2010
Futuro - iconic midcentury futuristic architectural design in icy wilderness
By Frank Schott
Located in San Francisco, CA
Iconic futuristic architectural design of midcentury prefab "Futuro" in Great Tetons Yellowstone landscape, designed by Finnish architect Matti Suuronen...
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Futuro - iconic midcentury futuristic architectural design in icy wilderness
By Frank Schott
Located in San Francisco, CA
Iconic futuristic architectural design of midcentury prefab "Futuro" in Great Tetons Yellowstone landscape, designed by Finnish architect Matti Suuronen...
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Vanilla Sky - large scale photograph of iconic American national park landscape
By Frank Schott
Located in San Francisco, CA
Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x...
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Vanilla Sky - large scale photograph of iconic American national park landscape
By Frank Schott
Located in San Francisco, CA
Vanilla Sky by Frank Schott a series of images capturing the epique infinety of White Sands 27 x 40 inches / 66cm x 102cm edition of 25 signed 48 x ...
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Next Sign, Large Format Color Photograph, Signed Edition of 7, 48x64"
By Frank Schott
Located in San Francisco, CA
Next Sign by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale print s...
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment, Giclée
Next Sign - large format landscape photograph with conceptual road sign
By Frank Schott
Located in San Francisco, CA
Next Sign (2010) by Frank Schott from a series of works capturing conceptual roadside signs in iconic American landscapes captured with a large format camera to allow epic scale p...
Archival Paper, Photographic Paper, Archival Pigment, Archival Ink, Giclée
Unearthly Sci-Fi Landscape
By Mitchell Funk
Located in Miami, FL
Mitchell Funk was a pioneer of Sci-fi photography. This work was does for a promotional campaign for Omni Magazine. Signed and dated on lower righ...
Photographic Paper
Framed Limited Edition Archival Print of Trinity Site, 2019
By George McLeod
Located in London, GB
Trinity Site, 2019 by George McLeod Limited Edition, Framed Fine Art Print #blue #white #human figure in the landscape #white sand dunes #smoke #surreal #NewMexico More info about t...
Photographic Paper, Color, Pigment, Archival Pigment
Dusk, 21st Century, Landscape Photography, Contemporary, Color
By Tao Ruspoli
Located in Morongo Valley, CA
'Dusk' (Bombay Beach), Edition 1/10, 20x30cm, 2016, Color Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli ...
Archival Ink, Archival Paper, Color, Archival Pigment
Surreal Blue Landscape - Early Sci-fi Photography
By Mitchell Funk
Located in Miami, FL
This image from the imagination of Mitchell Funk was the cover photograph for Popular Photography Magazine, May 1978, It is signed and numbered on lower right, as well as titled ...
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
With the Eye of Faith: Contemporary Digital Print, Abstract Landscape
By Jessica Houston
Located in Montreal, Quebec
Text by Nancy Webb In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a reli...
Digital
Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
Photographic Paper
The photographer made her name shooting luminous nudes. Her latest works reframe what an image can hold.
From discovering new mediums to supporting rising talents, there are many good motives for building a collection of meaningful works. Learn the hows and whys of art collecting with our guide.
