Robert Morris

The Walled Grounds of Parade and Punishment from In the Realm of Carceral

1978

Artist: Robert Morris, American (1931 - 2018) Portfolio: In the Realm of the Carceral Title: The Hot and Cold Pools of Persuasion Year: 1979 Medium: Etching and Aquatint, signed and ...

Artist: Robert Morris, American (1931 - ) Title: Towers of Silence from In the Realm of the Carceral Year: 1978 Medium: Etching and Aquatint, signed and numbered in pencil Edition: 1...

Artist: Robert Morris, American (1931 - ) Title: Security Walls from In the Realm of the Carceral Year: 1978 Medium: Aquatint Etching, Signed and numbered in pencil Edition: 150, AP ...

Artist: Robert Morris, American (1931 - ) Title: Inmate Work Project: Perpetual Construction and Dismantling of the Labyrinth from In the Realm of the Carceral Year: 1978 Medium: Etc...

II, from Thomas Suite by Robyn Denny, 1975 Additional information: Medium: screenprint 90 x 64 cm 35 3/8 x 25 1/4 in signed, dated and numbered in pencil Robyn Denny was one of a g...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Print, 1997 Handsigned by the artist in pencil and numbered 20/60 LCD4224

Aquatint copperplate printing on BFK Rives paper 250 g. Edition 14/16. This artwork is sold as a triptych. Each image size is 26 x 26 cm/10.2 x 10.2 inches, full paper is 65 x 50 cm/25,5 x 19,6 inches Pierre Muckensturm added printmaking to his oeuvre since 2010. The engraving and printing process allows him to further explore notions of time and perspective. Muckensturm is inspired by the concepts of calmness, constancy and temporality. His work visually expresses a sense of harmony with time. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude and orientation over time. Pierre Muckensturm is a French abstract painter and print maker. His visual language is one of harmony, calm and timelessness built around softly textured surfaces and a muted, black and white palette. Born in Strasbourg, France, he currently lives and works in Colmar. In his prints, he begins with gestural marks, examining them in detail, transforming them gradually, exploring how they communicate differently as he alters their size, shape, depth, magnitude, and orientation over time. In 2004, Muckensturm began working with oil on large-scale canvases. He isolates gestural elements, enlarging them on the picture plane to explore their presence in relation to the surrounding emptiness. He develops the paintings methodically, exploring the process of transformation the canvas undergoes in the painting process. Working the surface into a texture that belies its age, Muckensturm achieves a balance of intensity and tranquility. INSPIRATION Muckensturm is inspired by the concepts of calmness, constancy, and temporality. His work visually expresses a sense of harmony with time. Initially a figurative painter, he discovered abstraction in 2004 on a visit to Notre Dame du Haut, a Modernist chapel in Ronchamp, France, designed by Charles-Edouard Jeanneret-Gris, otherwise known as Le Corbusier. The simplicity of its forms brought Muckensturm a feeling of tranquility. He began seeking ways to directly express how felt that day. His search brought him into contact with the work of Julius Bissier, whose simple, organic, gestural brushstrokes, evocative of Taoist painting...