Michal Cala

Forest at the bottom of the Slagheaps - Landscape - Silver Gelatin Print

1978

Miguel Winograd's work explores the relationship between people and their environment, narratives of social conflict, and the dense interconnections of the Colombian landscape. His w...

'Baltic pine forest’ photographed in Klaipeda, Lithuania 2023. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. Printed on Hahnemühle...

Neula is a limited edition signed etching print on paper by Sarah Duncan of a black and white snowy forest in the winter with the trees bare and snow on the ground. This work is in a...

Amidst a dense, unyielding forest, twisted branches reach out like silent expressions of resilience. The Baltic pine, shaped by time and the elements, bends but does not break, adapting with a quiet defiance. Even in a harsh and limiting environment, where the sky is veiled in mist and the trees stand in rigid order, nature carves its own path—unruly, untamed, and free. The gnarled limbs, stretching in unpredictable directions, embody an organic rebellion, proving that even within constraint, there is movement, there is voice, there is becoming. Freedom is not the absence of boundaries, but the refusal to be defined by them. Limited edition of 20 Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...

The artist looks for a path between tangled branches. Reconfiguring a personal archive of diverse Colombian landscapes, experimenting with a variety of printing materials to reconstr...

'Baltic pine' 2021 The pine forests of the Baltic coast are shaped by conditions that are both precise and unforgiving: sandy soil, constant wind, salt carried inland from the sea, and long seasonal extremes of light and darkness. These forces slow growth and distort form. Branches extend horizontally, twist, or break, adapting to pressure rather than symmetry. This photograph was made in Giruliai forest, Lithuania, using a large-format 4×5 film camera. The process demands stillness and time, mirroring the environment itself. Each exposure is deliberate; nothing is incidental. In Baltic landscapes, pine is not decorative. It is structural, a species that persists where others cannot. Its presence defines the rhythm of the coast and the experience of space within the forest. The image isolates this tension between endurance and fragility, movement and restraint. Rendered in black and white, the work removes seasonal colour and geographic nostalgia, allowing form, density, and light to become the primary language. The resulting image is not a description of a place, but a study of adaptation, how nature holds itself under continuous pressure. Printed as a limited edition of ten, this work belongs to an ongoing body of analogue photographs exploring northern landscapes through minimal intervention and material presence. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera...

Untitled Forest Scene (Procházka po Mionší), Josef Sudek black and white photo

Trees, Yosemite, California, USA by Michael Kenna presents tall, slender trees against a stark white background. This photograph is listed as a 6 x 8.75 inch sepia toned silver gelat...

'Baltic pine' 2021 10 x 13 cm limited edition of 15. Photographed in Lithuania, Giruliai forest using a 4x5 large format camera. Printed on Fine art Hahnemuehle German Etching pape...

Jura Forest, Dornach, Switzerland by Michael Kenna presents a dramatic forest scene. The dense forest fades into the background, the fog envelopes the trees. The dark trees frame a p...