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Will Eskridge
Weird All In This Together, Painting, Acrylic on Canvas

2021

$3,240List Price

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Keep Trying To

John Randall NelsonKeep Trying To

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H 94 in W 94 in D 1 in

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By John Randall Nelson

Located in Los Angeles, CA

"Keep Trying To", diptych, mixed media on panel — 94 x 94 inches. John Randall Nelson is an Arizona-based painter and sculptor. Nelson’s works are layered with his own personal lan...

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It's All My Fault

John Randall NelsonIt's All My Fault, 2021

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H 70 in W 48 in D 1.5 in

It's All My Fault

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John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State University in 1995 and has completed commissions for clients as diverse as the National Endowment for the Arts, the United States Postal Service...

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Located in Soquel, CA

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it's freaky friday so... - mw4mw (Atlanta)

it's freaky friday so... - mw4mw (Atlanta)

By Carlton Scott Sturgill

Located in New Orleans, LA

paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in Design ...

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Relatively Exotic

Relatively Exotic

By John Randall Nelson

Located in Los Angeles, CA

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

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That It's Fun

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By John Randall Nelson

Located in Los Angeles, CA

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconsciou...

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Maybe the horrendous can be okay?

Maybe the horrendous can be okay?

By Jenny Day

Located in New Orleans, LA

Retreating from the stress and chaos of the last year, I created another landscape; populated by an army of friendly creatures. Here the burdens of coronavirus, climate change, and political division are dismissed by hot pink kittens that arc gracefully through meter showers and owls that bury into beds of daffodils. In this place worry is edged out by the fantastic and mystical snails trail neon candy canes through the scorched earth. The apocalyptic is supplanted by the surreal and the allegorical. Anxiety followed me. The escapist reflects and distorts its shadow world, the real, a funhouse mirror...

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As If Something Meaningful Clung To It

As If Something Meaningful Clung To It

By John Randall Nelson

Located in Los Angeles, CA

John Randall Nelson’s paintings are layered with his own personal language consisting of patterns, symbols, and archetypes that may not make any literal sense but play on subconscious associations. His paintings are thick with paint, poured pigment, and saturated washes with layers of drawing and collage. While Nelson's work is akin to outsider, folk art, it should be noted that he received his MFA from Arizona State...

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"Untitled, " Acrylic and Paper Collage on Canvas

"Untitled, " Acrylic and Paper Collage on Canvas

Located in Houston, TX

This work was one of Long’s earliest compositions as an artist. Even earlier in his artistic career, Long was interested in exploring the intersection of various media, branching out into new innovative spaces. This work demonstrates the technique and forms at play that have since germinated into Long’s signature style. Bert L. Long Jr., was self-taught artist, was born in 1940 in Texas, grew up the Houston’s historic Fifth Ward and received his formal education from UCLA. Following a career as a successful master chef, Long decided to devote himself entirely to art in the late 1970’s. He began to explore folk art and assemblage to create a unique body of work, attracting the attention of Jim Harithas, then Director of the Contemporary Arts Museum Houston, and artists John Alexander, Salvatore Scarpitta and James Surls. His life spanned an era of radical change in the American social climate, the influence of which can be seen clearly in his work. Long’s paintings and sculptures incorporate a high level of skill and sophisticated knowledge of art history, along with complex philosophical and social issues.  Long describes the philosophy behind his work as "a quest to help people diagnose their inner self," believing his art to be "the vehicle to help facilitate the process." “As artists we have the obligation to provide the world with art which communicates as truth. I believe that art has the power to heal our souls of their afflictions. I try to create art which helps to diagnose the prevalent conditions within our societies, hopefully providing an insightfulness which will help us all become brothers and sisters united in equality and compassion”                                       - Bert L. Long, Jr. The late Peter Marzio, former Director of the Museum of Fine Arts, Houston, said of Bert Long during the major retrospective of Long’s work at the museum: “Bert Long does not avert his gaze from that which is painful, but as [his artworks] testify, he also brings a spirit of joy and redemption to his art. We can all learn from this great artist.” Over Long’s 33-year career as a painter, sculptor, and photographer, he had several solo exhibitions at respected museums and was awarded many significant awards including the National Endowment for the Arts Grant in 1987 and the prestigious international Prix de Rome fellowship in 1990. Other notable awards of Long’s include the Texas Accountants and Lawyers for the Arts Artist of the Year Award in 2009, the Adolph and Esther Gottlieb Foundation Emergency Assistance Grant in 1997, the Houston Art League Texas Artist of the Year in 1990, the NEA Visual Artists Fellowship Grant, 1987 and the Bemis Foundation Residency in 1998. His work can be seen in over 100 private and public collections worldwide, including the Metropolitan Museum of Art, New York, the Dallas Museum of Art, the Houston Museum of Fine Art, the Blanton Museum of Art, Austin, the El Paso Museum of Art, and the Instituto de Bachillerato in Spain. With a recent solo exhibition at the Houston Museum of African American Culture and an exhibition overseas which is pending featuring his work, plus interest from several national museums, Bert L. Long Jr. continues to be recognized as an important African American artist throughout Texas, nationally and internationally. Bert L. Long, Jr. "Untitled" 1977 Acrylic and Paper Collage on Canvas...

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