Morgan Library III
New York, USA, 2015
168 x 180 cm
Edition size: 10
Light jet, exposure on high glossy paper and aluminum dibond
Framed with tulipwood, distance framing, and a UV 99 museum glass.
The Morgan Library & Museum began as a personal library of financier, collector, and cultural benefactor, Pierpont Morgan. As early as 1890 Morgan had begun to assemble a collection of illuminated, literary, and historical manuscripts, early printed books, and old master drawings and prints. Mr. Morgan's library, as it was known in his lifetime, was built between 1902 and 1906 adjacent to his New York residence at Madison Avenue and 36th Street. Designed by Charles McKim of the architectural firm McKim, Mead & White, the library was intended as something more than a repository of rare materials. Majestic in appearance yet intimate in scale, the structure was to reflect the nature and stature of its holdings. The result was an Italian Renaissance-style palazzo with three magnificent rooms epitomizing America's Age of Elegance. Completed three years before McKim's death, it is considered by many to be his masterpiece. In 1924, eleven years after Pierpont Morgan's death, his son, J. P. Morgan, Jr. (1867–1943), known as Jack, realized that the library had become too important to remain in private hands. In what constituted one of the most momentous cultural gifts in U.S. history, he fulfilled his father's dream of making the library and its treasures available to scholars and the public alike by transforming it into a public institution.
Artist Bio:
Born in Munich, Germany, Christian Voigt lives and works in Hamburg and The South of France. His current studio is situated in Hamburg.Christian Voigt works with large-format cameras, both digital and analogue. He experiments with new camera techniques and makes the best use of the digital medium. In the museum edition, his large-format pictures can measure as much as eight meters in width. But his strictly limited editions also come in sizes which customers and collectors can hang on walls of more modest sizes.
Christian Voigt has developed a language capable of telling new stories. He continually works to refine a pictorial idiom, the stories he wants to tell, the feelings he convey. This is visible in his pictures; Landscape and architecture are his principal areas of interest, but he also does portraits and nudes.
The travels associated with his projects and places call for concentration, for the ability to get to grips with people, with their history and their religion.
‘My pictures are created with the camera, not on the computer,’ he says, with a reference to the complicated technology and processing that goes into his creations. ‘But without the computer technology of today, the pictures couldn’t be crafted into their final form.’Solo shows and Art Fairs have been staged in Basel, Hamburg, New York, Los Angeles, London, Saint Tropez, Amsterdam, Madrid.