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John Brett
'The winter of our discontent when we took the bar to the ebb', Newport, Wales

Name: 'The winter of our discontent when we took the bar to the ebb', Newport, Wales
Brand: John Brett
Rating: 5 (35 reviews)

$11,734.85

£8,500

€10,129.78

CA$16,326.11

A$16,373.45

CHF 9,498.86

MX$199,898.46

NOK 110,023.60

SEK 112,601.75

DKK 75,729.68

About the Item

John Brett A.R.A. (1831-1902) The winter of our discontent when we took the bar to the ebb', Newport, Wales Oil on canvas Canvas Size - 12 3/8 x 25 3/8 in Provenance Acquired from the artist by C J Robin in December 1882 for £150; Private collection Literature C Payne and C Brett, John Brett : Pre-Raphaelite Landscape Painter, New Haven and London, 2010, p. 226 no. 986 Exhibited London, Whitechapel Gallery, 1883, no. 132; London, Whitechapel Gallery, 1884, no. 169; London, Whitechapel Gallery, 1893, no. 182 John Brett was a man whose soul was intertwined with the landscapes he painted, a true master of the Pre-Raphaelite movement and an artist whose devotion to the natural world set him apart in 19th-century England. Born in Reigate, Surrey, Brett was fascinated by nature from a young age, and his keen observations of the world around him would later define his artistic career. Brett’s technical precision and his commitment to depicting nature in all its glory aligned him with the ideals of the Pre-Raphaelite Brotherhood, though his style carried its own distinctive flair. He was known for his painstaking attention to detail, often painting outdoors (or "en plein air") to capture the essence of the landscape at a particular moment in time—an approach that placed him among the early English landscape painters who sought to render nature with almost scientific accuracy. While many of his contemporaries explored mythological or historical themes, Brett remained resolutely committed to the beauty of the natural world. His best-known works, such as The Stonebreaker and The Valley of the Dart, showcase not only his skill in capturing the textures of nature—from the tiniest blade of grass to the sweeping grandeur of a mountain range—but also his ability to evoke the emotional atmosphere of a scene. He painted with a sense of reverence for the environment, giving his landscapes a kind of spiritual depth that transcended the mere physical beauty of the land. Brett’s work was largely admired in his time, though it was sometimes overshadowed by the rise of other artistic movements. Yet his legacy endures, particularly for those who appreciate the meticulous rendering of natural light, texture, and the way Brett’s paintings often feel like a moment frozen in time—a fleeting, serene pause in the flow of nature’s cycles. Despite his relative obscurity today compared to other artists of his era, John Brett’s work remains a testament to the sublime power of the English landscape and the passionate artist who captured it with unwavering dedication.

Creator:
John Brett
Dimensions:
Height: 12 in (30.48 cm)Width: 25 in (63.5 cm)
Medium:
Oil
Movement & Style:
Victorian
Period:
19th Century
Condition:
Gallery Location:
Stoke, GB
Reference Number:
1stDibs: LU446316798222

Materials

Oil

John BrettSeafaring Tranquility: A Pre-Raphaelite Scene Oil Painting on Canvas, Signed, Circa 1860

Seafaring Tranquility: A Pre-Raphaelite Scene Oil Painting on Canvas, Signed

Located in Jacksonville, FL

The painting by John Brett, dating back to circa 1860, is a testament to his artistic prowess within the Pre-Raphaelite movement. Meticulously executed on an Antique Oil On Canvas, the artwork conveys a serene and evocative scene. The frame's dimensions are Width: 22.40″ x Height: 16.75″ with a substantial thickness of 3″, encompassing a picture size of Width: 18″ x Height: 12″. This exquisite painting captures the essence of a cloudy day at sea, seamlessly blending a beach adorned with rugged rocks and gently rolling hills. Commanding the composition is a grand ship, accompanied by a fleet of smaller boats, while birds gracefully populate the skies above. The hues of the grass subtly hint at the season of fall, infusing the scene with a distinct temporal and atmospheric quality. Brett's hallmark meticulous attention to detail and expert handling of nature's nuances are prominently displayed, further showcasing his mastery of the landscape genre within the Pre-Raphaelite movement. The painting bears the distinct signature of John Brett, affirming his personal involvement and dedication to the artwork. This signature not only adds an intimate connection to the artist but also serves as a testament to the historical and artistic provenance of the piece, unequivocally linking it to the accomplished artist. In sum, the circa 1860 painting by John Brett stands as a testament to his artistic prowess. With its serene and masterfully rendered composition, it captures the viewer's imagination through its evocative depiction of a cloudy coastal scene. The meticulous attention to detail, skilled use of color, and the artist's distinctive touch combine to create a work that exemplifies Pre-Raphaelite excellence. John Brett ARA (8 December 1831 – 7 January 1902) was a prominent British artist associated with the Pre-Raphaelite movement, renowned for his meticulously detailed landscapes. Born near Reigate, Brett's artistic talent was nurtured within a creative family; his sister, Rosa Brett...

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John Brett'The winter of our discontent when we took the bar to the ebb', Newport, Wales

About the Item

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John Brett
'The winter of our discontent when we took the bar to the ebb', Newport, Wales