Matthew Paoletti

"Untitled" Contemporary Surreal Abstract of a Woman Running Through a Forest

2021

Landscape painting of a forest with hunters and their dog. The work is signed by the artist in the bottom corner. The canvas is framed in a gold frame with a black trim. Dimensions Without Frame: H 24 in x W 30.25 in. x D 1 in. Artist Biography: Texas artist, Peggy Byars, has been a professional artist since 1976. She feels that a work of art should involve the total person. One should sense the smells, feel the warmth of the sun, enjoy the fresh air and cold water hear the wildlife. Peggy's illumination technique, or glow, is the trademark of all her work, giving her paintings a refreshing aliveness and sense of being there. Ms. Byars has studied with Cowboy Artists of America Museum in Kerrville: Harvey...

Naturalistic landscape painting of a field of trees painted with egg tempera. The piece is signed by the artist in the bottom corner and framed in a dark wooden frame with black acce...

Unique red landscape of a man standing under a tree with black lightening overhead. Done in an expressionist style similar to that of Edvard Munch. Signed, titled, and dated by possi...

Contemporary naturalistic painting by Texas-based artist Jennifer Lively. The work features a woman riding a horse bareback set against a lush grove of trees and foliage. Signed in t...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

Original French Artwork signed initials by Robert Ladou (French 1929-2014) original watercolour painting on artist paper, framed overall size: 11.5 x 16inches size: 7 x 10.5 inches...

Henry Prellwitz Into the Woods Oil on board 11 1/2 x 8 3/4 inches Henry Prellwitz studied art at the Art Students League of New York, where his chief mentor was Thomas Wilmer Dewing; he later became its director.[3] He also studied at the Académie Julian in Paris. In 1892, he set up his studio in the Holbein Studios building on West 55th Street in Manhattan, where his future wife, the artist Edith Mitchill, also had a studio. They married in 1894 and had a son, Edwin. By the mid 1890s, he was teaching portrait painting at the Pratt Institute, where one of his students was the Cubist artist Max Weber. In 1899, Henry and Edith moved to the north shore of Peconic Bay on Long Island, where their artist friends Irving Ramsay Wiles and Edward August Bell were already established. They painted plein air paintings and also worked in adjoining studios at High House, their Peconic Bay home. Prellwitz painted Impressionist and Tonalist waterscapes of Peconic Bay and allegorical figure paintings such as the 1904 Lotus and Laurel. He exhibited mainly on the east coast and at expositions like the St. Louis World's Fair, where he won a silver medal. He won the Third Hallgarten Prize from the National Academy of Design (NAD) in 1893 for The Prodigal Son, and his Venus won the Thomas B. Clarke Prize at the 1907 NAD exhibition for the best figure composition by an American citizen painted in the United States. Both Prellwitzes disappeared into obscurity for several decades after their deaths in the early 1940s. Rediscovered in the 1980s, they have been called one of the best-kept secrets in art...

In the painting « Walk in the forest » I sought to capture the vibrant and wild essence of nature through a vivid blend of Faivism and Inpressionism. Using acrylics, I painted th...