Yolande Ardissone

A Coastal View

Work on canvas Gray wooden frame 64.5 x 114.5 x 4 cm

Jean Ekert (French, 20th Century) Coastal Landscape, circa 1960 Oil on board, signed lower right This vibrant coastal view by Jean Ekert captures the warmth and energy of the Medite...

Alejandro Rubio Coastal View, 2023 Oil on canvas 16 x 46 inches This one-of-a-kind oil painting on canvas is stretched across wooden stretcher bars.

A Coastal Village French School, mid-late 20th century unsigned oil painting on canvas textured paper (reverse side is smooth, the painted side looks and feels as canvas), unframed o...

In "Lights of the Shore", Sophie Dumont captures the essence of coastal light through a subtle interplay of colors and textures, using a palette knife to bring a dynamic, expressive ...

Artist: Karen Darbinyan Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Linen, Year: 2023 Style: Impressionism Title: Coastal Size: 16.5" x 21.5" x 0.8'' ...

A vibrant oil painting by the artist Harold Williams, depicting a coastal scene. Signed to the lower right-hand corner. Presented in a gilt-effect fram...

Late 20th Century oil on canvas view of a rural landscape down to the sea by Franco British artist Isabell Pardoe. The painting is not signed but came directly from the artist's atel...

Work on canvas Golden wooden frame 66 x 78 x 4 cm

This artwork "Coastal Landscape" c.1970 is a oil painting on canvas by Russian artist Irina Belotelkin Roublon 1913-2009. It is signed lower left by the artist. The canvas size is 18 x 24 inches. It is in very good condition. About the artist. Irina Belotelkin Roublon, née Roudakoff, was born in Elisavetgrad, Ukraine to the Russian noblesse ancienne, descendant of Catherine the Great, she was a student at the Mariinsky Noble Ladies' Institute , Novocherkassk, Russia. She was orphaned at the time of the Russian Civil War after her father, General Paul Roudakoff, was fatally wounded in battle; 5 days later her mother died of typhus. Still unaware of her parents' death, and after witnessing her two sisters' deaths from starvation, the young Irina, then 8 years old, made her way over 1,000 kilometers, alone and through many privations to Moscow and the Estonian embassy there, with whom her Estonian uncle Volodya Blonsky had made arrangements. After a year in Moscow, and appeals to the Estonian consul, Irina was aided in a dramatic escape from the Soviet Union, to her aunt Anna Blonsky Lassburg (1882–1940) and her husband Doctor Genrick Lassburg in Tallinn, Estonia. Eventually, after in 1929, traveling through Ellis Island and admitted as a student, of voice studies, she joined her brother who had settled, in 1923, in the United States. Irina came to San Francisco during the Second World War, Among Irina's devotions were ballet and opera. She often entertained friends Rudolf Nureyev, Mikhail Baryshnikov, and Sergei Leiferkus when they were in town. Natalia Makarova and Yuri Possokhov were often guests at Irina's Russian Christmas and Easter parties. From the early 1960s through the late 1980s, Irina studied and prolifically created still life and portrait paintings in oil and water color, excelling in flower compositions. She held studio and feature exhibitions; she competed and won prizes. Her work is in holdings throughout the San Francisco Bay area, Europe and Russia. In 1965 she undertook private study with two prominent Russian painters, including Serge Ivanoff; she executed a portrait of her two masters. She cherished her portrait as executed by Serge Ivanoff. Among her most accomplished pieces are those of iris and the large white Matilija poppy...