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Weegee
Distortion: Painter

1950s

$3,250
£2,458.74
€2,873.49
CA$4,651.44
A$4,726.26
CHF 2,677.54
MX$57,506.96
NOK 31,396.70
SEK 31,567.75
DKK 21,495.36

About the Item

Arthur Felling, better known as Weegee (1899-1968) was a highly-successful (and notorious) photojournalist/artist. In addition to contributing an enormous number of images to various American newspapers, he would become famous, beyond New York and news circles, after the publication of Naked City (1945) and Weegee's People (1946). Weegee began shooting scenes of crime, drama, tragedy and depravity throughout New York City in the 1930s for Acme newspapers. In 1935 he became a freelancer, mostly contributing to PM magazine. While his nickname derived from his ability to find and capture urban mayhem, in 1938 he was granted permission to install a police radio in his car. This facilitated capturing the most shocking moments as a first-responder/journalist. Weegee was celebrated in his time. The New York Photo League exhibited his work in 1941 and he was included in the MoMA's seminal exhibition "50 Photographs by 50 Photographers," curated by Edward Steichen. In 1945, Weegee published his widely admired and commercially successful book, "Naked City." Surprisingly, shortly after the book's release, Weegee abandoned crime photography and moved to Los Angeles. In L.A., Weegee's relationship with the medium experienced a radical shift. He began experimentations in abstraction, distortions and engaged with disrupting the photo development process in order to create non-figural works. Some scholars have suggested that Weegee was following the avant-garde and art world as he shifted to abstraction. This work is a paradigm of Weegee's mid-century abstract work. While a figure can still be made out, the op-art type of visual illusion sends vibrations through the picture plane, leading viewers to question what they're really looking at. See another, more abstracted image with a similar distortion here. Questions about this piece? Contact us. Gelatin silver print USA, circa 1950 10"H 8.25"W (work) Photographer's credit and '47th Street' stamps verso Overall good condition. Full report on request.
  • Creator:
    Weegee (1899-1968, American)
  • Creation Year:
    1950s
  • Dimensions:
    Height: 10 in (25.4 cm)Width: 8.25 in (20.96 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Overall good condition. Full report by request.
  • Gallery Location:
    Toronto, CA
  • Reference Number:
    Seller: 07-261stDibs: LU215218384602

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Arthur Felling, better known as Weegee (1899-1968) was a highly-successful (and notorious) photojournalist/artist. In addition to contributing an enormous number of images to various...

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1950s Photorealist Black and White Photography

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Weegee "Distortion: Stripes"

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Innovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...

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1940s American Modern Black and White Photography

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Weegee "A Trip to Mars"

Weegee "A Trip to Mars"

By Weegee

Located in Toronto, Ontario

While many first associate Weegee (aka Arthur Fellig) with New York City crime scenes, perhaps a broader and more consistent theme is that of spectacle and/or urban entertainment. The origins of his nick-name and reputation date back to the 1930s when he became the first New York City press photographer to obtain permission to install a police radio in his car. Following the city's first responders and documenting their duties, Weegee had unprecedented access to New York’s fires, crimes, debaucheries and of course, murders. During the first decade of his career these unflinching urban tragedy or crime images paid Weegee's bills, but as he became more financially independent he was more inspired to pursue photographs on his own agenda. While his oeuvre is vast, Weegee was especially drawn to entertainment: nightlife, circuses, the theatre, showgirls, city thrills, the cinema etc. Some of Weegee's most dynamic and tender (and under-appreciated!) images are related to simply having fun (in a crowd). He was not confined to one neighbourhood or demographic. He captured action, faces and events from Coney Island to the Bowery and Greenwich Village, to Times Square and Harlem. In “A Trip To Mars,” Weegee depicts a multi-generational group crowding around a large telescope...

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Welcome to the Rent Party

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The inimitable and notorious photographer known as Weegee, (aka. Arthur Fellig) exposed the scope of New York’s nightlife; whether it was celebrating high-culture or low-life revelle...

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Weegee "Sailor and Girl Kissing"

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By Weegee

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Weegee (1899-1968) was equally fascinated and inspired by cinema and all of its tangents, from Hollywood movie stars to ordinary civilians going to the movies. While Weegee is typically associated with crime/disaster images, the broad theme of "entertainment" is a major component of his oeuvre. An interesting and provocative sub-genre of his cinema-related work are his images of couples (often heavy-petting) in movie theatres. Recent scholarship has established that many of Weegee's supposed clandestine images were actually staged or arranged with friends or co-operative strangers. Nevertheless, Weegee created these photographs in the dark with an array of clever techniques including infrared film, filtered flashbulb and triangular prism lens. Employed in shots such as this one, the prism lens would allow the artist to “see around corners,” useful at times when his subjects were in compromising locations. These images of kissing couples, Weegee wrote in 1959, were “his best seller, year in and year out.” "Sailor and GIrl at the Movies...

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1940s American Modern Black and White Photography

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