Surrealist Abstract Prints

Graphisms & 3. 1980, paper, silk screen, 15x28 cm Maris Argalis (1954-2008) Born in Riga. 1971. - graduated the Janis Rosenthal Riga Art School. Ongoing...

This exquisite lithograph by Joan Miro (1893–1983), titled Japan, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Bijutsu Shupan Sha, Tokyo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Japan Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Bijutsu Shupan Sha, Tokyo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 194 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 937. Condition: Well preserved, consistent with age and medium Provenance: Published by Bijutsu Shupan Sha, Tokyo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Bijutsu Shupan Sha in Tokyo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Bijutsu Shupan Sha’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Japan...

ARTIST: Salvador Dali TITLE: The Hippies The Pagoda MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: XLV/C MEASUREMENTS: 20" x 26.5" YEAR: 1969 FRAMED: No CONDITION: Exce...

Henry Moore Seven Sculpture Ideas I (Cramer 589) Etching, aquatint and roulette in 10 colors, 1982, on Arches, signed in pencil. 39/50 From the numbered edition of 50. Published by ...

Chromaticorns II, by Pedro Friedeberg - Print - 80 x 80 cm / 33.46 x 33.46 in - Mexican Surrealist Unicorns, c. 2020 Pedro Friedeberg is an artist and designer from Mexico of Ital...

"Hinting (With Chine Colle)" is an etching and an aquatint signed by Molly McKee. This complex print starts with a mass of black scribbles that are in the foreground near the upper left. The next piece is a woman's torso. Covered up slightly by the black marks, but still beautiful and graceful. Behind her is a golden rocket shaped object. Art: 12 x 8.88 in Frame: 24.88 x 17.5 in A Milwaukee...

"Poly-Quad-Pod" is an original color collagraph signed, titled, and numbered in the lower part of the print. This piece is edition 9/10 and is by the artist Joseph Rozman. It depicts...

JEAN [HANS] ARP 1886-1966 Strasbourg, France 1886 - 1966 Basel, Switzerland (German/French) Title: Untitled, from Le Soleil Recerclé, 1962-65 (Black circle small shapes) Technique:...

This exquisite lithograph by Joan Miro (1893–1983), titled Sans titre (Untitled), originates from the 1967 folio Derriere le miroir, L'oiseau solaire, l'oiseau lunaire, etin-celles (...

This exquisite lithograph and pochoir after Joan Miro (1893–1983), titled Bleu II (Blue II), from the album Miro 1959–1960 (Miro 1959–1960), originates from the 1961 edition publishe...

In this mesmerizing surrealist image, the artist delves into the realms of the subconscious and the juxtaposition of unexpected elements. A colossal eye gazes upon the towering prese...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Shakespeare, La Tempete (Shakespeare, The Tempest), originates from the 1965 issue published ...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from Les Fleurs du Mal (The Flowers of Evil), originates from the 1964 issue published by Le Cercl...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the album Satiricon, originates from the 1970 edition published by Ariane Lancell, Editeur, P...

Zoran Music (after)- Composition - Pochoir 1959 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unumbered as issued

Jean Arp (after) - Composition - Pochoir 1958 Dimensions: 32 x 24 cm From the art revue XXe siècle Unsigned and unumbered as issued

Marino Marini - Character - Original Lithograph 1951 Dimensions: 32 x 24 cm From XXe siècle Unsigned and unumbered as issued

after Jean Arp Moustaches et Squelette Executed in 1957 after the original artwork by the studios from Daniel Jacomet in Paris, France Pochoir Dimensions: 32 x 24 cm From the art re...

This original etching is hand signed in pencil by the artist “Jacques Herold” at the lower right margin. It is numbered in pencil 55 from the limited edition of 99 impressions at the...

This exquisite engraving by Salvador Dali (1904–1989), titled Sans titre (Untitled), from the folio Le Tricorne (The Three-Cornered Hat), originates from the 1958 edition published b...

This exquisite lithograph by Andre Masson (1896–1987), titled Paris la nuit La Seine, Notre Dame de Paris (Paris at Night The Seine, Notre Dame of Paris), from Regards Sur Paris (Vie...

This exquisite lithograph by Andre Masson (1896–1987), titled Place de la Concorde et L'Arc de Triomphe (Place de la Concorde and the Arc de Triomphe), from Regards Sur Paris (Views ...

This exquisite lithograph by Andre Masson (1896–1987), titled La Tour Eiffel au ciel gris (The Eiffel Tower in a Gray Sky), from Regards Sur Paris (Views of Paris), originates from t...

This exquisite lithograph by Leonor Fini (1907–1996), titled Sans titre (Untitled), from the album Satiricon, originates from the 1970 edition published by Ariane Lancell, Editeur, P...

This exquisite lithograph by Joan Miro (1893–1983), titled Denmark, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Galerie Borjeson, Malmo, and ...

This exquisite lithograph by Joan Miro (1893–1983), titled Portugal, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Publicacoes Europa-America, ...

This exquisite lithograph by Joan Miro (1893–1983), titled Sweden, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Galerie Borjeson, Malmo, and printed by La Poligrafa, Barcelona, 1974. The work reflects Miro’s lyrical mastery of biomorphic form, symbolic purity, and gestural spontaneity, embodying the visionary abstraction that made him a defining figure of twentieth century modernism. Executed as a lithograph on Guarro velin paper, this work measures 7.87 x 15.47 inches (20 x 39.3 cm). Signed in the plate and unnumbered, as issued. The edition exemplifies the refined craftsmanship of La Poligrafa, Barcelona. Artwork Details: Artist: Joan Miro (1893–1983) Title: Sweden Medium: Lithograph on Guarro velin paper Dimensions: 7.87 x 15.47 inches (20 x 39.3 cm) Inscription: Signed in the plate and unnumbered, as issued Date: 1974 Publisher: Galerie Borjeson, Malmo Printer: La Poligrafa, Barcelona Catalogue Raisonne References: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 209 Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 938. Condition: Well preserved, consistent with age and medium Provenance: Published by Galerie Borjeson, Malmo; printed by La Poligrafa, Barcelona, 1974, in an edition of MD About the Publication: Miro escultor (Miro as Sculptor), published in 1974 by Galerie Borjeson in Malmo, is a richly produced lithographic edition created to accompany and celebrate Joan Miro’s expanding work in sculpture during the late 1960s and early 1970s. Printed by the renowned La Poligrafa workshop in Barcelona one of the most important printers of modernist and postwar graphic art the publication formed part of a larger project intended to document and disseminate Miro’s sculptural innovations to an international audience. During this period, Miro turned increasingly toward three dimensional form, collaborating with foundries and experimental workshops to transform his biomorphic vocabulary into bronze, painted wood, ceramics, and mixed media assemblages. The publication Miro escultor functioned both as an artistic portfolio and as an interpretive document, presenting lithographic translations of sculptural ideas that were simultaneously graphic works in their own right. The edition of MD examples reflected Galerie Borjeson’s commitment to high quality multiples and the broader 1970s movement to democratize access to contemporary art through carefully produced prints. Today, the publication stands as a testament to the intersection of Miro’s painterly gesture, his graphic discipline, and his growing fascination with spatial and sculptural expression. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, printmaker, and ceramicist whose visionary imagination and lyrical abstraction made him one of the most influential and beloved artists of the 20th century. Born in Barcelona, Miro drew inspiration from Catalan folk art, Romanesque frescoes, and the luminous landscapes of Mont roig del Camp, developing a deep connection to nature that infused his work with vitality and symbolism. After formal training at the Escola dArt in Barcelona, he absorbed the lessons of Post Impressionism and Cubism before moving to Paris in the early 1920s, where he became a leading figure in the Surrealist movement. There, Miro forged a personal visual language of biomorphic shapes, floating symbols, and radiant color harmonies that reflected both spontaneity and spiritual depth. In creative dialogue with peers such as Alexander Calder, Alberto Giacometti, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, and Man Ray, he helped revolutionize modern art by dissolving the boundaries between abstraction and dream imagery. Miro’s inventive approach extended far beyond painting, embracing sculpture, ceramics, and monumental public commissions that redefined how art could interact with space and emotion. His expressive freedom and gestural abstraction profoundly influenced later artists including Jackson Pollock, Mark Rothko, Alexander Calder, Jean Dubuffet, Antoni Tapies, and Joan Mitchell, inspiring generations who sought to merge instinct, color, and imagination. Today, Miro’s work remains a cornerstone of modernism, prized by collectors and celebrated in major museums worldwide. His highest auction record was achieved by Peinture (Etoile Bleue) (1927), which sold for 23,561,250 GBP (approximately 37 million USD) at Sotheby’s, London, on June 19, 2012. Joan Miro Sweden...

This exquisite lithograph by Joan Miro (1893–1983), titled Iran, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Art Conseil, Paris, and printed ...

This exquisite lithograph by Joan Miro (1893–1983), titled England, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Ediciones Poligrafa, S.A., Ba...

This exquisite lithograph by Joan Miro (1893–1983), titled Italy, from Miro escultor (Miro as Sculptor), originates from the 1974 edition published by Grafica Contemporanea, Milan, a...

1 pint from the Lithographe III suite. unsigned.

This exquisite lithograph by Alexander Calder (1898–1976), titled Sans titre (Untitled), from the album Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot ...

This exquisite lithograph by Joan Miro (1893–1983), titled Composition (Composition), from the album Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), originates from the 1965 edition published by Redfern Gallery, London; printed by Mourlot Freres, November, 1965. This artwork reflects Miro’s poetic abstraction, where floating forms, rhythmic line, and vibrant visual symbols coalesce into a dreamlike composition that captures the artist’s exploration of spontaneity, imagination, and the subconscious. Executed as a lithograph on velin d’Arches paper. 10 x 7.5 inches. Signed in the plate and unnumbered as issued. The impression reflects the exceptional quality associated with the Mourlot atelier, renowned for its collaborations with the most important artists of the twentieth century. Artwork Details: Artist: Joan Miro (1893–1983) Title: Composition (Composition), from Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), 1965 Medium: Lithograph on velin d’Arches paper Dimensions: 10 x 7.5 inches Inscription: Signed in the plate and unnumbered as issued Date: 1965 Publisher: Redfern Gallery, London Printer: Mourlot Freres, Paris Catalogue Raisonne: Cramer, Patrick, and Joan Miro. Joan Miro, Catalogue Raisonne des Livres Illustres. P. Cramer, 1989, illustration 91; Miro, Joan, et al. Joan Miro : Lithographs. Tudor, 1972-1992, illustration 332. Condition: Well preserved, consistent with age and medium Provenance: From Les Lithographies de L'Atelier Mourlot, Paris, published by Redfern Gallery, London, 1965 Notes: Excerpted from the album (translated from French), This album was published on the occasion of the exhibition, "The Mourlot Workshop" at The Redfern Gallery, 20, Cork Street London WI, December 7, 1965 to January 31, 1966. There were printed of this work M examples on velin d’Arches, and C examples on velin de Rives BFK, reserved for the artists, collaborators, and friends of the Imprimerie Mourlot and the Redfern Gallery. About the Publication: Les Lithographies de L'Atelier Mourlot, Paris (The Lithographs of the Mourlot Workshop, Paris), published in 1965 by the Redfern Gallery in London, stands as a landmark publication dedicated to one of the most important print ateliers of the twentieth century. Produced in conjunction with a major exhibition highlighting the achievements of the Mourlot workshop, the album celebrates the collaborative relationship between artists and master printers that defined modern lithography. Mourlot Freres, based in Paris, worked closely with leading figures of modern art, including Picasso, Miro, Chagall, Braque, and many others, providing the technical expertise necessary to translate their visions into lithographic form. The publication presents a curated selection of original lithographs that exemplify the range, innovation, and artistic excellence of the atelier, reflecting both the technical mastery of Mourlot and the creative diversity of the artists it supported. Printed with exceptional care and distributed through an international gallery context, the album represents a significant moment in the history of twentieth century printmaking, bridging the worlds of exhibition, publication, and artistic production. Today, it remains highly regarded by collectors and scholars as a definitive document of the Mourlot workshop’s central role in shaping modern graphic art. About the Artist: Joan Miro (1893–1983) was a Catalan painter, sculptor, and ceramicist whose imaginative, dreamlike vision helped spearhead the Surrealist movement and left an indelible mark on modern art. Born in Barcelona and deeply rooted in Catalan culture, Miro moved to Paris in the early 1920s where his playful shapes, cosmic motifs, and childlike yet sophisticated abstractions broke new ground alongside the great innovators of his time. His artistic dialogue aligned with contemporaries such as Pablo Picasso, Henri Matisse, Alexander Calder, Marc Chagall, Salvador Dali, Jackson Pollock, Georges Braque, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom challenged the conventions of form, color, and symbolism. Miro distilled these ideas into a uniquely poetic visual vocabulary birds, stars, and bold spectral forms emerging from flat planes of color that has inspired scores of artists and continues to influence modern and contemporary masters including Banksy, Damien Hirst, Jeff Koons, Andy Warhol, and Jasper Johns. His works are represented in leading museums worldwide, including MoMA, the Guggenheim, the Tate, and the Centre Pompidou, and remain highly sought after by collectors. The highest price ever paid for a Joan Miro artwork is approximately 37.06 million USD, achieved in June 2012 at Sotheby's London for Peinture (Etoile Bleue) (1927). Joan Miro Composition...