Fred Nagler

Fred Nagler, (Cows in a Pasture)

1925

The etching (Sheep under a Tree) is signed in pencil and annotated (in lower margin) '3rd State, 4 proofs, JN imp.' in pencil. It's in an usually spare drawing style but one that Na...

More a wood engraving rather than a woodcut, Glintenkamp's Farmyard scene was given all the care and detail of the artist's more complex images. It is signed and numbered in pencil. ...

Although this work is titled Horses. It nice to think it could be (Horses in a Field in Woodstock, NY), but it was printed by Will Barnet at the Art Students League, about 1938, and Wilson, who visited Woodstock with Arnold Blanche...

Boyd was a master printmaker. This wood engraving is a marvel of open space. There may have been a horizontal crack in the block. There's a disconnect running across the center. At...

"Bovine Family" is an original etching by Leroy Neiman. The artist signed the piece lower left. It is edition 182/250 and dated 1980. It depicts a cow an...

Charles Henry Miller Flushing Landscape with Cows, circa 1880 Signed lower left Oil on canvas 13 x 19 inches Charles Henry Miller was a noted artist and painter of landscapes from Long Island, New York. The American poet Bayard Taylor called him, "The artistic discoverer of the little continent of Long Island." Miller was educated at Mount Washington Collegiate Institute, and graduated in medicine at the New York Homeopathic Institute in 1864. Before his graduation, he had occasionally painted pictures, and in 1860 he exhibited The Challenge Accepted at the National Academy of Design, in New York City. He lived in Queens at the summer estate, Queenslawn, originally purchased by his parents. He went abroad in 1864 and again in 1867, and was a pupil in the Bavarian Royal Academy at Munich under the instruction of Adolf Lier...

The Cows is an original colored lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was pu...

Figure is a black and white etching realized by Nazareno Gattamelata in the second half of XX century. Hand signed by the artist on the lower right margin: Gattamelata. Numbered o...