
Blue Tree, Maui, Hawaii
By Lance Clayton
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is prod...
2002


"Barbados", Barbados, 2002
By Bill Phelps
Located in Hudson, NY
Sepia Tone, Water, contrast, wave, movement, action shot, photograph, photography, warm, barbados, black & white, b&w, black & white, sepia, vignette, high contrast, carribean, tropi...
Photographic Paper

Float, Lava Hot Springs, Idaho
By Lance Clayton
Located in Hudson, NY
Black and White, Women, Water, Lance Clayton, outdoors, nature, hand, idaho, hot springs, b&w, woman, water Listing is for UNFRAMED print. Inquire within for framing. Edition of 10. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In this exhibition, Lance Clayton’s aquatic, figurative photographs contain an attention to detail that leaves the viewer constantly discovering new information within them. His oblique compositions are a profusion of the quirky, the surreal, and the ambiguous, all of which are permeated by a haunting presence. Rather than presenting a factual reality, an illusion is fabricated to conjure the realms of our imagination. The invitational image, “Swim”, is an illustrative shot of a man doing the butterfly stroke, his back to the viewer with arms powerfully extended across the frame, as if to embrace the open, infinite skies above him. The grainy quality of the piece is created using a dark room technique in which tissue is layered upon the photograph, creating an allover ethereal atmosphere reminiscent of Edward Steichen’s early work. Another image, “Rungs”, photographed in Lake Okeechobee, Florida, shows a rusty silver pool ladder descending into a vista of midnight blue water. The highlights and reflections in the water, however, resemble the night sky and thereby disorient the viewer’s perspective. The piece entitled "Kim, Orem, Utah” expresses some of Clayton’s more hauntingly sensual themes. The photograph displays a woman floating in a pool, her darkly lit face above the water and her serpentine body below. The sinister, yet lyrical, mood of the photograph is largely emblematic of the entire collection exhibited. Clayton’s inspiration is primarily grounded in dreams, with references to notable artists such as Diane Arbus, George Hurrell, and Duane Michaels...
Archival Pigment
"Alone", 2004
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. Price ...
Archival Pigment
Coming and Going
By Ron Hamad
Located in Hudson, NY
Listing is for UNFRAMED print. Inquire within for framing. Price and size range (Custom mural sizes available). All the photographs are in a limited edition. Edition 1 of 15. If the...
Archival Pigment

Hawaii no. 1
Located in Burlingame, CA
Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – oft...
Archival Paper, Photographic Paper, Digital Pigment

Hawaii no. 2
Located in Burlingame, CA
Large-scale photographer Troy House celebrates people’s primordial attraction to the beach. He travels the world capturing iconic, breathtaking scenes – often from a bird’s-eye view ...
Archival Paper, Photographic Paper, Digital Pigment

Palm, Hawaii
By Rick Chapman
Located in New York, NY
Tea-stained gelatin silver print Signed, titled, dated, and numbered (7/25), verso 20 x 16 inches, sheet This photograph is offered by ClampArt, located in New York City.
Silver Gelatin, Tea

Horizon
By Diana Bloomfield
Located in Sante Fe, NM
Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...
Pinhole, Platinum