18th 18th Century
Painting Portrait of a Gentleman 18th century. Oil on Canvas.
Located in Milan, IT
Oil on Canvas. Northern Italian school of the 18th century. The gentleman, in an elegant suit with a red cloak, was portrayed with several objects placed on the desk in front of him,...
Oil
Painting Portrait of a Man in Armor 17th century
Located in Milan, IT
Oil on Canvas. Genoese school of the early 1700s. The man, whom the thick wig places in the realm of the nobility or upper middle class, wears a burnished metal breastplate, under wh...
Oil
Painting Male Portrait 19thC
Located in Milan, IT
Oil on Canvas. French school of the late 1700s-early 1800s. Portrait of a gentleman in elegant bourgeois dress. The canvas has slight tears and is in need of cleaning. It is presente...
Oil
Painting: Portrait of a Prelate, oil on canvas. Italian school of the late 18th century.
Located in Milan, IT
Oil on Canvas. Italian school of the late 18th century. Portrait of a prelate in his cassock, posing in front of the drapery that conceals the fluted columns of his place of worship....
Oil
Painting Portrait of a Noblewoman 18th century
Located in Milan, IT
Oil on Canvas. The noblewoman is richly attired, with an elegant red cape resting on her shoulders, leaving her lace-trimmed dress uncovered; her hairstyle is embellished with pearls...
Oil
Painting Female Portrait 18th century
Located in Milan, IT
Oil on Canvas. Central European school of the 18th century. The distinguished lady, flaunting a dress embellished with bows and lace, is seated at her desk and holding a letter; in t...
Oil
Ritratto figurativo maschile neoclassico italiano con cornice firmato
Located in Florence, IT
Questo dipinto riporta sul retro della tela un'iscrizione molto importante il cui testo è “Ritratto di (?) Dom.° Anto. Camerini fatto in Roma l’An: 1784: da Gio. Batta del Era Milane...
Canvas, Oil
Painted 19th century Roman historical religious male figurative portrait
Located in Florence, IT
Oil painting on canvas ( 97 x 72 cm; 116 x 89 cm with gilt wood frame). Title: Portrait of Monsignor Gherardo Federici against the background of the church of Santa Maria Maggiore i...
Canvas, Oil
Religious figurative drawing of 18th century male portrait on parchment
Located in Florence, IT
This small portrait, from an important Florentine collection, (unframed 14x10 cm.) is signed and dated on the lower edge "Io(hannes) Baptista Scarlattius Rondinelli Fecit Anno 1754."...
Parchment Paper, Tempera, Watercolor
17th century, Male Portrait
Located in Milan, IT
XVII Century Male Portrait Oil on copper miniatures, 8 x 6.6 cm Framed, 18 x 14.5 cm
Copper
Portrait of a Nobleman, French School 17th Century
Located in New York, NY
French portrait of a nobleman, 17th Century, great condition. With a beautiful carved wooden frame.
Canvas, Oil
Portrait Paint Oil on canvas Old master 16/17th Century Italian Raffaello Art
Located in Riva del Garda, IT
Tuscan painter active towards the end of the 16th century Portrait of Captain Niccolò Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola. Tuscany, end of the 16th century Oil on canvas, 64 x 47 cm., Framed 89 x 73 cm. The portrait we present to you shows the effigy of a vigorous high-ranking male figure in armor, in the most typical Renaissance pose, half-length and taken in profile, with his face and gaze turned to the side; the serious and intense expression and the facial features evoke at first glance the portraiture of early Florentine mannerism. He is Niccolò III Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola and son of Aldobrandino Orsini, famous leader and captain (or capitano di ventura) who lived between the fifteenth and sixteenth centuries, who served for the state Pontifical in Naples and Florence and above all for the Republic of Venice. Portraiture with these characters, which derives from ancient coinage, was used in the sixteenth century in the sequences of Portraits of Illustrious Men, both in painting and in sculpture. The profile portrait was in fact a genre reserved, according to the Renaissance tradition, for celebrations, presenting those characteristics of imperturbability typical of the military role covered. Our painting is a work created by an author active in Tuscany towards the end of the sixteenth century, adhering to those pictorial styles made famous by the portraitist Cristofano di Papi dell'Altissimo (1530-1605), a pupil of Bronzino and then of Pontormo, known for having created a collection of about 500 portraits of illustrious men, known as the 'Gioviana Series' (now in the Uffizi Gallery); and among these it is possible to identify one dedicated to Niccolò Orsini. Our painting is inspired, in particular, by a print taken from the collection of prints...
Oil
