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Valerie Jaudon
Valerie Jaudon, Large Framed Geometric Abstraction Silkscreen Signed/N

1986

$2,500
£1,873.10
€2,183.34
CA$3,518.79
A$3,581.77
CHF 2,038.81
MX$43,234.61
NOK 23,773.66
SEK 24,060.30
DKK 16,321.70

About the Item

Valerie Jaudon Lincoln Center Information Center, 1986 Color silkscreen on wove paper Pencil signed, dated and numbered 45/72 on the front Published by the Lincoln Center print program to raise money for their arts programming Frame included: elegantly matted and framed in a handmade vintage wood frame Provenance: De-accessioned from General Electric (GE) Corporate Collection. Bears GE corporate label on the verso Measurements: Framed: 43 inches x 43 inches x 2 inches Artwork: 31 inches x 31 inches De-accessioned from General Electric (GE) Corporate Collection. Bears GE corporate label on the verso . Frame included: matted and framed in large vintage wood frame VALERIE JAUDON BIOGRAPHY Valerie Jaudon (born August 6, 1945) is an American painter commonly associated with various Postminimal practices – the Pattern and Decoration movement of the 1970s, site-specific public art, geometric abstraction and new tendencies in abstraction During the course of Jaudon's distinguished forty-year career, she has been committed to redefining the parameters of abstraction. A member of the original Pattern and Decoration group, she is a representative of important tendencies of the larger Postminimalist movement. Jaudon was the driving force behind the influential 1991 Sidney Janis Gallery exhibition, Conceptual Abstraction (reprised and expanded in 2012 in an exhibition in the Hunter College Times Square Galleries, curated by Pepe Karmel and Joachim Pissarro) and has continued to work toward the development of a grammar of abstraction. Most recently, Jaudon's work has been included in several national and international museum exhibitions focusing on the Pattern and Decoration movement: With Pleasure: Pattern and Decoration in American Art 1972-1985, Museum of Contemporary Art, Los Angeles, CA (2019-2020); Less is a Bore: Maximalist Art & Design, Institute for Contemporary Art, Boston, MA (2019); Pattern and Decoration: Ornament as Promise, Ludwig Forum, Aachen, Germany, Museum Moderner Kunst Stiftung Vienna, Austria, and Ludwig Museum, Budapest, Hungary (2018-2019); Pattern, Decoration & Crime, MAMCO, Geneva, Switzerland, and Le Consortium, Dijon, France (2018-2019). Jaudon is the recipient of numerous awards and grants and her work has been collected by and exhibited in major museums. Among them are The Museum of Modern Art, New York; the Whitney Museum of American Art, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; McNay Art Museum, San Antonio; St. Louis Art Museum, St. Louise; Albright-Knox Art Gallery, Buffalo; Städel Museum, Frankfurt, Germany; the Louisiana Museum of Modern art, Humlebaeck, Denmark; Ludwig Forum Internationale Kunst, Aachen, Germany. Jaudon has also completed a number of highly regarded public projects. Of particular note are The Birmingham Museum of Art; the Städel Museum, Frankfurt; Thomas F. Eagleton United States Courthouse, St. Louis, Missouri; Reagan National Airport, Washington DC; Manhattan Municipal Building, New York; MTA Lexington Avenue Subway, 23rd Street, New York. The wood frame is vintage with some separation to corners; the work itself is excellent.
  • Creator:
    Valerie Jaudon (1945, American)
  • Creation Year:
    1986
  • Dimensions:
    Height: 43 in (109.22 cm)Width: 43 in (109.22 cm)Depth: 2 in (5.08 cm)
  • Medium:
    Screen
  • Movement & Style:
    Abstract Geometric
  • Period:
    1980-1989
  • Condition:
    Fine. Held in the original frame bearing the label on the back from the GE Corporate Art Collection. The wood frame is vintage with some separation to corners; the work itself is excellent.
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1745212159622

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