1975
Victor Pasmore was born in Surrey, England. He was initially known as both a successful representational painter of still life and landscapes, who later became a pioneering abstract artist, producing collages, constructions, prints and paintings that were some of the most revolutionary works of their kind in Britain at the time.
Pasmore attended evening classes at Central School of Arts and Crafts beginning in 1927, while working as a local government officer, experimenting with art styles reflecting developments in art in France since the 1880s.
After experiments in lyrical abstraction in the early 1930s, Pasmore founded the Euston Road School with William Coldstream, Graham Bell and Claude Rogers in 1937, teaching a style of Cézannesque realism that he adhered to in his own portraits and landscapes. The school closed in 1940, but this group moved on to teach at the Camberwell School of Art 1943-49, though Pasmore himself began to experiment with abstraction again from 1947 onwards with the support of Kenneth Clark. His earliest new abstract experiments used linear forms and collage but in 1952 and in parallel with the work of Kenneth and Mary Martin, became rigorously constructivist, with some works as three-dimensional wall-reliefs in wood and perspex. Teaching at the Central School since 1949, he became Head of Painting at King’s College, Durham University in 1954, staying till 1961, when he was able to devote himself to painting full-time.
In the 1960s the geometry softened, introducing curved lines and edges, and bright colors blossoming in the 1970s and later into lyrical abstract compositions of points, wandering lines and planes of bright colors against his habitual white backgrounds and even some drawn outlines of natural forms again towards the end of Pasmore’s life. These transitions were inspired by his relocation to Malta in 1966, where he resided until his death. That same year, he also began intensive experimentation with making prints at the 2RC print shop in Rome in parallel with his paintings. Printmaking became a major part of his oeuvre and he worked with Curwen Press, Kelpra Studio, White Ink and other print studios. Since his death the popularity of his prints has escalated immensely, and his earlier work is now extremely rare.
Find original Victor Pasmore prints and other art today on 1stDibs.
Ben Nicholson etching on paper, signed and numbered 'Olympia', 1965
By Ben Nicholson
Located in Petworth, West Sussex
Ben Nicholson was one of the most influential figures in twentieth-century British abstraction, celebrated for his refined geometric compositions and lyrical approach to form, space,...
Paper, Etching
1980 Victor Pasmore oil, acrylic and charcoal on canvas 'Abstract', signed
By Victor Pasmore
Located in Petworth, West Sussex
Victor Pasmore, R.A. Abstract, 1980 signed with initials (centre right) oil, acrylic and charcoal on canvas 44 x 150cm.; 17¼ x 59in. Executed in 1980. Provenance Sale, Bonhams London...
Canvas, Charcoal, Oil, Acrylic
Prunella Clough lithograph, dedicated, numbered and dated 'Game, 1991', British
By Prunella Clough
Located in Petworth, West Sussex
Prunella Clough (British, 1919 – 1999) Game, 1991 Lithograph Dedicated, numbered and dated ‘For Mel, affectionately - / 1/45 Pru June 91’ (lower left) and signed ‘Clough’ (lower righ...
Lithograph
Henry Moore 'Male figure in landscape' signed and numbered lithograph, 1978
By Henry Moore
Located in Petworth, West Sussex
Henry Moore OM CH FBA (British, 1898–1986) Male Figure in Landscape, 1978 Lithograph Signed and numbered 46/50 (lower left under the plate) and signed Moore (lower right under the pl...
Lithograph
Henry Moore signed, numbered and dated lithograph 'silhouette figures', British
By Henry Moore
Located in Petworth, West Sussex
Henry Moore OM., C.H. (British, 1898 – 1986) Silhouette figures with border design Lithograph numbered, signed and dated ‘8/90’ (lower left) and ‘Moore 73’ (lower right) in pencil Pu...
Lithograph
Ben Nicholson signed mixed media collage 'Ronco', 1979
By Ben Nicholson
Located in Petworth, West Sussex
A rare and signed Ben Nicholson original work from 1979. Ben Nicholson (British, 1894 – 1982) Ronco, 1979 signed and inscribed and dated ‘Ronco 1979 Nicholson’ (on the reverse) mixe...
Mixed Media
"Uomo e Donna (Lynton G24)" Etching and Aquatint on Paper
By Victor Pasmore
Located in Chicago, IL
Expressive yet controlled, this striking black-and-white print is attributed to British artist Victor Pasmore, a pioneer of abstract art in post-war Britain of the late 1940 and 1950...
Ink, Pigment, Aquatint
I, from Sensory World by Victor Pasmore, 1996
By Victor Pasmore
Located in Kingsclere, GB
I, from Sensory World by Victor Pasmore, 1996 Additional information: Medium: etching and aquatint 29.5 x 29 cm 11 5/8 x 11 3/8 in signed with initials and numbered I/III in pencil ...
Etching
Points of Contact, Transformations 1 - Victor Pasmore Modernist Monochrome Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Points of Contact, Transformations 1, 1970 screenprint 18 1/2 x 18 1/2 in 47 x 47 cm signed and dated in pen and ink; numbered in pencil, edition of...
Screen
Victor Pasmore Etching from "The Dance of Man In Modern Times Portfolio"
By Victor Pasmore 1
Located in Stamford, CT
An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...
Paper
Images on the Wall B (Lynton G72b) - Victor Pasmore Modernist Abstract Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Images on the Wall B (Lynton G72b), 1992 etching with aquatint 56.5 x 49.5 cm 22 1/4 x 19 1/2 in signed with initials and dated in pencil, printer’s...
Etching, Aquatint
Images on the Wall F, Edition A (Lynton G72f) - Victor Pasmore Modernist Print
By Victor Pasmore
Located in Kingsclere, GB
Victor Pasmore British, 1908-1998 Images on the Wall F, Edition A (Lynton G72f), 1992 etching with aquatint 55.9 x 49.5 cm 22 x 19 1/2 in signed with initials and dated in pencil, pr...
Etching, Aquatint
