Armando Pizzinato

Moonlight - Etching by Armando Pizzinato - 1964

1964

Untitled is an original etching artwork on paper realized by Sante Monachesi. Hand-signed on the lower right by pencil. Artist Proof. it is an artist's proofs edition on the lower ...

Inconscious is an original Contemporary Artwork realized by Giuseppe Santomaso (Venice, 1907 - Venice, 1990) in 1976. Etching on paper. Hand signed and numbered. Edition of 102 c...

Abstract Composition is an original print in etching and drypoint on white color paper, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwor...

Abstract Composition is an original etching and aquatint realized in the 1960s Century by Marcel Fiorini (1922-2008). Good Conditions. Edition of 36/100. The artwork is depicted th...

Medium: original etching. Printed in 1965 for the deluxe limited edition "Paroles Peintes II" portfolio, published in Paris by Lazar-Vernet. This magnificent, rich impression is one ...

Joe Durante - Lunar. Year: 1982, Medium: Etching with Aquatint, signed, dated, titled and numbered in pencil, Edition: AP, Image Size: 11.25 x 17.75 inche...

This untitled abstract work by artist Fred Karl Dahmen, published in 1971, is a compelling example of his exploration of form and space. The composition features dark forms set again...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...