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Christopher Forrest
Pintail

c.1990

$750List Price

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The Preening Goose

The Preening Goose

$450

H 15.25 in W 18.75 in D 1 in

The Preening Goose

Located in San Francisco, CA

The artist Kobler depicts this goose actively working on its plumage, cleaning and aligning its feathers. The bird’s partially raised wing may be part of a drying process after bathi...

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Mallard Drakes (Louisiana Honkers)

Mallard Drakes (Louisiana Honkers)

Located in Fairlawn, OH

Mallard Drakes (Louisiana Honkers) Drypoint, c. 1940 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium. Condition: Excellent Image/Plate size: 9 7/8 x 7 7/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

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1940s American Realist Animal Prints

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Pintail - Woodcut Print by Alexander Francis Lydon  - 1870

Pintail - Woodcut Print by Alexander Francis Lydon - 1870

By Alexander Francis Lydon

Located in Roma, IT

Pintail is a modern artwork realized in 1870 by the British artist Alexander Francis Lydon (1836-1917) . Woodcut print on ivory-colored paper. Hand-colored, published by London, B...

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1870s Modern Figurative Prints

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Pintails in May - Framed Oil Painting on Canvas, Mid-20th Century

Pintails in May - Framed Oil Painting on Canvas, Mid-20th Century

By Vernon Ward 1

Located in Stratford-Upon-Avon, GB

Vernon Ward British (1905-1985) Pintails in May Medium: Oil on canvas Framed size: 28 x 24 inches Unframed size: 22 x 18 inches Signed and dated 48 Provenance: Frost and Reed Gall...

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JACK SNIPE

Roland ClarkJACK SNIPE, 1928

$680Sale Price|20% Off

H 20 in W 16 in

JACK SNIPE

By Roland Clark

Located in Portland, ME

Clark, Roland (American 1874-1957). JACK SNIPE. Etching, 1928. Edition of 70. Signed in pencil. 8 1/2 x 12 inches. In excellent condition.

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Northern Pintail, French antique bird duck art illustration print

Northern Pintail, French antique bird duck art illustration print

By P. Mahler

Located in Melbourne, Victoria

'Canard Pilet' (Northern Pintail) French chromolithograph, published in 1931. Printed title lower right of sheet. Plate number top right. From a French series of illustrations of b...

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Canada Goose in Flight, Photorealist Wildlife Oil Painting by Peter Darro

Canada Goose in Flight, Photorealist Wildlife Oil Painting by Peter Darro

Located in Long Island City, NY

Boldly unique in the field of wildlife art are the paintings of artist and naturalist Peter Darro. His rare ability to achieve meticulous accuracy in his subjects, without sacrificin...

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Geese in Flight Landscape

Surachai Promsuntisit EAD Geese in Flight Landscape

$560Sale Price|20% Off

H 11 in W 17 in D 1 in

Geese in Flight Landscape

Located in Soquel, CA

Superb fine detail of geese in flight by Surachai Promsuntisit (EAD) (American/Thailand, b-1952). Presented in a metal frame. Signed illegibly lower r...

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Green Winged Teal, American Realist Lithograph by Chris Forrest

Green Winged Teal, American Realist Lithograph by Chris Forrest

By Chris Forrest

Located in Long Island City, NY

Chris Forrest, American (1946 - ) - Green Winged Teal, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP XL, Image Size: 22 x 18 inches, Size: 29 i...

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Black Geese

Black Geese

By Winifred Austen

Located in San Francisco, CA

This artwork titled "Black Geese" 1934 is an original color aquatint by noted British artist Winifred Marie Louise Austen, 1876-1964. It is hand signed and titled in pencil by the artist. The image (plate mark) is 9 x 13.75 inches, sheet size is 10.30 x 16.5 inches. Published by Arthur Greatorax LTD, Grafton street, London. It is in excellent condition. About the artist: Born at Ramsgate, Kent on 12 July 1876, Winifred Austen only daughter of Josiah Austin, a Cornish naval surgeon, and his wife Fanny, née Mann. She amended the spelling of her surname from Austin to Austen from the time that she began to exhibit. In 1892 the family moved to Hornsey, London from where Austin attended the London County Council School of Arts and Crafts, studying under Cuthbert Swan, an animal painter. I n 1899 Austen exhibited a picture of a lion at the Royal Academy and in all exhibited more than seventy pictures at the Academy, the last in 1961. She worked in both oils and watercolor but Austen is most highly regarded as an etcher. In all she made some two hundred etched plates, beginning in 1906 with a series entitled The White Heron. She had particular feeling for birds and small mammals, and the naturalist Sir Peter...

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Mid-20th Century Realist Animal Prints

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Early June

Early June

Located in San Francisco, CA

This artwork titled "Early June" 1985, is an original reduction woodcut on paper by noted American artist Gordon Louis Mortensen, b.1938. It is hand signed, dated, titled and numbered 115/150 in pencil by the artist. The artwork (image) size is 15 x 19.85 inches, framed size is 23.85 x 28.25 inches. Custom framed in a wooden gold frame, with off-white matting and dark green fillet. It is in excellent condition. About the artist: Born near Arnegard, North Dakota on April 27, 1938, Gordon Mortensen...

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Olympia

Olympia

Located in San Francisco, CA

This artwork Titled "Olympia" c.1970 is an original etching by New Orleans artist David L. Abel, b.1940. It is hand signed, titled and numbered 9/150 in pencil by the artist. The ima...

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Late 20th Century American Realist Figurative Prints

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Soaking Up

Soaking Up

Located in San Francisco, CA

This artwork titled "Soaking Up" c.1970 is an original lithograph on paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in penc...

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Late 20th Century American Realist Figurative Prints

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Soaking Up

Soaking Up

Located in San Francisco, CA

This artwork titled "Soaking Up" c.1970 is an original lithograph on Wove paper by noted western artist Tom (Thomas) Ryan, 1922-2011. It is hand signed, titled and numbered 68/100 in pencil by the artist. The artwork (image) size is 12.25 x 17.35 inches, sheet size is 17.5 x 21.65 inches. It is in excellent condition About the artist: Tom Ryan was born Jan. 12, 1922, in Springfield, Ill., to William Martin Ryan — whose family immigrated to Illinois from Ireland in the 1880s — and Sarah Helen Behrens, whose ancestry predates the Revolutionary War. They had nine children — six boys and three girls. He began drawing before he went to school. "I was 4 years old and drawing airplanes, and an older brother was helping me," Ryan told the Reporter-Telegram in a 2002 interview at the Haley Library's going away party held in his honor. "Those were my first art lessons." He did not decide to be an artist until after his service in World War II. While in the U.S. Navy during the war, he "made quite a bit of money" drawing portraits of his shipmates and other servicemen. After being discharged in 1945, he picked up a Life magazine that carried an article about N.C. Wyeth. "I read the article, and I liked what I read, and I loved the pictures reproduced from his paintings in the article," Ryan said in 2002. "I decided then and there to be an artist." Following his graduation from the American Academy of Art, an education made possible through the GI Bill, he returned to Springfield where he married Jacqueline "Jacquie" Harvey, daughter of a local doctor. She died in 1998. The Ryans moved to New York City where he continued his studies at the Art Students League. During his second year at the Art Students League, he won a contest. His winning painting became the cover for Western writer Ernest Haycox's novel The Outlaw. "Every month after that I also received an assignment from this publisher, and they would be Western novels," Ryan said in 2002. "So that's what I did for the next six or seven years. Then I started exhibiting at the Latendorf Gallery on Madison Avenue. What I sold mainly were the book covers. They would be published and I would get paid by the publisher, and I'd take them to the gallery, and I'd get paid again." Ryan began making trips west in the late 1950s. He would stay three or four months painting, sketching and photographing scenes he'd need later. At that time, his works centered around historical events and places. "I particularly liked to do some of the trail drive things that I did, like the old longhorns," Ryan said in 2002. In the early 1960s, a work by Norman Rockwell and one by Ryan appeared in the same catalog. Rockwell, who was doing the Boy Scouts calendars for Brown and Bigelow, the premiere calendar publishing company in the United States, told the calendar company about Ryan. "The art director gave me a call and asked if I'd like to do a contemporary cowboy...

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Late 20th Century American Realist Figurative Prints

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Young Loons, Very large original color lithograph

Young Loons, Very large original color lithograph

Located in San Francisco, CA

This artwork titled "Young Loons, 1990 is an original color lithograph by Canadian Inuit noted artist Pitaloosie Saila. 1942-2021. It is hand signed, titled, dated, located, described and numbered 34/50 in pencil by the artist. The subject size is 38.75 x 23.25 inches, sheet size is 44 x 30 inches, framed is 51.75 x 37.25 inches. Custom framed in a metal frame, with grey/blue backing. It is in excellent condition. About the artist: Pitaloosie was born in 1942 on the southwest coast of Baffin Island near what is now the community of Cape Dorset. She spent her childhood years in various hospitals in Quebec and Ontario for treatment of tuberculosis. She learnedEnglish during this time, and recalls the difficulty she experienced in relearning her native language upon her return to Baffin Island in 1957. She is now one of the few of her generation who speak both English and Inuktitut fluently. Pitaloosie began drawing in the early 1960’s, and quickly established herself as a versatile and intelligent graphic artist. Over the years, she has become a familiar presence in the Kinngait Studios, and her work has been included in annual print collections since 1968. Since the late 1960’s, Pitaloosie has made frequent trips to southern Canada to attend exhibitions and conferences. In 1967, she spent several weeks in Toronto while her husband, the well-known sculptor Pauta Saila, participated in an International Sculpture Symposium. Subsequently, she has visited Halifax, Toronto, Ottawa, Kansas City and Vermont. Her work has been featured in solo drawing exhibitions, and in 1977, Canada Post issued a stamp depicting her print, Fisherman’s Dream. Her 1985 lithograph entitled In the Hills represented the Northwest Territories in the centennial celebration of the National Parks of Canada. Amnesty International, the international human rights organization, selected a drawing by Pitaloosie entitled Mother and Child to use for their 1990 Christmas card. She was also one of nine featured artists in the acclaimed exhibition Isumavut: The Artistic Expression of Nine Cape Dorset Women, which opened at the Canadian Museum of Civilization in the fall of 1994 and continues to travel to other venues. Pitaloosie’s husband, Pauta, passed away in Cape Dorset in June of 2009 at the age of 93. In 2004, both she and Pauta were appointed members of the Royal Canadian Academy of the Arts, in recognition of their life’s work and contributions to Canadian art. Selected Exhibitions: • 2019 60/60, Feheley Fine Arts, Toronto • 2016 Pitaloosie Saila: A Print Retrospective, Feheley Fine Arts, Toronto • Toronto • 2003 The Inuit 2004 Sanaasimasiatok/Fine Works: Sculpture from Cape Dorset, Feheley Fine Arts, Icon: Selections from Private Collections, Feheley Fine Arts, Toronto • 1996-1997 Pitaloosie & Pauta, McMichael Canadian Art Collection, Kleinburg, ON • 1994 – 1995 Isumavut: The Artistic Expression of Nine Cape Dorset Women, Canadian Museum of History, Gatineau, QC • 1993 – 1994 Contemporary Inuit Drawings, Muscarelle Museum of Art, College of William and Mary, Williamsburg, VA • 1991 – 1992 In Cape Dorset We Do It This Way: Three Decades of Inuit Printmaking, McMichael Canadian Art Collection, Kleinburg, ON • 1989 – 1991 Kenojuak Ashevak...

Category

Late 20th Century Other Art Style Animal Prints

Materials

Lithograph