Conceptual Black and White Photography

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

'Untitled' 2015 - Edition of 10 plus 2 Artist Proofs, 21.5 x 27cm. Archival Print, based on an 8x10" Polaroid Negative Scanning. Signed, embossed stamp and artist certificate. Not mounted. Short Bio: Xulong Zhang has been engaged in fashion portrait photography for 30 years and loves the Polaroid medium and began to working with Polaroid photography in 2000. He traveled to 34 countries for his Polaroid projects.. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

David Datuna (1974-2022) Moving Flag (2013) Mixed media construction with collage, paint, and acrylic glasses lenses. Size: 32 x 57 x 9.5 in (81.3 x 144.8 x 24.1 cm) Hand signed on ...

“Bob Dylan I” is a mixed-media work by American artist Meredyth Sparks (b.1972), dated 2007. The work layers a black-and-white photograph of a curly-haired figure seen from behind ag...

"Untitled 1.14" Photography 24' x 35' inch Edition of 10 by García De Marina Signed and numbered by the artist Comes with COA issued by the artist García de Marina was born in Gijó...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

“Sartaj Gill, Saturday September 6, 2003, 10:45-11:45 pm (TV)” is a digital pigment print by American artist Matthew Pillsbury (b.1973), dated 2003, edition 3/3. The black-and-white ...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Tacita Dean (British, born 1965) Aerial View of Teignmouth Electron, Cayman Brac 16th of September 1998, 2000 Medium: Gelatin silver print on paper Dimensions: 21 x 26 cm (8 1/4 x 10...

The photograph Toshio Shibata, #189 Yunotani Village, Nigata Prefecture, 1989 by Japanese photographer Toshio Shibata is signed (on recto) by the photographer. The 13" x 19" print is numbered on recto (front of photo). Available: 87/100; 52/100. Printed in 2005, the photograph is from a portfolio of masters of Japanese photography...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create...

This bold graphic piece fantastically captures the iconic Italian Olivetti Typewriter. This artwork is a limited edition of 25, lustre photographi...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciate the details of this vintage utili...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

This series of portraits were shot by Richard Heeps whilst he was studying Photography in Northwich. They beautifully capture a time of life. Here they have been compiled together fo...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-5-64 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 18 x 11,7 cm (7 1/8 x 4 5/8 in.) Unique Print only Tichý, pra...

“My Goals for One Year” is a chromogenic print by American artist Anne Collier (b.1970), dated 2007. The photograph depicts an open book showing a two-page spread titled “My Goals Fo...

Photographed in the British Recording Studio that in the 1980's recorded music by Julian Cope of the Teardrop Explodes and the Stranglers. It was the he...

Black and white photograph of a single rose just after the rain. Ajijic, MX. Petite Fleur Date: 2016 - Printed Later Size: 42” x 63” Edition of 7 Savannah Spirit is a visual artis...

In her photographic series, Barbara Probst explores the ambiguities of the photographic medium and the subjectivity of truth and perception. At first, the groups may appear to be the...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Anne Collier produces sparse still lifes of found objects using a technique of re-photography that is informed as much by West Coast conceptual art practices as by product photograph...

Further to Fly is a series of Wet Plate Collodion Photograms that continues in my practice of using drawings on mylar layered with light-sensitive materials in the darkroom to create imagined landscapes. The illustrations used in the series are based on reference shots I took in Palm Springs...

Braunschweig 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Museum quality fine art, limited edition contact sheet print of David Bowie in the Scary Monsters Clown costume from the official Duffy Archive. Taken from the original 1980 negativ...

This 2009 photograph by legend photographer, John Stoddart depicts “The Swan with Leda.” It was inspired from the mythology of the Greek story of Leda and the Swan, when the God Zeus...

British actor Roger Moore poses with a gun as James Bond. Publicity shot from 1973, for his first Bond movie: Live and Let Die. It's the only time Bond used ...

Beuys' Exhibition is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held in the Eighty's. Th...

Los Carpinteros (Cuban, 1992-present). Silver gelatin print photograph, large format. From the series "Tuneles Populares" (The People's Tunnels) 1999 Edition 1/5 Provenance: Bliss Fi...

Samuel Field's still life of an Olivetti Typewriter, is given depth in the orthochromatic process he has used. Isolated in monochrome you appreciat...

Photographed in the British Recording Studio that in the 1980's recorded music by Julian Cope of the Teardrop Explodes and the Stranglers. It was the he...

'Untitled' - 2013, Edition of 10 plus 2 Artist Proofs. Archival Print, based on a Polaroid 665, 27x21.5cm. Signed, embossed stamp and artist certificate. Not mounted. Xulong Zhang Short Bio: He has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography...

East of Lancaster, CA by Robbert Flick 16 x 20 in. Silver gelatin print. From Robbert Flick's Sequential Views series from America Roads Portfolio. Signed, titled and dated by Robbert Flick. This print features 49 small images of black and white landscapes presented in a grid. Each image measures 1 5/8 x 2 1/8 inches. Robbert Flick, Professor Emeritus, is a Southern California artist who uses photography as his primary medium. He has been exhibiting his photographs for over 50 years and his work has been shown and collected by numerous private and public venues both nationally and internationally. He is the recipient of multiple fellowships and in 2001 was the recipient of a Guggenheim Fellowship in Creative Arts. The retrospective Robbert Flick: Trajectorieswas shown at the Los Angeles County Museum of Art in 2004 accompanied by a comprehensive exhibition catalog co-published by LACMA and Steidl. In 2016 Nazraeli Press published “Robbert Flick LA Diary”. He is represented by ROSE Gallery in Santa Monica and Robert Mann...

These are vintage prints from the 1980's. The last photo shows a gallery or museum label from an accompanying piece (there were three sequence shots in this series) but is not on thi...

Blomberg 1, Laser cut archival pigment ink print, signed, numbered, framed Ideas of home and dislocation have always been compelling to me as the child of immigrant parents who arri...

DIANNE KORNBERG (1945) RAVEN SKULL, Diptych from Comparative Anatomy Portfolio, 1993 A selenium toned gelatin silver print edition 7/15. Housed in a high quality hardwood frame with acid free and UV materials. Kornberg is a Professor Emerita at Pacific Northwest College of Art, Portland, Oregon, she relocated her studio to an Island in the San Juan Archipelago in Washington State. Since that time she has been collaborating with two poets, making prints that are photo based but also incorporate drawing, painting, software artifacts and text. Kornberg earned a BFA from the University of Washington...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

Jennifer Greenburg challenges social norms and the nature of vernacular photographs in her series Revising History. Interjecting herself in mid-century images from the 1940’s – 60’s,...

These are vintage prints from the 1980's. The last photo shows of a label from an accompanying piece (there were three sequence shots in this series) but is not on this piece. They l...

Edition of 125 Signed in ink on print margin. Photograph is from The New Mexico Portfolio published in 1976 by the Center of the Eye Photograp...

7000 Querce (7000 Oaks) is an original b/w photograph representing the indoor of the Marino Gallery (in Mignanelli Square, Rome) where Joseph Beuys' exhibition was held in the Eighty...

William Wegman (b. 1943) is an American photographer celebrated for his whimsical images of his beloved Weimaraner dogs. This photograph is from Wegman's "Improved Photographs" seri...

Gelatin Silver Print 22 x 28 in. Edition of 75 Numbered and signed by Christo. Frame included. Black frame: 22 3/8 x 28 3/4 x 1 1/8 in Ugo Mulas is born on August 28, 1928 in Pozzol...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-8-73 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,3 x 19,7 cm (11 1/2 x 7 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-11 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 22,9 x 17,1 cm (9 x 6 3/4 in.) Unique Print only Tichý, pract...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 10-1-54 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 23,4 x 14,5 cm (9 1/4 x 5 3/4 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...

Miroslav Tichý (*1926, Czech Republic) Untitled, MT Inv. No 7-3-74 Unknown, ca. 1970-1990 Silver Gelatin Print Sheet 29,7 x 22,5 cm (11 3/4 x 8 7/8 in.) Unique Print only Tichý, practically reinventing photography from scratch, reconstitutes pictorialism along with it, and not as a distortion of the medium but as something like its essence. What counts for him is not only the image - just one moment in the photographic process - but also the chemical activity of the materials, which is never entirely stable or complete, and the delimitation of the results via cropping and framing. Marginal and exceptionally voyeuristic, in his methods Tichý could be described as an “art brut photographer” yet he is also marked by classical influences. Though his images are produced with poor-quality equipment and carelessly shot, they offer an idiosyncratic and almost hallucinatory vision of a fantastical, eroticised reality. With his endless return to the same subject and the volume and regularity of his production, Tichý’s work draws many parallels to certain practices of conceptual art during the same period. – Art, Black and White...