Gaétan Caron

"Faerie Dust" Storm King, New York, 2014

2014

40"x50" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney Fine Arts published Facts on the Ground (introduction by Lucy Lippard) to accompany the exhibition. His work is in permanent collections of the Metropolitan Museum of Art, the Museum of the City of New York, and the Joy of Giving Something Foundation. Bezzubov’s work has appeared in the New York Times Magazine, Harper’s, The Telegraph Magazine, Esquire, Newsweek, Time, Art & Auction, and Details; and has received critical acclaim in The New Yorker, Freeze, The Village Voice, The Brooklyn Rail and Print. In 2012, The Sylvia Bongo Foundation invited Sasha Bezzubov to Gabon, Central Africa. Republic of Dust, the series of photographs that resulted from this experience was exhibited at Front Room Gallery ( 48 Hester Street...

Archival Pigment Print All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 Artist Proofs 50" X...

30"x40" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explo...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

THE COLOR OF WATER Lake Michigan blue sits at the pastel confluence of green, grey and cyan on the nearby shoreline. In truth, the color of the lake is as transitory as Chicago weather. The shade of blue is widely determined by the reflection of the sky above and the organic material and sediment carried below. I recently learned that invasive mussel species have slowly transformed the lake from green to bluer over the past two decades. I often return to the water’s edge to document the color of a given day. Susan Isaacson...

40"x50" photograph edition of 5, signed on the reverse. Sasha Bezzubov’s photographic approach has developed through diverse series that address the contemporary condition and explore the nature of the document. Sasha Bezzubov uses a large format camera to photograph the people and the land in diverse series including, The Gringo Project, Expats and Natives, Things Fall Apart, The Searchers, Albedo Zone, Facts on the Ground and most recently, Republic of Dust. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney Fine Arts published Facts on the Ground (introduction by Lucy Lippard) to accompany the exhibition. His work is in permanent collections of the Metropolitan Museum of Art, the Museum of the City of New York, and the Joy of Giving Something Foundation. Bezzubov’s work has appeared in the New York Times Magazine, Harper’s, The Telegraph Magazine, Esquire, Newsweek, Time, Art & Auction, and Details; and has received critical acclaim in The New Yorker, Freeze, The Village Voice, The Brooklyn Rail and Print. In 2012, The Sylvia Bongo Foundation invited Sasha Bezzubov to Gabon, Central Africa. Republic of Dust, the series of photographs that resulted from this experience was exhibited at Front Room Gallery ( 48 Hester Street...

Syoin KAJII (*1976, Japan) KAWA 013-014, 2009 Lambda Print with Diasec Face, Diptych Sheet 100 x 300 cm (39 3/8 x 118 1/8 in.) Edition of 6 (#2/6) About KAWA: Buddhist monk Kajii m...

Syoin KAJII (*1976, Japan) KAWA 013-014, 2009 Lambda Print with Diasec Face, Diptych Sheet 56 x 168 cm (22 x 66 1/8 in.) Edition of 6 (#2/6) Framed About KAWA: Buddhist monk Kajii ...

40"x50" photograph, please inquire about framing options. This photograph was taken in Gabon, Central Africa. Using a large format camera the artist, Sasha Bezzubov, captures the fine detail of dust settling on the leaves of the lush jungle vegetation. Bezzubov is a two-time recipient of the Fulbright Scholarship Award. His work has been included in numerous solo and group exhibitions including International Biennial of Photography and Visual Arts (Liege, Belgium); Tucson Museum of Art; Museum Belvedere (The Netherlands); Herter Art Gallery (University of Massachusetts); Wavehill (New York); New Orleans Museum of Art; and Noorderlicht Photography Festival (The Netherlands). In 2009 Nazraelli Press published Bezzubov’s monograph Wildfire (introduction by Bill McKibben). In 2011 Daniel Cooney...

Archival pigment print Signed and dated in black ink, l.r. This artwork is offered by ClampArt, located in New York City.