Cecily Brown

Cecily Brown, Modern Art at Oxford poster (Hand signed & inscribed by artist)

2005

Willem de Kooning Annual Spring Invitational Art Exhibition (limited edition, hand signed & numbered by Willem de Kooning), 1979 Offset lithograph (hand signed and numbered) Sign...

Norman Bluhm - scarce vintage exhibition poster (hand signed by Norman Bluhm), from the collection of Jacob Bal Teshuva, 1987 Offset lithograph poster Boldly signed and dated '87 in ...

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

Lithograph with offset lettering Hand signed in graphite by Larry Rivers and inscribed to Al (Abram) Lerner - the Hirshhorn Museum's very first director (more about both Rivers and Lerner below) Also bears artists printed name, copyright and date (1981) A rare proof, aside from the regular edition of 400 Unframed This marvelous hand signed print was published on the occasion of a major 1981 Larry Rivers exhibition at the Hirshhorn. Forty-three works by Rivers, including paintings, sculptures, and mixed-media compositions selected from the Hirshhorn’s permanent collection, were displayed in this exhibition, among them I Like Ingres, Too; Molly and Breakfast; and the massive piece The Russian Revolution. Larry Rivers Biography (courtesy Guggenheim Museum): b. 1923, Bronx, New York; d. 2002, New York Born in August 17, 1923, and raised in the Bronx, Larry Rivers was a painter, sculptor, printmaker, poet, and musician at the crossroads of Abstract Expressionism and Pop art, who bucked prevailing trends in favor of a more singular style. The son of Ukrainian Jewish immigrants, he was known as Yitzroch Loiza (Irving) Grossberg until age 17, when a nightclub emcee announced his band as “Larry Rivers and the Mud Cats.” He adopted the name that same year. Following a brief stint in the U.S. Army, Rivers spent a year at the Juilliard School of Music studying musical theory and composition. He then pursued his only formal artistic training at Hans Hofmann’s painting school in New York from 1947 to 1948. Countering the vogue for abstraction at the time, Hofmann’s approach emphasized drawing as the foundation of all art making and presented the old masters as rich resources for creative exchange. In 1951, Rivers received a BA in art education from New York University. Proceeding from the conviction that figuration was not antithetical to modernism, Rivers completed his first major work, The Burial, in 1951, signaling the major concerns that he would return to throughout his life. With this painterly restaging of Gustave Courbet’s masterpiece A Burial at Ornans (Un enterrement à Ornans, 1849–50), Rivers began a sustained engagement with canonical paintings, imaginatively connecting contemporary art with art history. In works such as Washington Crossing the Delaware (1953), Rivers similarly mined the past for inspiration; a few years later, he began to take up more contemporary images, as in Dutch Masters and Cigars (1964), which was partly copied from a cigar box that itself depicted Rembrandt’s 1662 painting The Syndics of the Clothmakers’ Guild (De Staalmeesters). Subsequently, Rivers made several works that combine sculpture and painting, including I Like Olympia in Blackface (1970), which reverses the roles of Édouard Manet’s Olympia and her African servant. Later that decade, Rivers began appropriating his own work from the 1950s and 1960s with the series Golden Oldies (1978–79). In an interview with his close friend the poet Frank O’Hara, Rivers illuminated the premises of his approach, saying, “I think of a picture of a smorgasbord of the recognizable.”¹ Two of his largest projects adopted broad historical themes. The History of the Russian Revolution from Marx to Mayakovsky (1965), an enormous mixed-media assemblage, incorporated painted portraits, architectural cutouts, stenciled lettering, and found objects. The monumental History of Matzah: The Story of the Jews (1984–85) also used text and three-dimensional relief elements, this time to narrate Jewish history from Moses to Theodore Herzl, the founder of Zionism. Rivers’s first major survey was organized by the Rose Art Museum, Brandeis University, Waltham, Massachusetts, in 1965; it traveled to the Pasadena Art Museum; Jewish Museum, New York; Detroit Institute of Arts; and Minneapolis Institute of Arts. A retrospective of his paintings and drawings opened at the Butler Institute of American Art, Youngstown, Ohio, in 1990, and toured the United States for a further two years, with stops in the Norton Gallery of Art, West Palm Beach, Florida; Fort Wayne Museum of Art, Indiana; Scottsdale Center for the Arts, Arizona; and J. B. Speed Art Museum, Louisville, Kentucky. In 1997, the Philharmonic Center for the Arts, Naples, Florida, staged a retrospective of the works Rivers made between 1980 and 1997. His most comprehensive retrospective to date was at the Corcoran Gallery of Art in Washington, D.C., in 2002. Rivers continued painting up until three months before his death in Southampton, New York, on August 14, 2002. More about Al (Abram) Lerner – the Hirshhorn’s first director First director of the Hirshhorn Museum and Sculpture Garden, 1974-1984. Lerner was the son of Lower East Side Manhattan immigrants, Hyman Lerner, a garment presser, and Sarah Becker...

Cecily Brown Terry & Julie, 2025 Archival pigment print on Hahnemühle 308gsm fine art paper with hand torn edges 50.3 x 48.5 cm Edition of 200 hand-sgned and numbered by the artist

Untitled abstract expressionist painting by Melissa Cowy, dated 1980. Executed in acrylic on canvas, the composition moves between broad, smeared passages and sharp, angular slashes ...

Artist: (after) Lee Krasner (American, 1908-1984) Title: "Lee Krasner: A Retrospective - The Museum of Modern Art (Celebration)" *Signed and dated in the plate (printed signature) lo...

This captivating mixed-media work on paper masterfully blends fluid ink contour lines with rich watercolor and gouache washes. The composition features two stylized female figures en...