Thomas W. Benton

Gate Series Yellow, Geometric Art Screenprint by Thomas W. Benton

1981

This striking vintage original serigraph by Aspen artist Thomas Whelan Benton features a bold, graphic composition that captures the essence of the Colorado landscape through moderni...

Handsigned edition of 250. Gittleman’s Lunar Transformation is a series of ten vividly colored serigraphs created from black and white photographs taken during the Apollo 15 mission ...

Artist Name: Larry Zox Title:Niagara Series IV Yellow Signed Linocut Lithograph Year : 1979 Medium Type: Print - Linocut Lithograph Size-Width Size-Height : 42.25'' 29.75'' Signed ...

Pierre Clerk Plate V : Yellow-Red - 1973 Print - Serigraph on Somerset paper 32'' x 36'' inches Edition: signed in pencil and marked 34/100 The images ...

This gold and brown screen print diptych by Paul Reed takes a more neutral approach than many other works by the artist. The backgrounds of the two prints both feature a yellow hue t...

A 1970s vintage geometric serigraph by artist Frank Rowland. Pencil signed on the bottom, titled "Fanfare" and numbered 83/275. Framed in a slim white metal frame under plexiglass. O...

Screen print realized by Victor Debach in 1970s. Hand signed and numbered in pencil. Edition of 100.

The work of Ruth Leavitt (1944, Saint Paul, Minnesota) employs computation to manipulate and alter abstract forms by virtually stretching, rotating and deforming them across three ax...

Wonderful geometric abstract screen print abstract in black, blue and yellow by Margo Hoff (American, 1912-2008), circa 1980. Titled "Construction Over Yellow Sky" lower left and signed lower right. Unframed. Presented on mat. Image size: 22"H x 30"W. Margo Hoff was born in Tulsa, Oklahoma, in 1912—the second oldest of eight children. Stricken with typhoid fever in 1923, she was bedridden for a summer and amused herself by drawing and making paper cutouts. Her formal studies began in high school and continued during two years at the University of Oklahoma, Tulsa. In 1933 she moved to Chicago where she took classes at Hull House, the National Academy of Art and, later, the School of the Art Institute of Chicago. She remained in Chicago until 1960 and the city’s vibrant mid-century art scene profoundly shaped the first half of her artistic career. Hoff’s Chicago paintings were almost entirely figurative and evidence a classic mid-century modern urbanism informed by Matisse, the Mexican muralists, and other artists of the local milieu. Hoff traveled extensively throughout her life, in the United States, Central and South America, the Middle East, Asia, Africa and Europe. When asked about the influences on her work Hoff stated “Almost anything except the work of other artists.” She cited the sources of her inspiration in “rocks, weeds, views from airplanes, rivers, subways, forests, machines, kinds of lights, red...

Hand Signed. Edition of 100 pieces. Very good conditions.