
Untitled I 1980
By Jerry Uelsmann
Located in Carmel-by-the-Sea, CA
Signed on the front. Contact gallery for prices and available sizes.
20th Century Black and White Photography
Silver Gelatin
1977
Jerry N. Uelsmann is an American photographer, and was the forerunner of photomontage in the 20th century in America.
Uelsmann was born in Detroit, Michigan. While attending public schools, at the age of fourteen, there sparked an interest in photography. He believed that through photography he could exist outside of himself, to live in a world captured through the lens. Despite poor grades, he managed to land a few jobs, primarily photographs of models.
Eventually Uelsmann went on to earn a BA from the Rochester Institute of Technology and M.S. and M.F.A. degrees from Indiana University. He began teaching photography at the University of Florida in 1960. In 1967, Uelsmann had his first solo exhibit at the Museum of Modern Art, which opened doors for his photography career.
Uelsmann is a master printer, producing composite photographs with multiple negatives and extensive darkroom work. He uses up to a dozen enlargers at a time to produce his final images, and has a large archive of negatives that he has shot over the years. The negatives that Uelsmann uses are known to reappear within his work, acting as a focal point in one work, and background as another. Similar in technique to Oscar Rejlander, Uelsmann is a champion of the idea that the final image need not be tied to a single negative, but may be composed of many.
During the mid-twentieth century, when photography was still being defined, Uelsmann didn't care about the boundaries given by the Photo Secessionists or other realists at the time, he simply wished to share with the viewer the images from his imagination and saw photomontage as the means by which to do so. Unlike Rejlander, though, he does not seek to create narratives, but rather "allegorical Surrealist imagery of the unfathomable."
Uelsmann is able to subsist on grants and teaching salary, rather than commercial work. Today, with the advent of digital cameras and Photoshop, photographers are able to create a work somewhat resembling Uelsmann's in less than a day; however, at the time Uelsmann was considered to have almost "magical skill" with his completely analog tools. At the time Uelsmann's work first came to popular attention, photos were still widely regarded as unfalsifiable documentary evidence of events. However, Uelsmann, along with Lucas Samaras, was considered an avant garde shatterer of this popular mindset and help to expand the artistic boundaries of photography.
“I am sympathetic to the current digital revolution and excited by the visual options created by the computer. However, I feel my creative process remains intrinsically linked to the alchemy of the darkroom,” Uelsmann has said.
Today Uelsmann is retired from teaching and currently lives in Gainesville, Florida with his third wife, Maggie Taylor. But to this day, he still produces photos, sometimes creating more than a hundred in a single year. Out of these images, he likes to sit back and select the ten he likes the most, which is not an easy process.
Find original Jerry Uelsmann photography on 1stDibs.

Untitled 1982
By Jerry Uelsmann
Located in Carmel-by-the-Sea, CA
Signed on the front. Made in the darkroom by Jerry Uelsmann using up to seven enlarger. Contact gallery for prices and available sizes as our inventory is subject to change.
Silver Gelatin

Undiscovered Self
By Jerry Uelsmann
Located in Carmel-by-the-Sea, CA
Signed on the front. Made in the darkroom by Jerry Uelsmann using up to seven enlarger. Contact gallery for prices and available sizes as our inventory is subject to change.
Silver Gelatin

Spectral (Kings Road) - b&w solarization gelatin silver portrait photography
By Mona Kuhn
Located in San Francisco, CA
Unique black & white solarized photography artist print from Mona Kuhn's architecture inspired series Kings Road (2022). In this series Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Update: we are excited to announce that 12 solarized photographs from Mona Kuhn’s Kings Road series, including Spectral (2021), have been acquired by the J. Paul Getty Museum. This in-depth acquisition, facilitated by Manfred Heiting, expands the museum’s holdings of Kuhn’s work, joining Portrait 37 from her Bordeaux Series (2011). Spectral (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2026 Mona Kuhn: Dialogues, Bildhalle & Walde, Zürich, Switzerland Mona Kuhn: Kings Road, UPGallery, Taipei, Taiwan Mona Kuhn: Kings Road Multimedia Screening, Hsinchu Image Museum, Taiwan 2025 Mona Kuhn: Shimmering, Bildhalle, Zürich, Switzerland Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
Photographic Film, Photographic Paper, Silver Gelatin

Source
By Karin Rosenthal
Located in Sante Fe, NM
Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...
Silver Gelatin

Grace (Kings Road) - b&w solarization gelatin silver portrait photography
By Mona Kuhn
Located in San Francisco, CA
Unique black & white solarized photograph from Mona Kuhn's architecture inspired series Kings Road (2022). In this series Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s. The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence. Update: We are excited to announce that 12 solarized photographs from Mona Kuhn’s Kings Road series have been acquired by the J. Paul Getty Museum. This in-depth acquisition, facilitated by Manfred Heiting, expands the museum’s holdings of Kuhn’s work, joining Portrait 37 from her Bordeaux Series (2011). Grace (2022) Kings Road: A Rudolph Schindler House 30" x 40" / 76cm x 102cm /edition of 12 15" x 20" / 38cm x 56cm / edition of 12 true size solarized gelatin silver print printed at artist darkroom in Los Angeles (10 days handling time) limited edition solarization photograph printed by the artist + accompanied by signed artist certificate: artist signature label (8x10") signed/editioned/dated/titled by the artist + stamped for authenticity label is placed centered on verso of the mounted print __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles. __________________ Solo Exhibitions 2026 Mona Kuhn: Dialogues, Bildhalle & Walde, Zürich, Switzerland Mona Kuhn: Kings Road, UPGallery, Taipei, Taiwan Mona Kuhn: Kings Road Multimedia Screening, Hsinchu Image Museum, Taiwan 2025 Mona Kuhn: Shimmering, Bildhalle, Zürich, Switzerland Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China 2024 Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
Photographic Film, Photographic Paper, Silver Gelatin
Lecciones De Botánica, Switzerland, 1977 - Flor Garduño (Black and White)
By Flor Garduño
Located in London, GB
Signed Silver gelatin print Available in two sizes: 11 x 14 inches 16 x 20 inches Flor Garduño (born 1957) is one of Mexico’s leading photographers, who...
Silver Gelatin