Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Werner Drewes
Small Forms On Crossing Bands

1935

$2,600
£1,970.90
€2,298.60
CA$3,731.71
A$3,762.29
CHF 2,142.29
MX$45,732.20
NOK 25,288.74
SEK 25,216.14
DKK 17,181.74

About the Item

Werner Drewes, 'Small Forms on Crossing Bands', drypoint and roulette, 1935, edition 20, Rose 1.197. Signed in pencil. A fine, rich impression, in warm black ink, on cream wove paper, with full margins (1 to 1 3/16 inches), in excellent condition. An impression of this work is in the permanent collection of the Smithsonian American Art Museum. Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy, and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both nonobjective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes believed that art provided an avenue to understanding the mysteries of life: “ What is the mystery underlying the Architecture of our Universe? What are the laws which create the pattern of the frost which forms on our windows? What causes the stars to stay in their orbit? What is it which creates joy and sorrow within us?... All these are problems belonging to the world we live in and which should concern the artist, as well as those problems of sunlight or the growth of a tree. But art is also a world with its own laws, whether they underlie a painting of realistic or abstract forms. To create new universes within these laws and to fill them with the experiences of our life is our task. When they convincingly reflect the wisdom or struggle of the soul, a work of art is born.” Drewes graphic work is held in numerous major museums worldwide, including: Bauhaus-Archiv (Germany), Museum of Fine Arts Boston, Brooklyn Museum, Harvard University Art Museums, Art Institute of Chicago, Wissenschaftliche-Kulturelles Zentrum (Bauhaus Dessau, Germany), Israel Museum Collection (Jerusalem), Los Angeles County Museum of Art, Guggenheim Museum, Metropolitan Museum of Art, Museum of Modern Art, Philadelphia Museum of Art, Fine Arts Museums of San Francisco, Library of Congress, National Gallery of Art, Staastsgalerie Stuttgart (Germany), Whitney Museum of Art.
  • Creator:
    Werner Drewes (1899-1985, American)
  • Creation Year:
    1935
  • Dimensions:
    Height: 7.13 in (18.12 cm)Width: 10.5 in (26.67 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1035061stDibs: LU53233864512

More From This Seller

View All
Pointed Shapes and Black Half Moon

Pointed Shapes and Black Half Moon

By Werner Drewes

Located in Myrtle Beach, SC

Werner Drewes, 'Pointed Shapes and Black Half Moon', etching, 1935, edition 20, Rose l.198. Signed, dated, and numbered 'I-XX' in pencil. A fine, rich impression, in warm black ink...

Category

1930s Bauhaus Abstract Prints

Materials

Etching

Twin Formation in Gray

Twin Formation in Gray

By Werner Drewes

Located in Myrtle Beach, SC

Twin Formation in Gray, color woodcut, 1982, edition 30, Rose III.400. Signed, dated and numbered I7/XXX in pencil, annotated 415 and titled in the bottom left sheet edge. A fine impression with fresh, rich colors, on heavy off-white Japan paper; the full sheet with wide margins (1 3/4 to 3 1/4 inches), in good condition. Printed in black, dark gray, medium gray, yellow/orange, and lemon yellow. Matted to museum standards, unframed. An impression of this work is included in the permanent collection of the Smithsonian American Art Museum. ABOUT THE ARTIST Painter, printmaker, and art teacher, Werner Drewes (1899–1985) was among the founding fathers of American abstraction. A student at the famed Bauhaus in the 1920s, he studied under Lyonel Feininger, Paul Klee, Laszlo Moholy-Nagy and Wassily Kandinsky. Following his emigration to the United States in 1930, he was instrumental in introducing modernist Bauhaus concepts and esthetics to America. Drewes’ boldly dynamic and emotionally expressive work, which encompassed both non-objective and figurative genres, brought him critical acclaim and numerous gallery and institutional exhibitions throughout his artistic career. Drewes' graphic work can be found in most major American art museums including, the Ackland Art Museum, The Art Institute of Chicago, Bauhaus Archive...

Category

Late 20th Century Bauhaus Abstract Prints

Materials

Woodcut

'Segments' — 1930s Geometric Abstraction

'Segments' — 1930s Geometric Abstraction

By Josef Albers

Located in Myrtle Beach, SC

Josef Albers, 'Segments', linoleum cut, 1934, edition 20, 25, plus proofs, Danilowitz 79. Signed, titled, dated, and annotated '(proof)' in pencil. A fine, richly-inked impression on...

Category

1930s Abstract Geometric Abstract Prints

Materials

Linocut

New Rochelle - Before the Wind

New Rochelle - Before the Wind

By Werner Drewes

Located in Myrtle Beach, SC

'New Rochelle - Before the Wind', drypoint, 1931, edition 30 (only a few impressions printed), Rose l.163. Signed, dated '1932' and numbered '1 – XXX' in ...

Category

1930s Modern Figurative Prints

Materials

Drypoint

'Variation 8, Vol. I' — from the series '1 to 40 Variations'

'Variation 8, Vol. I' — from the series '1 to 40 Variations'

By Katherine S. Dreier

Located in Myrtle Beach, SC

Katherine S. Dreier, 'Variation 8, Vol. 1' from '1 to 40 Variations', lithograph with pochoir and hand-coloring, 1934, edition 65. Stenciled signature and date, lower right. Annotate...

Category

1930s American Modern Abstract Prints

Materials

Lithograph

Nets – Mid-Century Modernism, Atelier 17

Nets – Mid-Century Modernism, Atelier 17

By Sigismond Kolos-Vari

Located in Myrtle Beach, SC

Sigismond Kolos-Vari, 'Nets', color etching with soft-ground and aquatint, edition 200 (1 of 60 artist's proofs), 1952. Signed and dated in pencil. Numbered L/LX in pencil. A superb, richly-inked impression, on heavy, off-white, Arches wove paper; the full sheet with margins (1 3/8 to 3 1/2 inches), in excellent condition. Published by the Guide de la Gravure, Switzerland, with their blindstamp in the bottom left sheet corner. Matted to museum standards, unframed. Image size 11 3/4 x 15 5/8 inches (298 x 397 mm); sheet size 15 x 22 1/4 inches (381 x 565 mm). ABOUT THE ARTIST Sigismund Kolos-Vari was born in Hungary and attended the School of Applied Arts in Budapest from 1915 to 1918 and then the School of Decorative Arts until 1925. The artist settled in Paris, and his first one-person show in 1928 at Galerie Miromesnil, which was highly successful, led to numerous subsequent exhibitions, including with the prestigious Galerie Bonaparte in 1929 and Galerie Povolosky in 1930. Kolos-Vari’s early success was abruptly interrupted by the outbreak of WWII when he was arrested by the Gestapo and imprisoned in the Gurs internment camp. During this period, he created a sketchbook for a little girl, which is now preserved at the Centre de Documentation Juive Contemporaine at the Mémorial de la Shoah in Paris. He managed to escape after two years, crossing the border into Switzerland. After the war, he returned to Paris with a renewed dedication to his painting, producing increasingly powerful compositions. His work was highly acclaimed when shown at an important 1946 exhibition at the Musée National d’Art Moderne de Paris, organized by Jean Cassou. The artist was then approached by the eminent art dealer Jean Bucher, who gave Kolos-Vary a major one-person show at his gallery in 1948. During this post-war period, Kolos-Vary participated in the radical Salon de Mai, 1949-1958, the Salon des Réalités Nouvelles, 1956-1961, and the Salon des Comparaisons, 1960-1962. Supported by his association with Stanley William Hayter and the landmark printmaking workshop Atelier 17...

Category

Mid-20th Century Abstract Expressionist Abstract Prints

Materials

Etching, Aquatint

You May Also Like

Untitled Mid Century Modern Abstract Woodcut

Untitled Mid Century Modern Abstract Woodcut

By Werner Drewes

Located in New York, NY

Werner Drewes Untitled Mid Century Modern Abstract Woodcut, 1974 Woodcut fold-out card on Rives BFK paper with deckled edges 9 1/5 × 6 1/4 inches Unframed Rarely seen, this twice sig...

Category

Mid-20th Century Abstract Abstract Prints

Materials

Woodcut

Untitled Form in Space, Abstract Expressionist Pencil Drawing, 1944

Untitled Form in Space, Abstract Expressionist Pencil Drawing, 1944

By Werner Drewes

Located in New York, NY

Pencil drawing on paper from 1944. Signed and dated with cypher. Paper size 4 x 6" (10 x 15.1 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, was...

Category

1940s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Pencil

Untitled

Untitled

By Henri Goetz

Located in Fairlawn, OH

Untitled Signed in pencil lower right (see photo) Edition: 25 (9/25) (see photo) Engraving, drypoint & carborundum Printed by the artist Condition: Excellent, slight residue on rever...

Category

1960s Abstract Expressionist Abstract Prints

Materials

Drypoint, Etching

Werner Drewes Bauhaus Artist Color Woodblock, 1975, Enterlocked Forms

Werner Drewes Bauhaus Artist Color Woodblock, 1975, Enterlocked Forms

By Werner Drewes

Located in Phoenix, AZ

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 9 1/8 x 21 inches. Pencil signed and dated lower right. Edition size in pencil lower left: #3 of 30. (13) R-341 Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Category

Late 20th Century Abstract Prints

Materials

Paper

Untitled

Untitled

By Henri Goetz

Located in Fairlawn, OH

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...

Category

1960s Abstract Expressionist Abstract Prints

Materials

Engraving

Dancing Motion Pencil Drawing, Abstract Expressionist, Signed, 1938

Dancing Motion Pencil Drawing, Abstract Expressionist, Signed, 1938

By Werner Drewes

Located in New York, NY

Drawing, 1938. Signed and dated with the artist cypher. Paper size 7 9/16 x 6 1/4" (19.3 x 15.8 cm). Werner Drewes (1899-1985), painter, printmaker, educator and lecturer, wa...

Category

1930s Abstract Expressionist Abstract Drawings and Watercolors

Materials

Pencil