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Seymour Joseph Guy
A Portrait of "An Old Colonial Governor" by Seymour Joseph Guy (American)

$15,000List Price

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A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford), 1878

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Located in Queens, NY

Sanford Robinson Gifford (American 1823-1880) A Rare Portrait Of Mrs. Sanford Robinson Gifford (Mary Cecelia Gifford) "The Artist's Wife" Oil on Paper mounted on canvas, painted in 1878, 2 years before his death. In original giltwood frame. Painting: 8 1/4" high by 7 1/4" wide Frame: 15" high x 13.5" wide Provenance: Private Collection (acquired by descent directly from the artist in 1878) Alexander Gallery, New York (acquired from the above) Acquired from the above in 1986 by the present owner The Art Institute of Chicago (Reference Number 1986.184) New York, Private Collection Literature: Ila Weiss, The Poetic Landscape: The Art and Experience of Sanford R. Gifford, Newark, 1987, no. 10, p. 309, illustrated The Art Institute of Chicago, letter from Milo Naeve to Mr. and Mrs. William Y...

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English School, A Rare Portrait of John Scott Russell and "The Great Eastern"

English School, A Rare Portrait of John Scott Russell and "The Great Eastern"

Located in Queens, NY

English School, A Rare Historical and Important Portrait Painting of John Scott Russell and "The Great Eastern", (19th Century) Oil on canvas, in a period hardwood frame. John Scott Russell of Scotland (1808-1882) was one of the great marine engineers of the 19th century. In 1858 he launched the Great Eastern, (depicted here in this painting) then the world's largest ship, which would make history by laying the first transatlantic telegraph cable...

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Alfred Copestick, Coastal Scene: New York, Oil on Canvas, 1857

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Alfred Copestick, Fort Hamilton from the Narrows, New York, 1857

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Located in Queens, NY

Alfred Copestick (1837–1859) Fort Hamilton from the Narrows, New York, 1857 Oil on canvas, in the original giltwood frame 14 ¼ x 20 ⅛ in. (canvas) Signed lower left: A. Copestick NY 1857 Painted when Copestick was only twenty years old, Fort Hamilton from the Narrows, New York captures both the military fortifications and maritime vitality of New York Harbor at mid-century. In the foreground, the fortress bastion commands the shoreline, while sail and steam vessels traverse the Narrows — the strategic waterway linking Upper New York Bay to the Atlantic. Copestick conveys not only the architectural solidity of Fort Hamilton but also the shifting atmosphere above, where cloud formations build and dissolve across a wind-driven sky. The painting is a remarkable marriage of documentary precision and romantic sensibility. The young artist’s brush imbues the fortress with weight and presence, yet the broader scene is alive with the transience of weather and the ceaseless motion of the sea. In its original giltwood frame, richly carved and preserving the period character, the canvas is a rare survival of a gifted hand cut short in its prime. This canvas reveals Copestick’s deep engagement with the maritime traditions of American art. The careful delineation of sailing vessels recalls the precision of James E. Buttersworth, while the atmospheric breadth echoes the influence of Fitz Henry Lane and John F. Kensett. The choice of subject — the strategic Narrows and its fortress — also reflects the national mood of the 1850s, when American identity was bound up with its coasts, harbors, and defenses. The romantic skies and dramatic contrasts suggest the impact of the Hudson River School, particularly the legacy of Thomas Cole and Asher B...

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