Arthur-Luiz Piza

Untitled

1953

Oil on yellow paper mounted on board. No visible signature but numbered "414" in pencil on reverse. Overall dimension of board is 15 x 16.75 inches.

Gouache on paper. Signed in pencil, lower right corner.

Signed by the artist in white pencil, lower right. Numbered 10/200 in pencil, lower left. Published by Mourlot, Paris. Framed dimensions is 30 x 47 inches, the sheet with full mar...

A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...

Woodblock print Signed in pencil, recto 12 x 9 inches This artwork is offered by ClampArt, located in New York City.

The painting is being offered with a work and authenticity certificate

Unknown/ Unidentified Artist, "Untitled" Abstract Woodcut Print numbered 86/200 and signed in pencil 22.50 x 17 in. Late 20th Century, 1963 Colors: Black. White *Unidentified Arti...

This artwork "Untitled #2" is a colors monotype on Arches paper by Dutch artist Frans Horbach. It is hand signed and dated in pencil by the artist. The image (plate mark) is 19.5 x 15.5 inches, sheet size is 30 x 22.25 inches. It is in excellent condition, the colors are fresh and bright, has never been framed. About the artist: Born in Holland, Dutch artist Frans Horbach first visited New York when he was 17 years old, traveling on a cargo ship from Rotterdam, just as his fellow country man Willem de Kooning had done years before. Two years later he left Holland and emigrated to California. During the years that he lived and worked as a professional artist in America, one of the main sources of artistic influence came from artists belonging to what is now known as the New York school of American lyrical abstract expressionist art - Rothko, Pollock, De Kooning... He was attracted by their ideas, style of work, and more importantly, by their vital energy and uninhibited self-confidence. Horbach's work also was influenced, more subtely perhaps, by his contact with indigeneous Indian people during his journeys in the American South-West and Mexico. These encounters were a rich source of inspiration - they became integral to a philosophical framework which involved the appreciation of physical space in a poetic and artistic sense. In later years, as the result of his long-time interest in oriental art and philosophy, some of his work show a distinct affinity with the aesthetic sensibilities of traditional Japanse...