Jim Jacobs

Piece de Resistance (Mondrian)

1980

Piet Mondrian: "Composition C n°III in Red, Blue, and Yellow" - Signed Lithograph, Framed Acquire an iconic piece of modernism with this lithograph by Piet Mondrian, titled "Compos...

Piet MONDRIAN (after) Composition II in Red, Blue and Yellow Lithograph (8 colors) Printed signature in the plate Justified HC (Hors commerce) Blind stamp of the editor in the marg...

Piet MONDRIAN (after) Composition II in Red, Blue and Yellow Lithograph (8 colors) Printed signature in the plate Justified HC (Hors commerce) Blind stamp of the editor in the marg...

Piet Mondrian: "Composition C n°II in Red, Blue, and Yellow" - Signed Lithograph, Framed Acquire an iconic piece of modernism with this lithograph by Piet Mondrian, titled "Composi...

Composition with Red, Blue, Black, Yellow, and Gray by Piet Mondrian was originally painted in 1921. This period falls within Mondrian's mature phase, where he refined his abstract s...

This vintage exhibition poster was created for the Piet Mondrian Centennial Exhibition, held at the Solomon R. Guggenheim Museum from October 8 through December 12, 1971, commemorati...

Curt Hoppe has been around so long he would hang out with Warhol, Basquiat and haring back in NYC's heyday. He used to do photorealistic 12 foot portraits but as he has gotten older...

This original screenprint in colours is hand signed in pencil by the artist “Domela” it is also dated “1972” at the lower right. It is also hand inscribed in pencil "EA" (épreuve d'...

Serigraph with pigments on mirrored glass. Hand signed lower front by Yaacov Agam. Hand numbered 64/90 lower front. Artwork size: 28 x 28 inches. Frame Size: 35.25 x 35.25 inches...

Squares is a bridge between Mondrian and the Hard-edge abstraction movement. Clearly, this is a very early work because the artist has not yet found his mature style. The flat squares of uneven proportion, are in a formal but off-axis vertical /horizontal grid structure. Perhaps it's the artists take on a "drunk Mondrian" where the squares stumble to align themselves. Each square shape is different in shape and color and with visible brushstrokes and light impasto. Look carefully at the gray squares. They all have a slightly different hue. The squares are all unique individuals and not a repetition To Goodnough this was his departure from his influencer. Squares show the influence of his teachers including Hans Hofman...