Linocut Abstract Prints

Larry Zox, American (1937 - 2006) - Purple Composition, Year: 1971, Medium: Linocut, signed and numbered in pencil, Edition: 6/50, Size: 22 x 30 in. (55.88 x 76.2 cm), Framed Siz...

Barbara Keidel Untitled (XX) (Abstract, Red, Grey) Linocut 1996 Edition: 3 Numbered and dated by hand in pencil Size: 9 x 8.25 inches (22.86 x 20.95 cm) COA provided Tags: Abstr...

Artist: (after) Andy Warhol (American, 1928-1987) Title: "Neue Nationalgalerie (Flowers)" Year: 1969 Medium: Original Linocut, Exhibition Poster on light wove paper Limited edition: ...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.36 inches (49.5 x 69.5 cm) Edition: Unique COA provided *Condition: Sto...

A superb impression of this color linoleum cut. Signed and numbered 29/50 in pencil by Picasso. Printed by Arnéra, Vallauris. Published by Galerie Louise Leiris, Paris. Catalogue r...

Paul Herrmann Form on Black Background (Abstract, Modern, Mid-Century) Linocut 1970 Signed, titled and dated in stone on verso (along lower margin) Edition: 100 (not individually num...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed In September, 2025, "Kerry James Marshall: The Histories" opened at the Royal Academy of Arts in London. This major exhibition was the largest presentation of Marshall's work in the United Kingdom and Europe, and featured more than 70 works by the the artist, including a large number of paintings and a selection of prints, drawings and sculptures. Highlights of the show include a new series of paintings that explore the transatlantic slave trade, along with Knowledge and Wonder, a mural commissioned in 1995 by the Chicago Public Library that is the largest painting Marshall has produced. The exhibition at the Royal Academy will then travel to the Kunsthaus Zurich and the Musee d'Art Modern in Paris. Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier, which is featured in the Royal Academy Exhibition. In 2013, an original painting, upon which this work is based, sold at Christie's auction. Below is the Christie's Lot Essay for that painting: ..." Set in a revolutionary apartment in the cosmos, Kerry James Marshall's Keeping the Culture optimistically anticipates a future that pays homage to the past. Ushering in a new stage of the artist's output, Keeping the Culture shifts focus from the failed utopia of urban renewal and the commemoration of civil rights era heroes in favor of a more technically refined meditation on the preservation of the traditional and spiritual values that shaped a culture. Placed in an ultramodern environment, two siblings marvel at a projection of the earth--in which Marshall has aptly positioned the African continent toward the viewer-while their affectionate parents dance in the foreground. Overlooking the milky way, Marshall's space-age flat is decorated with earthly relics-wooden tribal sculptures...

For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject matter in favor of seemingly limitless variations in ...

Beautiful early 20th Century color linocut of abstracted man with leaves titled "Homme au Feuillage" (Man with Foliage) by French artist Jean Lucat (French, 1892 - 1966), circa 1950....

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: IV from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...

Martel Wiegand Untitled (Architectural Abstract, Modern, Beige, Brown, Linocut) Color Linoleum Cut on light Japanese Washi Paper with Centerfold 1990 24.01 x 35.43 inches (61 x 90 cm...

linocut, edition of 15 The artwork is shipped unframed and measures 36in x 24in. Please message us directly if you are interested in custom framing for your print. Bio // Jesse Sha...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper with centerfold 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and da...

Waterway by Rob Barnes [2021] Last one available. The inspiration for this was seeing clouds and ripples on the river. I was trying to create movement in the design and include some...

linocut printed in 25 colors on Hahnemuhle paper For over thirty years, Nozkowski has practiced his own form of idiosyncratic abstraction, foregoing a signature style or subject mat...

Martel Wiegand Untitled (Abstract, Modern, Beige, Brown, Linocut) Linoleum Cut on light paper 1996 19.48 x 25.78 inches (49.5 x 65.5 cm) Edition: Unique Signed and dated by hand COA ...

Lino Litho BR, Planche VI Linocut and lithograph, 1970 Signed lower right in pencil (see photo) Edition: 99 (56/99) (see photo) Published by London Arts Group, Detroit Condition: Exc...

Martel Wiegand Untitled Linoleum Cut on light paper with centerfold as issued 1996 19.48 x 26.96 inches (49.5 x 68.5 cm) Edition: Unique Monogrammed and dated by hand COA provided *...

Donald Baechler The Benefit Mummy, 2005 Linoleum print, one color, with chine colle, on Rives BFK paper Rare print from an edition of only 17: Hand signed, numbered 7/17 and dated by...

Contemporary op art abstract linocut and woodcut print by Polish artist Ryszard Gieryszewski. Print is mostly black and white with red. Title of this artwork is 'Equivalent shapes'. ...

Any work by Tobias Musicant is terrific. These New Jersey-made, mid-century near abstractions are generally scarce. The pieces I know are master works of American Modernism. Cubist c...

Friedrich Geiler Concrete Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Linocut Year: 1974 Signed, numbered and dated by hand Edi...

Martin Victor - Sands Cove, Year: 1985, Medium: Linocut on thin wove paper, signed, titled and dated in pencil, Image Size: 17 x 25.75 inches, Size: 21.75 x 29.5 in. (55.25 x 74....

CLAUDE FLIGHT (1881 -1955) SWING BOATS 1921 (Coppel CF5) Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to bla...

Artist: Alfonsas Dargis, Lithuanian (1909 - 1996) Title: Three Islands Year: 1953 Medium: Linocut, signed and numbered in pencil Edition: 9/45 Image Size: 27 x 18.75 inches Frame Siz...

Martel Wiegand Untitled Linoleum Cut on light Paper 1996 19.68 x 27.55 inches (50 x 70 cm) Edition: Unique Signed and dated by hand COA provided Martel Wiegand (born August 4, 1922,...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: ...

This artwork titled "Snapdragon" 2011 is a original color linocut on Strathmore paper by artist Maxime Maurice Grossman, b. 1989. It is hand signed and numbered 6/40 in pencil by the artist. The image (plate mark) size is 17.85 x 11.85 inches, framed size is 31 x 24 inches. Published by Joseph Grossman Fine Art...

PABLO PICASSO Spanish, 1881 - 1973 La petite bacchanale (B. 1020; Ba. 1250) signed in pencil "Picasso" (lower left) numbered in pencil "1/50" (lower right) linocut in colors on Arche...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: VI-2 from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size...

Artist: Eric Newton, British (1893 - 1965) Title: Untitled - Abstract with Red and Yellow Year: circa 1955 Medium: Linocut Print, signed and numbered in pencil Edition: EA Image Size...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: I from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Si...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Mimmo Paladino Atlantico Linocut, 1987, hand signed, dated and numbered 12/27 in pencil. Medium: Collagraph and linoleum cut Sheet measures 82 x 29 1/2" inches Parole Torchon pap...

Sea Poppies and Linnets at Salthouse by Joanna Padfield [2022] Sea Poppies and Linnets at Salthouse is an original limited edition linocut print, printed in blue. All of my prints ...

Created in 1989, this color screen print, lithograph and linocut with hand-coloring, marbling and collage on T.H. Saunders and Somerset paper is hand-signed by Frank Stella (Massachu...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

I love the busy swirl of gulls around a harbour. It makes for a challenging composition and offers a chance to play with light and colour. I have tried to capture movement and a harb...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: III from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size:...

Burkhart Beyerle Berweg Linoleum Cut on light Paper 1990s 17.32 x 24.01 inches (44 x 61 cm) Edition: 14 Signed, numbered and titled by hand COA provided Burkhart Beyerle is a German...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...

The first crop to ripen is usually the barley. Hares can be seen running through it as it gives good cover for them. You need a keen eye to see these fast creatures, but a glance at ...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: II from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image S...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: V from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Si...

Artist: Alberto Magnelli, Italian (1888 - 1971) Title: V from La Magnanerie de la Ferrage Year: 1971 Medium: Linocut on Japon, signed in pencil Edition: Pour Leon Amiel Image Size: 1...

Kit Boyd Gifts of Flowers Limited Edition Linocut Print Edition of 20 Image Size: H 30cm x W 41cm Sheet Size: H 40cm x W 50cm x D 0.1cm Sold Unframed Please no...

Artist: (after) Roy Lichtenstein (American, 1923-1997) Title: "Neue Nationalgalerie (Compositions I)" Year: 1969 Medium: Original Linocut, Exhibition Poster on light wove paper Limited edition: Unknown Printer: likely Linol-Druck Berek, Berlin, Germany Publisher: Neue Nationalgalerie, Berlin, Germany Framing: Recently framed in a contemporary dark brown wood moulding Framed size: 34.25" x 24.75" Sheet size: 33.07" x 23.5" Condition: Some light edge wear with a few minor tears at upper right edge. Some light foxmarks visible in white center. In otherwise very good condition with strong colors and full margins. As one of our gallery specialties, this is the rarest original vintage Lichtenstein poster we have ever acquired in nearly 50 years. Extremely rare. An important poster of Pop Art history Notes: Provenance: private collection - San Francisco, CA. Printed in two colors: green and black. Poster produced for a special exhibition of various artists' work "Sammlung 1968 Karl Ströher" at the Neue Nationalgalerie, Berlin, Germany from February 29 - April 14, 1969. The image featured on this poster is a variation with added green color of Lichtenstein's 1964, 68.13" x 56.25", magna on canvas painting "Compositions I". This painting "Compositions I" was part of Karl Ströher's collection exhibited at the show. Within a sleeve lower center on verso, this artwork comes with its rare original accompanying exhibition catalog: over 200 pages with pictures of all of the 176 works of art exhibited at the show including "Compositions I", (No. 32). This monumental exhibition included the work by such artists as Jean Dubuffet, Yves Klein, Morris Louis, Piero Manzoni, Robert Matta...

Déesse- Goddess Linocut in colors, 1972 Unsigned Stamped in ink on verso: "Imprimerie Arnéra" Archives/ Non Signé Watermark: Arches (see photo) An impression printed in black, purpl...

Michael Rothenstein 1908-1993 Round Round Round, 1966 woodcut and linocut 80 x 69 cm 31 1/2 x 27 1/8 in signed and dated in pencil Michael Rothenstein was born in 1908 in London, th...

Breon O'Casey British, 1928-2011 Moon, 1999 linocut 50 x 65 cm 19 3/4 x 25 5/8 in signed, dated and numbered in pencil, edition of 15 Born in London 1928, Breon O’Casey was the son ...

Another example of this work sold at Sotheby's London a on September 6, 2025 for 190,500 GBP, or $254,804 (Lot 19) Pablo Picasso Jacqueline Au Chapeau Noir (Jacqueline in Black Hat)...

Sailing at Blakeney Point is inspired by summer sailing trips from Morston to Blakeney Point in North Norfolk. In the foreground are flowers and plants typically found along the marches of the Norfolk coast. A Sailing barge is sailing back towards Morston and Blakeney Point can be seen in the distance . Jo Padfield, printmaker and artist, is available for sale online and in our gallery at Wychwood Art. Jo Padfield is an artist based in rural Norfolk - I love the natural world and my work celebrates nature and the natural environment, using bright vibrant colours and bold eye catching shapes and patterns. After studying at Norwich School of Art I went on to study and work in architecture. As my path in design continued, I have developed my love of colour and graphics in print making to create linocut prints. I like the process of cutting fresh lino with sharp tools and the anticipation of peeling paper off an inked block...

A Woodland Song [2019] limited_edition linocut Edition number 1-10 Image size: H:20cm cm x W:20cm cm Complete Size of Unframed Work: H:30cm cm x W:30cm cm x D:3mmcm Sold Unframed Pl...

Frank Stella print The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984, recalls the post-painterly abstraction known to have influenced Stella with added elements that reflect collage and cut-out effects. Inspired after seeing an exhibition in 1919 by the Russian avant-garde artist El Lissitzky (1890-1941) who had created a series of gouaches illustrating the traditional Jewish Passover song, Had Gadya (The Only Kid), Stella created his own, one of which you see before you. With movement and vibrancy, each piece in the series illustrates each line of the song, as Lissitzky had done. What makes The Had Gadya series so pivotal in Stella’s oeuvre however is that it is the introduction of both the 'wave' motif, which inspired the seminal Moby-Dick series and his Cones and Pillars iconography. This stunning work is bursting with color and movement. Shades of green, coral and yellow dominate the piece. Like a music piece, each component of the collage forms an upbeat composition. Central to the scene are lime green cones and pillars which are reminiscent of Stella’s previous Cones and Pillars series. Above, sinuous red lines curve to form an abstract image. Viewed together, the colors and forms are a testament to Stella’s artistic past and future. Created in 1984, Frank Stella The Butcher Came and Slew the Ox, Pl.8 from Illustrations after El Lissitzky’s Had Gadya, 1984 is a color screen print, lithograph and linocut with hand-coloring and collage is hand-signed by Frank Stella (Massachusetts,1936 - New York, 2024) in pencil in the lower right of the image. Numbered 16 from the edition of 60 in pencil in the lower margin. Frank Stella Had Gadya...

Artist Name: Larry Zox Title:Niagara Series IV Yellow Signed Linocut Lithograph Year : 1979 Medium Type: Print - Linocut Lithograph Size-Width Size-Height : 42.25'' 29.75'' Signed ...

Frank Stella's 1984 print "Then Came a Stick and Beat the Dog, Illustrations After El Lissitzky's Had Gadya" shows the artist's maximalist approach to abstraction and his interest in...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Alan Shields - Untitled from The Incestuous Kids, 1973 Mixed media silkscreen collage with embossing, woodcut, linoleum cut, dye- cutting, flocking and glass bead additions, from the...

Jasper Johns Sun on Six, 2000 Color linoleum cut on Gampi Torinoko paper Pencil signed, dated and numbered 4/26 on the front Published by Z Press, Calais, Vermont Frame included: ele...