver Convention Center H&R Block Hall-Marshall Collection, Hallmark Hall-Silva Collection, Hallmark Johnson County Community College Johnson National Bank - Racine, WI Kansas City Art Institute Kansas State University Madison Dearborn Partners National Association of College Business Offices Renaissance Grand Hotel - St. Louis, MO Sprint St. Regis Hotel - Los Angeles, CA Wilmington Trust Company Museum Collections Beach Museum - Manhattan, KS Daum Museum - Sedalia, MO Denver Art Museum - Denver, CO Museum of the West - Tucson, AZ Nerman Museum of Contemporary Art - Overland Park, KS Tucson Museum of Art - Tucson, AZ
  • Creator:
    Jeff Aeling (1958, American)
  • Creation Year:
    2022
  • Dimensions:
    Height: 36 in (91.44 cm)Width: 24 in (60.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    Seller: JAE0281stDibs: LU554311422872

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Sunset Aliomanu Bay, Kauai - Water and Sky Meet with Sun Kissed Clouds

Sunset Aliomanu Bay, Kauai - Water and Sky Meet with Sun Kissed Clouds

By Jeff Aeling

Located in Chicago, IL

Aeling’s fascination with atmospheric drama—rooted in his childhood in the American West, where weather dominates the horizon—finds powerful expression in this seascape. The low line of the ocean reinforces the artist’s signature device: vast, open skies that dwarf the land below. Yet the work also reflects a more personal history: Aeling’s enduring love of Hawaii, where he spent many winters surfing and studying the Pacific’s shifting moods. Those days on the water deepened his awareness of how ocean and sky interact, how storms gather, dissolve, and re-form with astonishing rapidity. The painting captures that moment when light changes direction and the boundary between calm and impending weather becomes charged with meaning. His precise modulation of color and temperature recalls his study of 19th-century luminists, yet the lived experience of Hawaiian surf breaks gives the scene an immediacy and authenticity that is distinctly his own. Jeff Aeling Sunset Aliomanu Bay, Kauai oil on panel 28h x 48w in 71.12h x 121.92w cm JAE040 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings...

Category

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Arch Cape - Oregon, Wooded Landscape, Setting Sun and Ocean View, Oil on Panel

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By Art Chartow

Located in Chicago, IL

The setting sun over the ocean creates a kaleidoscope of color in this small landscape painting by Art Chartow entitled "Arch Cape, Oregon" The pristine landscape is highlighted by the glowing horizon as the sun sets on another day. The painting is framed in a simple black wooden frame measuring 7.25h x 13.25w inches. Arthur Chartow Arch Cape, Oregon oil on panel 6h x 12w in 15.24h x 30.48w cm ACH027 Biography Solo Exhibitions 2004 “Quiet Places,” Sherry French Gallery, New York, NY 2002 “At Water’s Edge,” Sherry French Gallery, New York, NY 1986 Rubiner Gallery, West Bloomfield, MI. Museum Exhibitions 2016 “80th National Midyear show,” Butler Institute of American Art, Youngstown, OH 2010 “2010 Contemporary Realism Biennial,” Fort Wayne Museum of Art, Fort Wayne, IN 2008 “72nd National Midyear show,” Butler Institute of American Art, Youngstown, OH 2007 “71st National Midyear show,” Butler Institute of American Art 2002 “Art of Collecting,” Flint Institute of Art, Flint, MI Gallery Group Exhibitions 2012 “City Streets II,” George Billis Gallery, New York, NY 2009 “Selections,” Ann Nathan Gallery, Chicago, IL 2008 “Eye on the Environment,” Sherry French Gallery 2007 “Panoramas,” Sherry French Gallery. “The Four Seasons,” Sherry French Gallery. “Poetry = Painting,” Sherry French Gallery. 2006 “The Four Seasons,” Sherry French Gallery. Gallery and Invited Artists, Sherry French Gallery. “Mainely Maine,” Sherry French Gallery. Summer invitational, Ann Nathan Gallery, Chicago, IL Featured Artist, Susan Maasch Fine Art, Bangor, ME 2005 “Mainely Maine,” Sherry French Gallery. 2004 “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2003 “Mainely Maine,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. “Flowers in February,” Sherry French Gallery. 2002 “The Four Seasons,” Sherry French Gallery. “Poetry = Painting: ut pictura poesis,” Sherry French Gallery. 2001 “Mainely Maine,” Sherry French Gallery, New York, NY. “Small Sizes, Precious Pieces,” Sherry French Gallery. “Contemporary American Landscapes: An Urban and Rural Perspective, ” M. A. Doran Gallery, Tulsa, OK 1991 “Nine Views of Landscape,” Ruth Volid Gallery, Chicago, IL. Landscape show, Rubiner Gallery 1990 “LANDscape,” Ruth Volid Gallery. 1989 “Landscape,” Rubiner Gallery. 1986 “Works on Paper,” Gallery Henoch, New York, NY. Selected Group Exhibitions 2016 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2015 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2008 “Urban Edge,” Grosse Pointe Art Center, Grosse Pointe, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center, Birmingham, MI. 2007 “Michigan Annual XXXIII,” Anton Art Center, Mt. Clemens, MI “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2006 “Michigan Fine Arts Competition,” Birmingham Bloomfield Art Center. 2005 “45th Annual Greater Michigan Art Exhibition,” Alden B. Dow Museum of Science & Art, Midland, MI. 2002 “Land and Water,” Lobby of 717 Fifth Ave, New York, NY; Art Placement...

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Wave, Kauai - Oil on Panel Painting in Blue Turquoise, White Sea Foam and Gray

Wave, Kauai - Oil on Panel Painting in Blue Turquoise, White Sea Foam and Gray

By Jeff Aeling

Located in Chicago, IL

This painting embodies one of the most personal subjects in Aeling’s oeuvre: the ocean as encountered through years of surfing Hawaii’s winter swells. In Wave, Kauai, he renders the force and translucence of a breaking wave with cinematic clarity. The rising turquoise wall, the shearing lip, and the explosive white water reflect countless hours spent watching sets form, lift, and collapse along the shore. Unlike his plains or forest paintings—where the world feels spacious and hushed—this work throbs with movement and energy. It stands as a tribute to the place that shaped his intuitive understanding of water, rhythm, and luminosity. Jeff Aeling Wave, Kauai, 2018 oil on panel 24h x 48w in 60.96h x 121.92w cm FRAMED DIMENSIONS 25.25h x 49.25w in 64.14h x 125.09w cm Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. Jeff Aeling (1958-2025) Iowa City, IA Represented in Chicago by Gallery VICTOR Education BFA, Painting and Printmaking, Kansas City Art Institute – Kansas City, MO School of the Art Institute of Chicago – Chicago, IL Solo Exhibitions 2016 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2015 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2014 J Mark Sublette Gallery - Tucson, AZ Philip Slein Gallery - St. Louis, MO 2013 Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 2012 Philip Slein Gallery - St. Louis, MO William Havu Gallery - Denver, CO 2011 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2010 Perimeter Gallery - Chicago, IL Richard Demato Fine Arts Gallery - Sag Harbor, NY William Havu Gallery - Denver, CO 2009 J Mark Sublette Gallery - Tucson, AZ Sherry Leedy Contemporary Art - Kansas City, MO 2008 Perimeter Gallery - Chicago, IL William Havu Gallery - Denver, CO 2007 J Mark Sublette Gallery - Santa Fe, NM Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2006 Tory Folliard Gallery - Milwaukee, WI William Havu Gallery - Denver, CO 2005 Lisa Kurts Gallery - Memphis, TN Perimeter Gallery - Chicago, IL 2005 Philip Slein Gallery - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 2004 J Mark Sublette Gallery - Santa Fe, NM William Havu Gallery - Denver, CO 2003 J Mark Sublette Gallery - Tucson, AZ Lisa Kurts Gallery - Memphis, TN Sherry Leedy Contemporary Art - Kansas City, MO 2002 J Mark Sublette Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Perimeter Gallery - New York, NY 2001 J Mark Sublette Gallery - Tucson, AZ J Mark Sublette Gallery - Santa Fe, NM Sherry Leedy Contemporary Art - Kansas City, MO 2000 Charlene Cody Gallery - Santa Fe, NM Perimeter Gallery - Chicago, IL Sherry Leedy Contemporary Art - Kansas City, MO 1999 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Sherry Leedy Contemporary Art - Kansas City, MO 1998 Charlene Cody Gallery - Santa Fe, NM Elliot Smith Contemporary Art - St. Louis, MO Leedy-Voulkos Art Center Gallery - Kansas City, MO Perimeter Gallery - Chicago, IL 1996 Grand Arts - Kansas City, MO 1994 Gallery V - Kansas City, MO 1993 Sean Kelly Gallery...

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Light Pillar - Atmospheric Optical Phenomenon, Framed Oil Painitng

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By Jeff Aeling

Located in Chicago, IL

In this larger treatment of the light-pillar phenomenon, Aeling demonstrates his mastery of night atmospherics. The bright vertical beam—pure, white, and nearly architectural—cuts through a heavy indigo sky, reflecting the artist’s fascination with moments when the environment becomes momentarily structured by light. His winters in cold climates provided ample opportunities to see such displays, and he painted them with the same meditative intensity he applied to Hawaiian sunsets and surf. In all these subjects, Aeling returned to a central theme: the sky as an evolving organism, capable of sudden, transcendent gestures. Jeff Aeling Light Pillar oil on panel 14h x 10w in 35.56h x 25.40w cm JAE034 Jeff Aeling (1958–2025): The Sky Remembers Through Jeff Aeling’s eyes, the landscape becomes a world shaped as much by air as by earth. In works such as North of Las Vegas, NM and Pond Near St. Cloud, MN, he balances the quiet structure of plains and wetlands with skies alive in constant motion. His mastery of atmosphere is unmistakable in Light Pillars (2023) and Light Pillar (2023), where rare optical events turn night into architecture. Even intimate scenes like Crabapple, Dogwoods, and Red Bud find their emotional power under skies that lend the land its shifting character. Aeling’s winters in Hawaii deepened his sensitivity to movement and weather. Surfing taught him to read the rhythm of the ocean, a knowledge reflected in Wave, Kauai (2018), where a breaking wave becomes a luminous wall of force. In Volcano (2023), he channels the islands’ elemental drama, linking fire, vapor, and sky through the same atmospheric vocabulary found in his plains paintings. Though often compared to American landscape painters like Church and Bierstadt, Aeling’s work engages modernity in subtle ways. He began his paintings with the camera—driving for hours to capture a fleeting alignment of cloud, light, and terrain. In the studio, he removed all traces of people or infrastructure, preserving the landscape as a pure, uncontrollable presence. This blend of tradition and contemporary practice allowed him to honor the past while speaking clearly to the present. Together, these works—whether a crashing wave, a blooming tree, a volcanic plume, or a column of winter light—form a portrait of the world as Aeling experienced it: vast, luminous, and alive with change. The Sky Remembers is both a tribute and an invitation to see the land with the reverence he carried throughout his life. 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