American Modern Paintings

A Vibrant, 1950s Mid-Century Watercolor of Provincetown, Massachusetts by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A superb example of Chapin's Post-War landscap...

A fantastic early painting from Kahn’s iconic barn series depicting Dr. Middleton’s property in West Brattleboro, VT. Here, Kahn turns a familiar rural motif into something hovering ...

A Colorful, Modern Maine Coastal Scene Painting, "White Boat in Harbor" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit autumn landscape painting most likely painted near the quiet rural harbor town of Penobscot, Maine. The painting is acrylic on canvas, dates from the 1950s and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 20 x 36 inches, accompanied with the artist's original, hand-painted frame (Framed size: 21 3/4 x 36 1/2 inches). Signed "Turzak", lower left; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

Acrylic painting on canvas Size: 70 × 90 × 2 cm (unframed) This artwork is sold unstretched, but I can arrange for it to be stretched upon request. The artwork comes with the a Certificate of Authenticity. Artworks are shipped rolled in a secure tube. This is a safe and reliable packaging method that ensures your artwork arrives in perfect condition while keeping shipping costs affordable. This minimalist painting features vibrant red flowers in a white vase, set against a calming turquoise background. Inspired by the styles of David Hockney and Henri Matisse, the artwork combines abstract shapes with bold brush strokes, creating a modern, eye-catching piece for your home. Painted with acrylic on canvas, it brings a playful yet elegant touch to any room. Ideal for lovers of contemporary art, this piece is perfect for brightening up living spaces, bedrooms, or offices. Add a pop of color and sophistication to your wall with this striking floral painting Minimalist red flowers in white vase with turquoise background, abstract acrylic painting inspired by David Hockney and Henri Matisse red flowers painting, minimalist art, abstract floral, turquoise background, white vase artwork, Hockney inspired, Matisse style, modern wall art, acrylic flower painting...

A fantastic WPA-era painting of a Georgia moonshiner by famed Italian-American artist Athos Menaboni (1895-1990). This work depicts an older man sporting a brown hat, brown jacket, ...

Colorful acrylic painting of friends relaxing in lounge chairs with wine glasses Acrylic Painting on canvas One of a kind artwork Size: 80 × 80 × 3 cm (unframed) The artwork is tit...

A Colorful, Modern Maine Coastal Scene Painting, "The Island Light House" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit summertime painting of the historic Pumpkin Island Lighthouse, located near Penobscot, Maine. The painting is acrylic on canvas board, and has a great visual appeal- a perfect complement to any New England coastal home or summer cottage in Maine. Artwork size: 15 x 30 inches, accompanied with the artist's original, hand-painted period frame (Framed size: 18 1/2 x 33 1/2 inches). Titled and dated on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

A Charming 1940s Mid-Century Modern Watercolor of Pirate's Alley, New Orleans by Arlene S. Ezickson (Am. 1927-2003). Titled "Vieux Carre, New Orleans" the artwork is watercolor and ...

About this work: “Daguerreotype Dandies" c. 1937 by Tressa Benson (American, 1896-1987). Painted with the charm of a rediscovered family photo, this wonderfully eccentric work by Be...

An Early Modern 1920s Western Landscape Painting by Notable Chicago Artist, Francis Chapin, "Hillside Corral, Wyoming Dude Ranch". Oil on canvas, signed "Francis Chapin", lower righ...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's evening wear by Lilly Daché, Likely an illustration study for a print advertisement for the famed Chic...

Untitled (perhaps New Jersey Factories), c. 1940s, oil on board, signed lower left, 24 x 28 inches, perhaps exhibited Fifty-First Annual Exhibition, National Association of Women Art...

A vibrant, colorful Mid-Century Modern abstract harbor scene of Martha's Vineyard by notable Chicago artist, Francis Chapin (Am. 1899-1965). Depicting a bustling harbor scene with n...

An Elegant, Stylish Gilded Age Themed Interior Scene / Set Design by notable stage set, costume and fashion designer, Andre Delfau (Fr./Am. 1914-2000). Artwork is gouache on paper, ...

A quiet, sunlit, vintage 1940s Mexican city street scene (Archway) by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a picturesque view of a colorful plaza ar...

Abram Tromka (1895-1964) City at Night, ca. 1940. Oil on canvas, 16 x 20 inches; 20 x 24 inches in antique oak frame. Signed lower right. Frame is of the period, but probably not ...

Canvas Size: 29 x 24 in. Frame Size: 36.5 x 31 in. Signed, bottom leftt. In this mesmerizing portrait, Joaquín Torrents Lladó demonstrates the virtuoso brushwork and dramatic chiaro...

A lively 1950s Mid-Century Modern Western landscape painting with cowboys wrangling cattle by famed Chicago artist, Francis Chapin. Most likely a working study for a larger painting...

A vibrant, colorful, 1950s Mid-Century Modern painting of a bull fight by notable Chicago artist, Francis Chapin. Oil on canvas, presented in a period, dark walnut brown stained flo...

Valley House Gallery is honored to present a selection of paintings from the estate of American artist, John Hartell (1902-1995). John Hartell taught two disciplines at Cornell University in Ithaca, New York: freshman architecture and graduate painting. He was a much-loved professor there from 1930 until his retirement in 1967; one of his most illustrious students is the architect Richard Meier. As an artist, Hartell's first solo exhibition was in 1937 at Kleeman Gallery in New York. He exhibited at Kraushaar Galleries in New York for four decades, beginning in 1943. The Hartell Gallery at Cornell University, under the Sibley Dome, is named for him. In describing John Hartell, the artist Michael Boyd...

A Bustling 1950s Mid-Century Modern Harbor Scene of Martha's Vineyard by Famed Chicago Artist, Francis Chapin (Am. 1899-1965). A busy harbor scene of sandy shoreline, docks and boat...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

The Ditch, 1934, oil on board, signed and dated lower right, 18 x 24 inches, label verso has title, artist’s name, Colorado and New York addresses, and original price Virginia True ...

A Compelling 1940s Modern Fauvist Studio Still Life Painting of Green Pears by Notable Chicago Artist, Francis Chapin (Am. 1899-1965). A wonderful Modernist still life, the paintin...

A scenic, colorful Modern 1930s summer harbor scene of Saugatuck, Michigan by notable Chicago Modern artist, Francis Chapin. Depicting a lively summer harbor view of the historic S...

Summer Pastoral Contemporary Regionalism Rural Modern American Scene Art Realism Roger Medearis (1920 – 2001) Summer Pastoral (1984) Acrylic on canvas stretched over board 27 × 40 i...

A striking, 1950s Mid-Century Modern Surrealist architectural scene / set design by notable French stage, costume and fashion designer, Andre Delfau (1914-2000). Titled "Britannicus...

Betsy Podlach (American, born 1964.) Still life with Tin Cup, 1996 17.5 X 16.5 inches. Framed it measures 18.25 X 17.25 Betsy Podlach graduated from Harvard, cum laude, (she studied...

A Large, Colorful, 1960s Mid-Century Modern Florida Harbor Scene Painting, "Sail Boats" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). Titled "Sail Boats"...

A Charming, 1950s Painting of Lisbon, Portugal by Famed Chicago Modern Artist Francis Chapin (Am. 1899-1965). Depicting a bustling, colorful view of Lisbon's historic Black Horse Sq...

A lovely scene of the canals in Annecy, France by renowned American artist Emma Fordyce MacRae (1887-1974). This work highlights the geometric nature of the historic architecture al...

A stylish, vintage, 1940s fashion study featuring elegant designs for women's active wear by Hattie Carnegie. Inscription reads: Left - White jersey slack suit Red gaberdine jacke...

Donald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's evening gown. Artwork size: 11 x 8 1/2 inches. Colored pencil and pencil on paper. Archivally ma...

A strong modernist oil painting depicted in 1927 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...

"Untitled" portrays a young female nude in an intimate setting within the artist's studio. This painting is done in the classical vein of full portraiture. The model, however, is not posed quietly, but is engaged with a person or object off the frame, or, perhaps in an interior monologue with herself. Regardless of which, the viewer's attention is not only attracted to the beauty of the model's figure, but the intention of her actions. Charles Pompilius...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

The Artist's Apartment Mid-Century Fauvist Interior Scene Original Oil on Canvas Vibrant interior scene by Santa Cruz California artist Frances Rinaldo (American, b. 1943). A bright...

A charming, vibrant, early Mexican city street scene by famed Chicago Modern artist Francis Chapin (Am. 1899-1965). Depicting a quiet, picturesque view of the rooftops and cathedral...

A Vibrant, Mid-Century Modern 1960s Studio Interior Scene of a Standing Female Nude by Notable Chicago Woman Artist, Vivian Kinsley Chapin (Am. 1909-1984). Very "Mod" in style and a...

A Striking 1940s Modern Portrait of a Young Woman by Notable Chicago Artist, Walter Burt Adams (Am. 1903-1990). A large, well executed, figurative work by the artist, depicting a young woman fashionably dressed in a green blouse anddpatterned scarf seated in profile in a muted studio interior. Titled "Portrait of Ms. Anderson, Student at Northwestern U." the painting exemplifies the artist's adept and practiced skill at portraiture, and was completed at the painting class of the artist's friend and instructor, Arnold Turtle, in Evanston, Illinois Artwork size: 30 x 23 inches, oil on canvas, accompanied with the original Modernist frame (Framed size: 33 1/2 x 26 1/2 inches). Signed "Walter Burt Adams" and dated "46" lower right. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

A stylish, vintage, 1940s fashion study featuring an elegant design for a woman's coat, hat and muff, inscribed "Marshall Field & Co". Likely an advertisement illustration study...

A Striking, Colorful Post- War Modern Studio Portrait of an African American Male Model by Notable Chicago Modern Artist, Walter Burt Adams (Am. 1903-1990). Titled "Three Hours", the painting a is well executed, intimate figurative work by the artist, depicting a distinguished looking African American male model seated in colorful studio interior during a figure painting class, with a self portrait of the artist painting beside an easel and smoking a pipe in the background. The painting exemplifies the artist's adept, practiced skill at portraiture, and was likely completed in Evanston, Illinois, at the studio painting class held by the artist's longtime friend and colleague, Arnold Turtle. Artwork size: 18 x 14 inches, oil on canvas, accompanied with the artist's original hand-painted strip frame (framed size: 18 1/2 x 14 1/2 inches). Signed "Walter Burt Adams" and dated 1971 center left; signed, titled and dated on the reverse. Provenance: Estate of the artist. Walter Burt Adams was a dedicated painter of the American Scene and a singular personality among his peers in the Chicago Modern Art community. His no-nonsense manner, devotion to his craft and sardonic sense of humor characterize a man whose paintings capture life in and around Chicago between the early 1920s and the late 1970s. Born in Kenosha, Wisconsin just after the turn of the last century, Walter Burt Adams spent his childhood in Fargo, North Dakota and began his artistic education there through a correspondence cartooning class as a boy. After finishing high school in Fargo, Adams moved to Chicago in 1922 in order to enroll at the school of the Art Institute of Chicago. Adams’ instruction at the school with artists such as George Oberteuffer, Frederick V. Poole, Charles Wilimovsky...

A dynamic ca. 1958 Mid-Century Modern painting titled "Refreshment" by Woman Artist, Lucille Leighton. Oil on canvas, in original frame. Artwork size: 22" x 18". Framed size: 27 1...

A charming 1950s Modern painting of a little red house, titled "Corner of the Brick House with Last Snow Bank, Calais, VT" by notable Chicago artist, Harold Haydon. Painted near the...

"Sea Cliff" Mid Century Modern Coastal Cliff Seascape in Acrylic on Masonite Expansive seascape by notable California artist Farren Jensen (American, 19...

A Fabulous, Abstract 1960s Mid-Century Modern Painting of a Sleeping Female Nude by Noted Chicago Artist, Rudolph Pen. A sensuous, intimate studio depiction of a sleeping nude femal...

A stylish, colorful 1950s Mid-century Modern abstract geometric textile design (depicting a polychrome patterned design of horizontal bands and spheres in red, blue and green tones) ...

Children’s Theater, 1934, watercolor on paper, signed and dated lower right, 10 ¾ x 12 5/8 inches (image) Children’s Theater is a fine example of Berlandina’s modernist approach to ...

A Quiet, Picturesque 1930s American Scene Country Landscape Painting of a Wisconsin or Michigan Farm in Late Autumn by Famed Chicago Modern Artist, Francis Chapin (Am. 1899-1965). A...

A large, expansive 1950s Mid-Century Modern Southwestern landscape painting of Sedona, Arizona by notable Chicago artist, Francis Chapin. Depicting a scenic, colorful view of Cathed...

Henrietta Berk Taos Road, circa 1966 Signed lower left Oil on canvas 54 x 47 inches Provenance The artist The Carter Gallery, Los Angeles Phyllis and Stanley Goldberg, Palm Springs,...

A striking, vintage early 1940s fashion study featuring an elegant young woman wearing a stylish hat, suit and clutch. Image size: 11 x 8 1/4 inches. Archivally matted to 16 x 1...

This painting is part of our exhibition American Coast to Coast: Artists of the 1930s Subway Construction, c. 1928, oil on board, 19 x 15 ¾ inches, signed upper left, artist and title verso; exhibited: 1) 12th Annual Exhibition of the Society of Independent Artists, The Waldorf Astoria, New York NY, from March 9 to April 1, 1928, no. 864 (original price $250) (see Death Prevailing Theme of Artists in Weird Exhibits, The Gazette (Montreal, Quebec, Canada), March 8, 1928); 2) Boston Tercentenary Exhibition Fine Arts and Crafts Exhibition, Horticultural Hall, Boston MA, July, 1930, no. 108 (honorable mention - noted verso); 3) 38th Annual Exhibition of American Art, Cincinnati Art Museum, Cincinnati, OH, June, 1931 (see Alexander, Mary, The Week in Art Circles, The Cincinnati Enquirer, June 7, 1931); and 4) National Art Week Exhibition [Group Show], Montross Gallery, New York, New York, December, 1940 (see Devree, Howard, Brief Comment on Some Recently Opened Exhibitions in the Galleries, The New York Times, December 1, 1940) About the Painting Ernest Stock’s Subway Construction depicts the excavation of New York’s 8th Avenue line, which was the first completed section of the city-operated Independent Subway System (IND). The groundbreaking ceremony was in 1925, but the line did not open until 1932, placing Stock’s painting in the middle of the construction effort. The 8th Avenue line was primarily constructed using the “cut and cover” method in which the streets above the line were dug up, infrastructure was built from the surface level down, the resulting holes were filled, and the streets reconstructed. While many artists of the 1920s were fascinated with the upward thrust of New York’s exploding skyline as architects and developers sought to erect ever higher buildings, Stock turned his attention to the engineering marvels which were taking place below ground. In Subway Construction, Stock depicts workers removing the earth beneath the street and building scaffolding and other support structures to allow concrete to be poured. Light and shadow fall across the x-shaped grid pattern formed by the wooden beams and planks. It is no surprise that critics reviewing the painting commented on Stock’s use of an “interesting pattern” to form a painting that is “clever and well designed.” About the Artist Ernest Richard Stock was an award-winning painter, print maker, muralist, and commercial artist. He was born in Bristol, England and was educated at the prestigious Bristol Grammar School. During World War I, Stock joined the British Royal Air Flying Corps in Canada and served in France as a pilot where he was wounded. After the war, he immigrated to the United States and joined the firm of Mack, Jenny, and Tyler, where he further honed his architectural and decorative painting skills. During the 1920s, Stock often traveled back and forth between the US and Europe. He was twice married, including to the American author, Katherine Anne Porter. Starting in the mid-1920s, Stock began to exhibit his artwork professionally, including at London’s Beaux Arts Gallery, the Society of Independent Artists, the Salons of America, the Cincinnati Art Museum, the Whitney Studio and various locations in the Northeast. Critics often praised the strong design sensibility in Stock’s paintings. Stock was a commercial illustrator for a handful of published books and during World War II, he worked in the Stratford Connecticut...

Palace of Fine Arts, Mid-Century San Francisco Landscape Lively watercolor piece by Garrett Price (American, 1896-1979). A geometric, multi-colored background forms the foundation f...

A Colorful, Mid-Century Modern American Scene Country Landscape Painting, "The Farm" by Famed Chicago Artist and Printmaker, Charles Turzak (Am. 1899 - 1986). The painting depicts a vibrant, sunlit depiction of a Midwestern country farm, including a red barn and silo. The painting is oil on canvas, dating from the 1950s. A painting of a great visual appeal- a perfect complement to any collection. Artwork size: 23 x 25 inches, accompanied with the artist's original, hand-painted frame (Framed size: 27 1/2 x 29 1/2 inches). Signed "Turzak", upper right; titled on artist's label on reverse. Provenance: Estate of the artist. Charles Turzak was one of Chicago’s greatest printmakers of the Art Deco-era. Son of a coal miner, Turzak was born in Streeter, IL in 1899. In 1920, Turzak won the first prize a cartoon contest sponsored by the Purina company and he used his prize money to enroll in the Art Institute of Chicago. Best known as a print maker, in the 1920s & 30s, he created woodcuts of many of Chicago’s most notable buildings, including the Merchandise Mart, Palmolive Building and the Old Water Tower, among others. In 1933, he was commissioned to create woodcuts of many of Chicago’s most iconic buildings to illustrate a guidebook called “All About Chicago” by John and Ruth Ashenhurst” that featured the upcoming Century of Progress Exhibition in Chicago. During the 1933 World’s Fair...

A Brooding, Compelling 1940s American Scene, Social Realist Oil Painting, "Tenement Ruins" by Notable Canadian / American artist Emil Weddige (1907-2001). Oil on canvas, dating from...

A Fabulous 1950s Mid-Century Modern Portrait of a Seated Woman, "Southern Belle" by Noted Chicago Artist, Francis Chapin (Am. 1899-1965). A colorful Southern painting depicting a ...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

A dynamic 1930s, WPA era industrial scene watercolor of a steel mill and factory workers by notable Chicago Modern artist, Harold Haydon. A wonderful example of early Twentieth Cent...