William James

Grand Canal in Venice from Campo San Vio by William James

Mid-18th century

Martin Rico y Ortega 1833-1908 Spanish Venetian Scene Signed "Rico" (lower left) Oil on canvas Spanish artist Martin Rico y Ortega captures a charming view of a canal in Venice ...

Félix-François Georges Ziem 1821-1911 French Topi à Chioggia, Venise (Boats in Chioggia, Venice) Signed “Ziem” (lower left) Oil on canvas The city of Venice was a favorite subjec...

Jean-François Raffaëlli 1850-1924 French Trinité des Monts, Paris Signed "JF Raffaëlli" (lower right) Oil on canvas Alive with movement and modern elegance, Trinité des Monts, Pa...

Otto Eerelman 1839-1926 Dutch Concours de Chiens au Promenade Watercolor on paper Signed “O. Eerelman 1904” (lower left) A tour de force watercolor by celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, this charming composition captures a bustling cross-section of fashionable elites walking their equally fashionable canine companions. Eerleman takes care to render the detailed attire of his subjects, complete with plumed hats and layers of lace trim. The artist paints the plethora of pets in equally painstaking detail, capturing the nuances of each different breed represented. Eerelman mastered the art of depicting not only the dogs’ physical characteristics but also their unique expressions and personalities. His wealthy clientele would bring their pets to his home in The Hague where they would live for a period of time while having their portraits done, allowing for a remarkably true-to-life portrayal. This energetic watercolor, with its profusion of color and texture, harnesses the affluence of its subjects and the leisurely whimsy of their luxurious lives. Hailing from Groningen, Netherlands, Eerelman was dubbed the “Northern Rembrandt” during his lifetime. He received his artistic training at the Academy Minerva in Groningen, the Royal Academy of Fine Arts in Antwerp and then private lessons in the studio of the great Lawrence Alma Tadema. He successfully captured the attention of the Dutch court, particularly Princess Wilhelmina...

1926. Etching in sepia ink on Japon paper, 9 5/8 x 11 1/2 inches (245 x 292 mm), full margins with the lower margin slightly notched. Signed, titled and dated in pencil in the lower ...

'Venice, Santa Maria della Salute from the Cannaregio Canal' by Peter Götz Pallmann. Large Venetian Oil ----- Signed lower right, 'P. G. Pallmann'...

This oil on canvas depicts a lively Venetian canal scene and is signed Brancaccio in the lower right. The composition features elegant palatial façades with arcaded architecture lining the canal, their warm tones softly reflected in the rippling water. Several gondolas animate the foreground, guided by gondoliers and occupied by figures, creating a sense of movement and daily life within the historic city. The artist employs a rich, subdued palette dominated by deep greens, umbers, and ochres, evoking a twilight atmosphere characteristic of romantic Venetian views. Particular attention is given to the treatment of water and reflections, demonstrating confident brushwork and a strong understanding of light and architectural perspective. This painting belongs to the tradition of Venetian vedute from the late 19th to early 20th century, a genre long admired by collectors for its timeless portrayal of Venice’s poetic and architectural heritage. Both decorative and evocative, the work is well suited for a refined interior or a collection of European or Italian paintings. • Venetian canal oil painting • Antique Venice painting...

Alfred Pollentine British, (1844-1910) The Grand Canal looking towards St Marks Square & the Doge’s Palace, Venice Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25.25 inches x 35.25 inches A wonderful view of the Grand Canal featuring the Doge’s Palace and St Mark’s Square, Venice by Alfred Pollentine. The scene shows the entrance to the Grand Canal with the Santa Maria Della Salute with its distinctive rotunda and the Dogana to the left. Ahead can be seen the bell tower of St Mark’s with the Doges palace to its right. Alfred William Pollentine was born in St Pancras, London on 26 August 1844, the son of William Pollentine, a carver gilder and picture dealer and Caroline Smith. After the death of his father in 1856, his mother married the artist Adam Barland...