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Robert Mapplethorpe
William S. Burroughs (Iconic, Stamped, Naked Lunch, Beat Generation, Cut-Up)

1982

$550
£411.26
€480.33
CA$772.75
A$782.75
CHF 449.44
MX$9,490.66
NOK 5,215.19
SEK 5,308.46
DKK 3,590.96

About the Item

Robert Mapplethorpe William S. Burroughs Photograph insert from Radar No. 1 (1982) Year: 1982 Sheet Size: 9.8 × 7.8 inches (24.9 × 19.8 cm) Framed Size: 17 x 13 x 1.25 inches (43.2 × 33 × 3.2 cm) Stamped verso, unsigned Accompanied by Radar, Basel, Edition C.L.A.G., 1982; Text in German Publisher: Edition C.L.A.G., Basel, Switzerland *We have a few copies of the stamped photograph available. The works were stamped individually when they were published in 1982, so the stamp placement may vary slightly from one print to another. **Framed in a simple white frame made from composite wood with standard acrylic. Robert Mapplethorpe was born November 4, 1946, in Floral Park, New York. He left home in 1962 and enrolled at the Pratt Institute, Brooklyn, in 1963, where he studied painting and sculpture and received his B.F.A. in 1970. During this time, he met artist, poet, and musician Patti Smith. She encouraged his work and posed for numerous portraits when they lived together in Brooklyn and in the Chelsea Hotel in Manhattan, a gathering place for artists, writers, and musicians in the early 1970s. It was not Mapplethorpe’s original intention to be a photographer, and from 1970 to 1974, he mainly made assemblage constructions that incorporate images of men from pornographic magazines with found objects and painting. In order to create his own images for these collages, Mapplethorpe turned to photography, initially using a Polaroid SX-70 camera. Interested in portraiture, Mapplethorpe worked as a staff photographer for Andy Warhol’s Interview magazine. He also produced album covers for Smith and the group Television, and at the same time photographed socialites and celebrities such as John Paul Getty III and Carolina Herrera. Mapplethorpe had his first substantial shows in 1977, both in New York: an exhibition of photographs of flowers at the Holly Solomon Gallery and one of male nudes and sadomasochistic imagery at the Kitchen. Mapplethorpe’s diverse work—homoerotic images, floral still lifes, pictures of children, commissioned portraits, mixed-media sculpture—is united by the constancy of his approach and technique. The surfaces of his prints offer a seemingly endless gradation of blacks and whites, shadow and light, and regardless of subject, his images are both elegant and provocative. In the mid-to-late 1980s, returning to the sculptural use of photography seen in his early assemblages, Mapplethorpe created sensual diptychs and triptychs of photographs printed on fabric and luxurious cloth panels. In 1988, four major exhibitions of his work were organized: by the Stedelijk Museum, Amsterdam; the Whitney Museum of American Art, New York; the Institute of Contemporary Art, University of Pennsylvania, Philadelphia; and the National Portrait Gallery, London. Mapplethorpe died due to complications from AIDS on March 9, 1989, in Boston.
  • Creator:
    Robert Mapplethorpe (1946 - 1989, American)
  • Creation Year:
    1982
  • Dimensions:
    Height: 9.8 in (24.9 cm)Width: 7.8 in (19.82 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    Kansas City, MO
  • Reference Number:
    1stDibs: LU608318401692

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