Lionel

Abstract Composition with Yellow and Black - Original etching, Handsigned

LIONEL Red Original Etching Handsigned Numbered /20 copies On vellum 47.5 x 58 cm ( c. 18.7 x 22.8 Inches ) Excellent condition

Roger BISSIERE (1886-1964) Abstract Composition in Yellow Stone lithograph after a painting Printed in Mourlot workshop Printed signature in the plate On Arches vellum 50 x 65 cm (c...

Satish SHARMA Abstract Composition For Vence Orignal etching Handsigned in pencil Numbered / 60 On Vellum 56 x 38 cm (c. 22 x 15 inch) Excellent condition

Jacques POLI Composition IV Original lithograph and sticking Handsigned in pencil Numbered /150 copies On vellum 76 x 56 cm (c. 29.9 x 22) Excellent condition

Interior Landscapes - Abstract Acrylic on paper Painting. . FRAME While contemplating the painting of Ruz, we are inclined to talk about real ‘psychodrama’, in the same sense that ...

Signed, titled and numbered from the edition of 6. RENAUD ALLIRAND was born in 1970, and currently lives and works in Paris. He is a prolific artist who has exhibited regularly sinc...

Yellow & Black Abstract Expressionist Art, Mixed Media on Paper, Signed, 1999 - a Unique Original Painting - an extremely rare early work from leading British Contemporary Artist...

Jean Miotte - Original Etching 1998 Dimensions: 41 x 33 cm Edition: /40 From La Déchirure Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War II when non-figurative gestural abstraction was emerging on both sides of the Atlantic as the contemporary artistic language. The term, "L'Art Informel," was coined by the French critic, Michel Tapi, to connote "without form." The negation of traditional form, a radical break from established notions of order and composition, was particularly suited to a cultural environment born out of the circumstances of post war Europe where abuse of morals and fascist ideology had led to such horror and destruction. While Informel is often regarded as the European equivalent of Abstract Expressionism, it is distinguished from its American counterpart, by a loss of faith in progress and the collective possibilities of an avant garde. Rather the artists who came to be grouped as Informel, Jean Miotte, Jean-Paul Riopelle, Emil Schumacher...