Items Similar to Covers 3 Viridian (Abstract print)

Joanne Freeman - Covers 3 Orange (Abstract print)

Joanne Freeman - Covers 24-Green A (Abstract Painting)

Joanne Freeman - Covers 1 Orange (Abstract print)

Joanne Freeman - Covers 3 Cobalt (Abstract print)

Joanne Freeman - Covers 2 Cobalt (Abstract print)

Joanne Freeman - Covers 1 Red (Abstract print)

Want more images or videos?

Request additional images or videos from the seller

1 of 7

Joanne Freeman
Covers 3 Viridian (Abstract print)
2017

Name: Covers 3 Viridian (Abstract print)
Brand: Joanne Freeman
Rating: 5 (43 reviews)

$2,064.03

£1,500

€1,791.30

CA$2,879.03

A$2,928.50

CHF 1,680.66

MX$35,203.96

NOK 19,604.81

SEK 19,789.37

DKK 13,391.62

About the Item

Covers 3 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper plates dipped in acid to hold ink. The traditional fine art printing process accentuates the rich saturation of color on paper. The series merges the quality and feel of traditional fine art prints with the low tech graphics of mid-century media."

Creator:
Joanne Freeman (1954, American)
Creation Year:
2017
Dimensions:
Height: 27.96 in (71 cm)Width: 25.99 in (66 cm)
Medium:
Paper,Aquatint
Movement & Style:
Abstract
Period:
2010-
Condition:
Gallery Location:
London, GB
Reference Number:
1stDibs: LU659312524122

More From This Seller

View All

Joanne FreemanCovers 1 Viridian (Abstract print), 2017

Covers 1 Viridian (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 1 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Joanne FreemanCovers 4 Viridian (Abstract print), 2017

Covers 4 Viridian (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 4 Viridian (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 6 of 20. This piece...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Joanne FreemanCovers 3 Cobalt (Abstract print), 2017

Covers 3 Cobalt (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 3 Cobalt (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 3 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Joanne FreemanCovers 3 Ultramarine (Abstract print), 2017

Covers 3 Ultramarine (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 3 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This pi...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Joanne FreemanCovers 2 Cobalt (Abstract print), 2017

Covers 2 Cobalt (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 2 Cobalt (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 4 of 20. This piece is part of a series titled ""Covers"", it pays homage to the graphic style of album covers, paperback book covers and media that permeated mid-century popular culture. Her use of singular color accentuates the interplay of ground, foreground relationships. Freeman tries to merge random gestures and idiosyncratic shapes with a controlled and reductive abstract language. Aquatint is an intaglio printmaking technique, a variant of etching, using copper...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Joanne FreemanCovers 2 Ultramarine (Abstract print), 2017

Covers 2 Ultramarine (Abstract print)

By Joanne Freeman

Located in London, GB

Covers 2 Ultramarine (Abstract print) Aquatint made with oil based Charbonnel Etching Ink, printed on 100% rag paper Copperplate Warm White. - Unframed. "Edition 5 of 20. This pi...

Category

2010s Abstract Abstract Prints

Materials

Paper, Aquatint

Kathleen SherinUntitled (Green and Blue), 2001

Untitled (Green and Blue)

By Kathleen Sherin

Located in Buffalo, NY

An original assembled collagraphic monoprint with drypoint by American contemporary artist Kathleen Sherin. Kathleen began to explore printmaking as a MFA painting student at the Un...

Category

Early 2000s Abstract Abstract Prints

Materials

Monoprint

Manuel Rodriguez Jr.Artifacts IV, Abstract Monoprint and mixed media by Manuel Rodriguez Jr., Late 20th Century

Artifacts IV, Abstract Monoprint and mixed media by Manuel Rodriguez Jr.

Located in Long Island City, NY

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts IV. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 15.5 inches, ...

Category

Late 20th Century Abstract Prints and Multiples

Materials

Monoprint

Manuel Rodriguez Jr.Artifacts II, Abstract Monoprint and mixed media by Manuel Rodriguez Jr., Late 20th Century

Artifacts II, Abstract Monoprint and mixed media by Manuel Rodriguez Jr.

Located in Long Island City, NY

Manuel Rodriguez Jr., Filipino (1942 - ) - Artifacts II. Medium: Monoprint and mixed media on BFK Rives, signed and titled in pencil, Edition: 1/1, Image Size: 20.75 x 15.5 inches, ...

Category

Late 20th Century Abstract Prints and Multiples

Materials

Monoprint

Tracey AdamsUntitled IV, 1995

Untitled IV

By Tracey Adams

Located in San Francisco, CA

This artwork "Untitled IV" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed, dated 1995 in pencil at the lower right corner by the artist and numbere...

Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Monotype

Tracey AdamsUntitled VI, c.1995

Untitled VI

By Tracey Adams

Located in San Francisco, CA

This artwork "Untitled VI" is a monotype on paper by noted artist Tracey Adams, born 1954. It is hand signed in pencil at the lower right corner by the artist. The image size is 15.6...

Category

Late 20th Century Abstract Expressionist Abstract Prints

Materials

Monotype

David StoreyV.4, Abstract Screenprint by David Storey, 1999

V.4, Abstract Screenprint by David Storey

By David Storey

Located in Long Island City, NY

Artist: David Storey Title: V.4 Year: 1999 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 13 inches Size: 22.5 in. x 17.5 in. (57.15 cm x 44.45 cm)

Category

1990s Abstract Abstract Prints

Materials

Screen

Elton John Is a Fan of this Richard Caldicott Tupperware Photo

Using a creative analog process, the British artist transformed the plastic containers into gleaming, minimalist abstractions and developed an illustrious fan base along the way.