Michael William Eggleston

Garden Tools, Still-Life of Shovels

c.1980s

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

"Meriden Cutlery 1870" is a contemporary realist painting of an antique tool: Trompe L'oeil. John Morfis was born in Glen Cove, Long Island in 1976. H...

In "Still Life with Feather," a trompe-l'œil oil painting, Willard Dixon realistically recreates images of everyday objects taped to a colored wall, creating a minimalistic impressi...

Michael Iskowitz creates colorful, seemingly playful paintings that often belie a more serious message. His process is somewhat spontaneous, fueled by a sense of exploration and disc...

An oil painting of an antique tool, a Garden Dibble, which is a long stick-like tool used to make holes for seeds, to make sure they are sufficiently buried in the soil without damage. This particular object that Morfis chose to paint has a wooden handle, and a metal point. The dibber rests atop a nail, against a gray wall. Bright studio-light casts a sharp shadow directly beneath the tool. Painted in the academic realist style of "trompe-l'oeil" which is French for "trickery of the eye". BIOGRAPHY John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

Artist: Ian Hornak (1944-2002) Title: (Abstract Still Life) Untitled Year: circa 1964 Medium: Acrylic on illustration board Size: 10 x 9 inches Condition: Good Provenance: Estate of ...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz...

A beautiful huge signed and dated 1970 French oil on canvas depicting a garden trug and shears, by Henri Marcel Martin. Excellent quality work on an impressive scale which is presen...

Painted from life in his connecticut studio, John Moris paints two metal oar locks. These tools are normally attached to the sides of a row-boat, and lock in the oars with which a sailor would row. Hanging fro a tiny metal nail, dangling from a small white thread, before an off-white, monochromatic backdrop. Framed in a simple black frame, as pictured. Frame dimensions are 24 x 20 inches. Painting dimensions are 19 x 15 inches. John Morfis was born in Glen Cove, Long Island in 1976. His humble beginnings made pursuing a career in art difficult and paradoxically necessary. Fixated on making things aesthetically pleasing, John made an extreme departure from his family life when he chose to base his life on art. Surrounded by mechanics, welders, and otherwise trade workers John had a tough time expressing his interest in a world much more utilitarian and much less expressive and impractical. With an extraordinary desire to be an artist and a grant awarded, John was able to earn a Bachelor of Fine Arts with a concentration in painting from the University of Hartford in 1998. While there John studied oil painting under American realist Stephen Brown. John’s first solo show took place in 2007 at the Ellen Traut Collection Gallery in Hartford, CT and was a near sell out. Since then John has had success up and down the northeastern coast of the United States working with various galleries and collectors. His work has also appeared in various group shows at the New Britain Museum of American Art in Connecticut. ARTIST STATEMENT Each painting, although a portrait of a tired hand...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...