Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 12

Gerald Leslie Brockhurst
Portrait of Marguerite Folin, Gerald Brockhurst

$49,506.89
£35,715
€42,508.30
CA$68,571.95
A$68,748.54
CHF 39,839.29
MX$840,053.09
NOK 461,680.63
SEK 471,453.29
DKK 317,737.56

About the Item

Gerald Leslie Brockhurst 1890 – 1978 Portrait of Marguerite Folin Oil on panel, signed lower right Image size: 18 x 14 inches (45.7 x 34.3 cm) Original frame The sitter for this portrait is Marguerite Folin, who was the sister of Brockhurst's first wife Anaïs. Like a renaissance old master portrait, Brockhurst has placed the sitter in a beautiful landscaped background. The beauty of a study like this is to see the underdrawings on the garments, revealing to us exactly what Brockhurst found necessary to establish as preparatory guidelines for the portrait. On the reverse of this portrait is a oil sketch of a landscape. Brockhurst was a British-born painter and etcher who became an American citizen in 1949. He was born in the Edgbaston district of Birmingham he entered the Birmingham School of Art at the age of twelve and, in 1907, entered the Royal Academy Schools in London. Precociously gifted, an excellent draughtsman, and a fine craftsman, Brockhurst won several prizes at the Royal Academy Schools. A travel scholarship allowed him to visit Paris and Italy, where the art of the Italian Renaissance proved to have a lasting influence on his work. In 1937 he was elected an Academician of the Royal Academy. Although he portrayed men, he excelled in his portraits of women. His skill and technique enabled him to depict textures such as lace, fur and hair, with a beauty and elegance. He went on to have a highly successful career as a society portraitist, first in Britain and then in the USA, where he settled in 1939, working in New York and New Jersey. During the 1930s and 1940s he was greatly celebrated as a portraitist, painting society figures such as Marlene Dietrich and the Duchess of Windsor. He is best known for his portraits of glamorous women, painted in an eye-catching, dramatically lit, formally posed style similar to that later associated with Annigoni. Many of these were modelled by his first and second wives.

More From This Seller

View All
Portrait of a Lady, Early 20th Century Oil

Portrait of a Lady, Early 20th Century Oil

By Arthur Ambrose McEvoy

Located in London, GB

Follower of Ambrose McEvoy (unsigned) Circa 1910 Portrait of a Lady Oil on canvas Image size: 20 x 16 inches (51 x 40.5 cm) Original ebonised Frame A stunning portrait of a lady ...

Category

Early 20th Century Portrait Paintings

Materials

Canvas, Oil

Self Portrait, 20th Century Female Artist Oil Painting

Self Portrait, 20th Century Female Artist Oil Painting

By Joan Fairfax Whiteside ARRC FMAA

Located in London, GB

Oil on canvas Image size: 17 3/4 x 13 inches (45 x 33 cm) Contemporary hand made frame and oval mount The Artist Joan Fairfax Whiteside was a prodigious artist and illustrator. Bor...

Category

Mid-20th Century English School Portrait Paintings

Materials

Canvas, Oil

Portrait of a Lady in a Black Bonnet

Portrait of a Lady in a Black Bonnet

By Arthur Ambrose McEvoy

Located in London, GB

Oil on canvas Image size: 30 3/4 x 26 1/8 inches (78 x 66.5 cm) Handmade contemporary style frame Provenance Collection of David Sellin, Washington, D.C. Sellin was an American art ...

Category

Early 20th Century Portrait Paintings

Materials

Canvas, Oil

Portrait of a Young Girl, Polish Late 19th Century Oil

Portrait of a Young Girl, Polish Late 19th Century Oil

Located in London, GB

Szymon Buchbinder 1853 - 1908 Portrait of a Young Girl Oil on canvas Image size: 19 x 13 inches Original frameSimon Buchbinder (1853-1908) was a Polish painter. Most of his works we...

Category

Late 19th Century Portrait Paintings

Materials

Canvas, Oil

Portrait of a Mary Hardy (nee Sulman), Late 19th Century Victorian Oil

Portrait of a Mary Hardy (nee Sulman), Late 19th Century Victorian Oil

Located in London, GB

Slade School Late 19th Century Portrait of a Mary Hardy (nee Sulman) Oil on panel Image size: 8 x 7 inches Contemporary frame Provenance Lady Town (Grandda...

Category

Late 19th Century Victorian Portrait Paintings

Materials

Oil, Panel

Portrait of a Lady in Blue

Portrait of a Lady in Blue

By Edward Bainbridge Copnall

Located in London, GB

Edward Bainbridge Copnall Portrait of a Lady in Blue 1903-1973 Oil on canvas, signed lower left and dated '30' Image Size: 24 x 20 inches (61 x 50.7 cm) Contemporary style frame Thi...

Category

20th Century Portrait Paintings

Materials

Canvas, Oil

You May Also Like

Amanda (Marguèrite), No. 1

Amanda (Marguèrite), No. 1

By Gerald Leslie Brockhurst

Located in Plano, TX

Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...

Category

Early 20th Century Modern Portrait Prints

Materials

Etching

Portrait of Hope G. Simpson - British 1952 art female portrait oil painting

Portrait of Hope G. Simpson - British 1952 art female portrait oil painting

By Gerald Leslie Brockhurst

Located in Hagley, England

This superb British realist portrait oil painting is by noted artist Gerald Leslie Brockhurst. It was painted in 1952 when Brockhurst was in his sixties and living in America since 1939. The sitter is Hope G. Simpson. The painting is a half length portrait of a striking blonde woman in a blue buttoned up Chinese style garment. It is a strong portrait with bold colours and confident brushwork and an excellent example of his work. Signed and dated 1952 lower right. Provenance. Hiram Hoelzer New York label verso. Portraits Inc. East Street new York. Label verso. Condition. Oil on canvas, 30 inches by 25 inches and in good condition. Frame. Housed in its original wooded frame, 37 inches by 32 inches and in good condition. Gerald Leslie Brockhurst (1890-1978) was a British painter and etcher. Brockhurst was born in the Edgbaston district of Birmingham on 31 October 1890, son of a coal merchant called Arthur Brockhurst, he soon showed precocious drawing skills and entered the Birmingham School of Art at the age of twelve. A pupil at the Royal Academy Schools in 1907, he won the gold medal and a travelling scholarship in 1913, enabling him to visit both France and Italy. This led to a closer study of such 15th-century artists as Piero della Francesca, Botticelli and Leonardo da Vinci, whose work had an abiding influence on him. In 1914 he married for the first time to a Frenchwoman, Anaïs Folin, whom he used as the model for most of his early etchings of young womanhood (especially from 1920 till 1934). From 1915 to 1919 Brockhurst and his wife Anaïs lived in Ireland, where they were friendly with the artist Augustus John and his circle. Though he tried his hand at etching in 1914, it was not until 1920 that he began his career as an etcher in earnest, eventually achieving success as both a printmaker and society portraitist. Brockhurst held his first important exhibition in 1919, in London, and after it was well received returned to live there. In 1921 he was one of the early members of the newly-formed Society of Graphic Art and exhibited with them. Throughout the 1930s he continued an increasingly successful career as a portrait artist, with notable sitters including the film stars Merle Oberon and Marlene Dietrich, as well as the Duchess of Windsor, whose husband commissioned her portrait. In 1937 Brockhurst was elected to the Royal Academy and was able to command a price of 1,000 guineas for a portrait. In the same year however details of his relationship with his young model Kathleen Woodward, whom he had renamed Dorette, were made public after she gave an interview to the Sunday Express. Brockhurst's marriage had previously come under strain in 1922 when his wife discovered his adultery with her sister, Marguerite, and now broke down acrimoniously, with Brockhurst counter-suing on the grounds of his wife's adultery. In August 1939 Brockhurst and Dorette moved to the United States, and he was eventually divorced from his first wife in 1940. He married Kathleen in 1947. In New York City, Brockhurst became both famous and rich with a series of society portraits but his printmaking output diminished, especially his etchings. He produced a few lithographs at the end of his career (around 1945). In 1951, he was elected into the National Academy of Design as an Associate member. In 1958, he appeared as a guest challenger on the TV panel...

Category

1950s Realist Portrait Paintings

Materials

Oil

Una (Portrait of a Creole Lady)

Una (Portrait of a Creole Lady)

By Gerald Leslie Brockhurst

Located in New York, NY

Gerald Leslie Brockhurst (1891-1978), Una (Portrait of a Creole Lady), etching, 1929, signed in pencil lower right, and also inscribed by the artist: “2nd State, GB”. Reference: Flet...

Category

1920s Realist Portrait Prints

Materials

Etching

Portrait of Louisa Ann Inglis 1857-1935 - British Victorian art oil painting

Portrait of Louisa Ann Inglis 1857-1935 - British Victorian art oil painting

By William George Robb

Located in Hagley, England

This lovely British Edwardian Impressionist portrait oil painting is by noted artist William George Robb. Painted circa 1901 the sitter is Louisa Ann Inglis, wife of Sir Charles Ingl...

Category

Early 1900s Victorian Portrait Paintings

Materials

Oil

Portrait of a Young Woman with Book - British Art Deco 20s portrait oil painting

Portrait of a Young Woman with Book - British Art Deco 20s portrait oil painting

By James P. Barraclough

Located in Hagley, England

This lovely Art Deco portrait oil painting is by noted British artist James P Barraclough. Painted circa 1923 it is a seated portrait of a young woman holding a book on her lap. She is wearing a blue satin dress with lace cuffs and collar and is gazing warmly at the artist and viewer. The illumination on her features is superb. A lovely Art Deco period oil portrait...

Category

1920s Art Deco Portrait Paintings

Materials

Oil