Laid Paper Landscape Paintings

Helmer Osslund (1866–1938) Sweden Northern Swedish Landscape signed lower right Helmer Osslund oil on greaseproof paper laid down on panel unframed 17 × 33.5 cm (6.7 × 13.2 in) fra...

Barbara Keidel Park XV & XVI - SET Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) (each) Signed and dated in pencil (each) Addition...

Barbara Keidel Park XVI Mixed media, pastel on handmade, toned laid paper 1997 Size: 29.5 × 21.25 inches (75 × 54 cm) Signed and dated in pencil Additionally hand-signed, dated, tit...

Maximilien LUCE 1858-1941 LE TRÉPORT Oil on paper mounted on canvas Signed bottom Left 5.5 x 9.5" (14 x 24.5cm) 10.5 x 14.5" (27 x 37.5cm) Provenance : Collection Jean Bouin ...

Brume Sur La Seine (Mist On The Seine) Raymond Thibesart (France, 1874-1968) Circa 1920s Pastel on Paper 12.6 x 9.5 (16 3/4 x 13 3/4 frame) inches Signed lower left Raymond Thibes...

Olof Arborelius (1842–1915) From Luntmakargatan, Stockholm oil on paper mounted on board signed with monogram “OA” unframed 24 × 30 cm (9.4 × 11.8 in) frame 35 × 41 cm (13.8 × 16.1...

Signed impressionist landscape oil on laid paper on canvas circa 1865 by French painter Stanislas Victor Edouard Lepine. The piece depicts a view of a rural landscape with a tree in ...

A beautiful large c.1960 French oil on paper laid on board cubist influenced landscape by Oleg Zinger. The work depicts a summer landscape with white build...

Shorebirds in the Surf an Original Pastel by Gregory Biolchini Shorbirds in the Florida Surf by Gregory Biolchini (American, B- 1948). Lively pastel with eager Shorebirds hunting for...

Signed and dated seascape oil on paper laid on canvas by French impressionist painter Maximilien Luce. The piece depicts a view of the sea at Honfleur, a commune in the Calvados depa...

Théodore Rousseau (French, 1812-1867) Personnages sur un sentier escarpé au coucher de soleil, 1845-50 Oil on paper laid on canvas Canvas: 12 x 9.75 inches (30.5 x 24.8 cm) Frame: 18...

Drypoint etching on laid paper Signed in the plate, lower right Pierre-Auguste Renoir was a leading figure of the Impressionist movement. His early work focused on...

oil on paper mounted on cardboard unframed 18.5 × 14.5 cm (7.3 × 5.7 in) framed 29.5 × 25.5 cm (11.6 × 10 in) signed with monogram “OA” Provenance: From the artist’s estate; by desc...

Charming and colorful mid century watercolor of a small coastal neighborhood and orchard by Zella Mae (Wunderlich) Dickinson (1895 - 1982). Initialed and dated "ZD '64" lower right c...

Breeze 1 [2021] original and hand signed by the artist Pastel, acrylic and oil on paper Image size: H:51 cm x W:71 cm Complete Size of Unframed Work: H:56 cm x W:76 cm x D:0.1cm ...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Signed lower left "Vigny" for Sylvain Vigny (French, 1903-1970) and painted, circa 1935, on artists board prepared by Maison Franco, 19 Rue Pastorelli, Nice. Born in Vienna, Sylvain...

Vintage Carmel Watercolor Landscape -- Shore Cypress Beautiful watercolor of windswept Carmel Cypress by Margaret C. Eifler (American, 1910-1996), circ...

Late 19th Century Gouache Maine Coast Seascape by Julian Walbridge Rix This seascape is of the Maine Coast by tonalist painter Julian Walbridge Rix (American, 1850–1903) depicting a...

Signed lower left, 'Bonnaure' for Alain Bonnaure (French, born 1941) and painted circa 1995. When he was a young artist, Alain Bonnaure's work was purchased by the renowned French p...

Signed lower right 'Jack Laycox' (American, 1921-1984); additionally signed, verso, titled, 'Gulls Near Carmel' and dated 1968. An exceptionally fine and atmospheric study of stor...

Mid Century Mountain Stream Modernist Landscape by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts a vibrant mountain stream, ...

Signed oil on paper laid on panel seascape c.1907 by French post impressionist painter Achille-Emile Othon Friesz. The piece is a study of a view of a boat in a quay at Normandy, Fra...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

For sale is a captivating painting by the Swedish artist, Rikard Lindström (1882-1943). Depicting a picturesque water canal, with charming houses lini...

OSKAR BERGMAN (1879–1963) Sweden BAGGENSFJÄRDEN, STOCKHOLM, 1922 signed and dated lower right pencil on paper unframed 18 × 26.5 cm (7.1 × 10.4 in) framed 23.5 × 32 cm (9.3 × 12.6 ...

Delicate and vibrant mid-1920's depiction of a nude woman sitting on the edge of a bathing pool by John Jay Baumgartner (American, 1865-1946). Soft light filters through dense foliag...

An original antique watercolor painting by well listed Austrian artist Franz Weidinger. This work is signed and titled lower left and housed in a be...

Psychedelic Handbags - Surreal Visionary Landscape Psychedelic abstract with textile fashion handbags in a colorful, surreal landscape by San Francisco artist Michael William Eggle...

Gorgeous mid century landscape of High Sierras full of clouds and cool lake water. some impasto texture also. A well done oil by a California plein air painter. Image 24"H x 30"W Oi...

Gorgeous autumnal watercolor of a landscape overlooking the Santa Cruz mountaintops by noted Santa Clara artist Louise Nygard (American, 20th cent...

First Edition lithograph Full plate: 20 Presented in a acid free mount Modern hand-coloured lithograph for the first edition of David Roberts' The Holy Land. Published by F.G. Moon ...

1980s Watercolor of Crystal Cove Beach, Laguna California Signed "Shirley Pittman" Shirley Pittman captures the historic seaside community of Crystal Cove with a vibrant palette and...

Post War Bay Area Figurative - Original Watercolor Painting "Weekend at the Beach Vibrant watercolor of family on the beach by Turkish-American artist Ömer Şahingil (Turkish/Americ...

Bonnieux Village Luberon France Bright and expressive white line woodcut in watercolor of Bonnieux Village Luberon France by Marilyn Heyman Marilyn H. Heilprin, (American, 1926-2020). Heilprin is an author, poet and artist from Bethesda, Maryland. Signed lower right "Marilyn Heilprin, titled lower left "Bonnieux WC 3 (watercolor #3). Marilyn Heilprin was born in New York City and has a B.A. from Smith College (1948) and M.A. in international relations from The American University (1963). A former research associate, writer and editor for federal agencies and private publishers, she attended writing workshops at Breadloaf, The American University, and Writers' Center in Bethesda, MD. She has published poems in literary journals and was a finalist in the Maryland State Poetry and Literary Society chapbook contests. She co-authored Leo Saal's memoir "Crossings: A Life in Russia and Germany in the First Half of the 20th Century." Feb. 2020, Marilyn Heilprin, 93, a retired editor, writer and researcher who created one of the earliest compendiums of international statistics and organizations. Image, 9"H x 12"W Sheet, 14.5"H x 16.5"W Frame, 15.25"H 17"W x .5"D Mrs. Heilprin, a former resident of Bethesda, Md., was born Marilyn Heyman in New York City. In the 1950s, she was a researcher and writer on handbooks about Mongolia, Finland, Germany, Austria, Lebanon, Syria and Israel for the Washington-area branch of the Human Relations Area Files, a nonprofit formed by several universities. The "Provincetown Print", a white-line woodcut print. Rather than creating separate woodblocks for each color, one block was made and painted. Small groves between the elements of the design created the white line. Because the artists often used soft colors, they sometimes have the appearance of a watercolor painting. Marilyn Heilprin, Ruth Cahnmann, George Chung, Susana deQuadros, Susan Due Pearcy, Leo Saal and Ann Zahn...

On An Autumn Day - Original Impasto Oil Painting Original oil landscape painting depicting a small wood sided cabin surrounded by trees of green and orange. A focal point of a brig...

Signed, lower left, 'W. Georgetti' for Wedo Georgetti (American, 1911-2005) and painted circa 1955. Additionally signed, lower center. Born in Italy, Wedo Georgetti came to the Uni...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

We would like to thank Madame Beck-Saiello for confirming the autograph nature of this drawing after an in-person examination. It was probably during an excursion in the countryside near Avignon that Claude-Joseph Vernet executed this drawing, enhanced with pen and brown ink, depicting a mansion on a hilltop overlooking a small village with geometric shapes. 1. Joseph Vernet, a painter influenced by Italy Claude-Joseph Vernet was born in Avignon in 1714, the son of Antoine Vernet (1689-1753), an artisan painter of architectural decorations, coach panels, and the like. He moved to the studio of Philippe Sauvan (1697-1792), a leading history painter in Avignon, and then worked with Jacques Viali (active 1681-1745), a decorative, landscape, and marine painter in Aix-en-Provence. Vernet's first recorded paintings were decorative overdoors executed in 1731 in the Aix townhouse of the marquise de Simiane. In 1734, Joseph de Seytres, marquis de Caumont, a leading amateur in Avignon, sponsored Vernet to make a study trip to Italy to complete his artistic education and to draw antiquities for his patron. As Avignon was a papal territory in Vernet's day, he also had a number of useful introductions among influential churchmen when he arrived in Rome. Vernet was soon at home in the French community there, and he was encouraged by Nicolas Vleughels (1668-1737), director of the Académie de France in Rome, even though the young painter had no official affiliation with the royal institution. He likely entered the studio of the French marine painter Adrien Manglard...

Wonderful mid century mixed media coastal/figurative in loose/painterly style by Irmal Gertrude Attridge (American, 1894-1962), circa 1950. Signed lower right. Presented in vintage frame under glass (included as-is). Image size: 9"H x 12"W. Irma Gertrude Attridge was born in Chicago and studied at Chouinard Art Institute in Los Angeles with Henry McFee and Oscar Van Young. Member of Calif. AC; AEA; Cal. WC. Soc.; Women Painters...

Acrylic on paper laid board. Frameless.

The "Passage" Monotype Painting by Karen Kvenvold Bailey Karen Kvenvold Bailey is a Felton California artist, a Montotype painting, with hand painting to image. The scene is dominat...

Davenport, California Seascape in Watercolor on Paper, Signed Gorgeous large scale watercolor seascape of an ocean view in Davenport, California by Edward Penniman (American, b. 194...

On the Moors - England Original Watercolor 19th Century Mid 19th century watercolor of the North York Moors in Spring by David Cox (English, 9 July 1809 – 6 December 1885), known as...

A stunning sky and cloud study by Gaston Prunier. Originally from Le Havre, the sea port where the Seine empties into the English Channel, Prunier was c...

California Lake Landscape in Watercolor on Paper Serene landscape by Donna N. Schuster (American, 1883-1953). The viewer stands at the edge of a lake, under a few trees. At the far ...

Bright Country Barns - Abstracted Modern Farm Landscape in Acrylic on Paper Vivid abstracted landscape of brightly colored barns in the countryside by San Francisco artist Michael W...

"Showers Today" San Francisco's Chinatown on an Overcast Day Original Watercolor A two sided watercolor on Arches paper by San Francisco and Maryland artist Harolod Gretzner (America...

View in Summer of Napoli, Italy Well executed pleinair painting of a hill over looking the Bay of Napoli, Italy. done at the turn of the century in ...

English Country Landscape - Watercolor on Paper Watercolor painting depicting an American country landscape by Oliver Louis Tweddle (English, B-1860). Four fishermen stand upon a br...

1906 Original Watercolor Painting of Mision de San Carlos Borromeo de Carmelo (Mission Carmel) Historically accurate watercolor painting of Carmel historic landmark Mission Carmel i...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Artist's Statement "When I first began to paint landscapes in college, European and American landscape painters heavily influenced me. I loved the immediate qualities of the Barbizo...

Buena Vista Aquaduct and Southern Pacific Train Los Angeles 1916 by Harry Bailey Dramatic and significant historical watercolor of the Buena Vista Viaduct 1916 (North Broadway Bridge...

Wonderful pastel of early Avalon, Santa Catalina Island by Guy Bedford (American, 1866-1916), 1898. One of two estate pieces purchased; one was signed and ...

Wonderful mid century landscape of an old Monterey Cypress tree in Carmel background in teal hues by Jeanne Manget (American, b. 1913 - 1988), c.1960....

"Wagon Shed", a 1970's farm landscape of San Louis Obispo by Helen Hollister (American, 1921-2020), 1975. Presented in a wooden frame. Signed "Helen Holliste...

1920 Honolulu Harbor from Hillside by Arthur Merton Hazard. A luminous early 20th-century watercolor by Arthur Hazard (American, 1872-1930) depicting a sweeping hillside view over H...