David Wojnarowicz

Rimbaud in New York

1978-79/2004

David Wojnarowicz Untitled (Arthur Rimbaud in Paris) 1980/2023 Estate stamped, verso Archival pigment print (Edition of 100) 6.16 x 4.125 inches, image 10 x 8 inches, sheet Con...

Spray paint on paper Contact gallery for price This work is offered by ClampArt in New York City.

Collaboration between David Wojnarowicz and Jane Bauman Contact gallery for price. This work is offered by ClampArt in New York City.

This is a black and white photograph by Arthur Tress of a nude male figure. The Voyeur c. 1970s Signed, titled, and numbered in black ink, recto Gelatin silver print (Edition of 2...

Fernando Natalici The Foreigner New York 1978: A vintage original film still shot on the set of the seminal 70's Manhattan art scene film, "The Foreigner," by celebrated downtown pho...

First Arrival, Elvis sings a gospel song waiting for Steve Allen and his entourage to arrive for the Steve Allen show rehearsal, New York, June 29th, 1956 Gelatin silver print 16 x 2...

Robert Frank Untitled from the Americans, 1958, Beats Culture, Black & White. Photogravure print, mid-century, France,wax tissue mounted on conservation matboard. Influenced by the work of Jakob Tuggener and Bill Brandt, as well as Walker Evans, Frank, a native of Switzerland, Frank was fascinated by documentary photography and the notion and image of "America." Frank secured a Guggenheim fellowship in 1955 to do something new and unconstrained by commercial diktats. "The Americans" was first published in 1958 in France, before its first run in the US in 1959. The photographs were shocking and notable for their distanced view of both high and low strata of American society, creating a complicated portrait of a period that was, then and now, considered to be a skeptical portrait of post-WWII American values but also deeply empathetic and profoundly evocative of ubiquitous loneliness. Frank found a tension in the gloss of American culture and wealth over race and class differences, which gave his photographs a clear contrast to those of most contemporary American photojournalists, as did his use of unusual focus, low lighting and cropping that deviated from accepted photographic techniques. Shortly before the book was published in France, Frank returned to the US (1957) and met Jack Kerouac on the sidewalk outside a party. They started chatting. Frank showed him some of his photographs. Kerouac immediately told Frank "Sure, I can write something about these pictures." Kerouac would write the introduction to the American edition of the book, published two years later. Sociologist Howard S...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. 11" X 14" Edition of 25. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroi...