William Didier-Pouget

“Bruyères en fleurs” 1949, 20th Century oil on canvas by William Didier-Pouget

1949

LUIS GRANER Y ARRUFI Spanish, 1863 - 1929 MOONLIT RIVER SCENE signed and dated "L Graner 1925" (lower right) oil on canvas 20-1/8 x 30 inches (51 x 76 cm.) framed: 25-3/4 x 35-3/4 inches (65 x 90.5 cm.) PROVENANCE Private Collection, Barcelona, Spain Graner paints this work, Moonlit on the river, during his stay in the United States in the last stage of his artistic life, from 1910 to 1928, in full stage of maturity. This artwork reflects the constant search of the artist for the effects of light in his work. This persistent concern for light remains throughout his artistic life, which he learned in his Parisian stage under the influence of the painter Frances Platour. The silver light of the moon and the small lights at distance, which are tiny foci of artificial light, reflecting the river water, forming a chromatic range of greens, ocher and pearly that give a certain mystery to the composition, creating a modern approach to the landscape, by placing the two large trees at the edge of the river in the foreground Luís Graner y Arrufí, Spanish (1863–1929) was a Catalan painter in the Realistic style. He was born in Barcelona, and studied at the Escola de la Llotja from 1883, with Antoni Caba (color/composition) and Benet Mercadé (drawing). During his final year at school, he received a grant to study in Madrid, where he copied and learned from the Old Masters at the Museo del Prado. After that, supported by a fellowship, he moved to Paris and became a member of the Academie des Beaux-Arts. Later, he returned to Barcelona, but continued to travel to cities throughout Europe, including Berlin, Munich and Düsseldorf. Influenced by Richard Wagner's concept of "Gesamtkunstwerk" (Total Work of Art), he was motivated to create his own total art experience and organized the "Sala Mercè" (Mercy Hall) in Barcelona's Rambla District. The project involved contributors from every artistic discipline, including the new field of cinematography. The room was decorated by Antoni Gaudí. Other participants included Adrià Gual, Santiago Rusiñol, Ramon Casas...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed “Grau Sala” (lower right) oil on canvas 25-1/2 x 32 inches (65 x 81 cm.) framed: 36-1/4 x 42-1/2 inches (92 x 108 cm.) Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

Signed post impressionist landscape oil on canvas circa 1905 by French painter Eugene Henri Alexandre Chigot. The work depicts summer flowers - yellow sunflowers and pink foxgloves - blooming outside a cottage on a hilltop. The cottage is white with a red roof and green shutters. A tree branch overhangs the path beside the cottage. Signature: Signed lower right Dimensions: Framed: 38"x46" Unframed: 29"x37" Provenance: Private collection - France A pupil of his father Alphonse Chigot, Eugène Chigot enrolled at the École des Beaux-Arts in Paris in 1880, where he studied under Vayson, Cabanel and Bonnat. He exhibited at the Paris Salon from 1884-1924, and was commended by the jury of 1885, winning a third-class medal in 1887 and a second-class medal in 1890. After travelling in Spain, in 1887 he settled in Étaples in Flanders, before returning to Paris, where he became a founder of the Salon d'Automne. He was awarded bronze medals at the Paris Expositions Universelles of 1889 and 1990, and held his first solo show in Paris in 1905. He was an inspector of the museums of painting and drawing curated by the French maritime ministry, and an Officer of the Légion d'Honneur. His early works are large-scale history paintings, which he quickly relinquished in favour of landscapes, depicting scenes from his travels in southern France, Italy, the Auvergne, Vendée, Brittany and Flanders, whose light he particularly appreciated. Some of his works are reminiscent of paintings by Pissarro...

"An Autumn Day by the River" by René Charles Edmond His (French, 1877–1960) is an oil on canvas landscape measuring 20 x 25 inches, depicting a tranquil river bordered by trees glowi...