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17th Century Animal Prints

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Period: 17th Century
17th century etching Rembrandt landscape house trees field sky cow
17th century etching Rembrandt landscape house trees field sky cow

Rembrandt van Rijn17th century etching Rembrandt landscape house trees field sky cow, 1650

$9,425

17th century etching Rembrandt landscape house trees field sky cow

By Rembrandt van Rijn

Located in Milwaukee, WI

This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998. Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...

Category

Renaissance 17th Century Animal Prints

Materials

Etching

"Collection Of The Most Rare Birds" - Hand Watercolor Engraving
"Collection Of The Most Rare Birds" - Hand Watercolor Engraving

Nicolas Robert"Collection Of The Most Rare Birds" - Hand Watercolor Engraving

$772Sale Price|20% Off

"Collection Of The Most Rare Birds" - Hand Watercolor Engraving

Located in Soquel, CA

"Collection Of The Most Rare Birds" - Hand Colored Engraving Collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational Histor...

Category

French School 17th Century Animal Prints

Materials

Paper, Watercolor, Engraving

"Three Herons" - Hand Watercolor Engraving
"Three Herons" - Hand Watercolor Engraving

Nicolas Robert"Three Herons" - Hand Watercolor Engraving, 17th Century

$772Sale Price|20% Off

"Three Herons" - Hand Watercolor Engraving

Located in Soquel, CA

"Three Herons" - Hand Watercolor Engraving "Three Herons" from a collection of the Most Rare Birds Drawn and Engraved From Life, A Natural and Rational History of the Different Bird...

Category

French School 17th Century Animal Prints

Materials

Paper, Watercolor, Engraving

Dog - Etching by Antonio Tempesta - 1610s

Antonio TempestaDog - Etching by Antonio Tempesta - 1610s, 1610s

$297

Dog - Etching by Antonio Tempesta - 1610s

By Antonio Tempesta

Located in Roma, IT

Dog is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In good conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

Category

17th Century Animal Prints

Materials

Etching

The Mountstuart Coat of Arms
The Mountstuart Coat of Arms

Charles CattonThe Mountstuart Coat of Arms, 1790

$250

The Mountstuart Coat of Arms

Located in Middletown, NY

London: T. Spilsbury & Son, 1790. Engraving on light-weight wove paper, 3 3/4 x 5 3/4 inches (950 x 145 mm), full margins at top and sides of sheet, lower portion of sheet trimmed. ...

Category

Italian School 17th Century Animal Prints

Materials

Laid Paper, Engraving

Goat - Etching by Antonio Tempesta - 1610s

Antonio TempestaGoat - Etching by Antonio Tempesta - 1610s, 1610s

$297

Goat - Etching by Antonio Tempesta - 1610s

By Antonio Tempesta

Located in Roma, IT

Goat is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cream-colored cardboard passepartout, 34 x 50 cm. An exciting original print, with all the dignity of a mythological or epic story, represented with an incredible balance of black and white, light and shadow, and a typical Baroque dynamism. Antonio Tempesta, also known as Il Tempestino (Florence, 1555 - Rome, 1630), was an Italian painter and engraver of the early Baroque period. Antonio Tempesta trained in the culture of late Mannerism, with a naturalistic but also calligraphic taste, acquired from the frequentation of Giovanni Stradano, with whom he collaborated in the decoration of Palazzo Vecchio. Moving to Rome in 1573, he worked for Pope Gregory XIII, frescoing some maps of Rome in the Vatican, including the famous Map of Rome (1593). In the pontifical capital, he worked for many noble families and for important cardinals, such as Alessandro Farnese and Scipione Borghese. His works are in San Giovanni dei Fiorentini, at the villa in Caprarola, in Tivoli. He returned to Florence for a brief stay, where he collaborated with Alessandro Allori...

Category

17th Century Animal Prints

Materials

Etching

Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape
Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape

Abraham HondiusHonden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape, 1676

$1,700

Honden Jagen Op Een Beer (Hounds Hunting a Bear) /// Old Masters Dogs Landscape

By Abraham Hondius

Located in Saint Augustine, FL

Artist: Abraham Hondius (Dutch, c.1625-1691) Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)" *Signed and dated by Hondius in the plate (printed signature) lower right Year...

Category

Old Masters 17th Century Animal Prints

Materials

Laid Paper, Etching, Intaglio

17th century etching animal print sketch ram sheep black and white signed
17th century etching animal print sketch ram sheep black and white signed

Karel Dujardin17th century etching animal print sketch ram sheep black and white signed, 17th Century

$1,600

17th century etching animal print sketch ram sheep black and white signed

By Karel Dujardin

Located in Milwaukee, WI

"Two Rams Looking Down & To Their Left" is an original etching by Karel DuJardin. DuJardin completed many delicate etchings of rams. 3 3/4" x 7 3/4" art 16 3/8" x 19 1/2" frame Du Jardin was a master of various genres of painting, including refined and tranquil Italianising landscapes, monumental historical paintings and superb portraits of the aristocracy. Unlike the majority of his contemporaries, Karel du Jardin (b. Amsterdam 1626, d. Venice 1678) was a talented painter in not one, but many different genres. He is especially famous for his small-scale landscapes, such as the charming Italian landscape with a woman milking a goa" (1652) from the Rijksmuseum's collection. Du Jardin depicted both sun-filled Italianate scenes and Dutch farmyards with pigs and sheep. He also painted a range of elegant portraits of aristocrats and merchants. His self-portrait (1662) on copper is one of the most fascinating 17th-century portraits of a Dutch artist. Du Jardin's spectacular large-scale historical pieces, represented is the show by the impressive Conversion of Saint Pau" (1662) from the collection of the National Gallery of London, are among his most remarkable achievements; he often chose themes that were only rarely depicted by other Dutch painters of the period. During his own lifetime Du Jardin was praised by poets and writers, particularly for his attention to detail and elegant painting technique. As Cornelis de Bie, the artist’s biographer, wrote in 1661: "the surety of the brush at his finger and such sharpe clarity […] that the eye thereon doth linger." Du Jardin's valuable paintings were mainly purchased by rich individuals with an eye for elegance, but were also commissioned by prominent institutions such as the Amsterdam 'Spinhuis' (a women's prison), for whom he painted a vast group portrait of the prison-governors. Karel du Jardin was an artist who liked to travel. He lived for a time in Lyon and in Paris, and sailed with Joan Reynst, Heer van Drakestein, by ship via England, Portugal and Spain to Tangier and Algiers, where they met Michiel de Ruyter...

Category

Old Masters 17th Century Animal Prints

Materials

Etching

Het Leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard
Het Leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard

Dirk StoopHet Leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard, 1665

$2,400

Het Leeuwendeel (The Lion's Share) /// Old Masters Animals Landscape Dog Leopard

By Dirk Stoop

Located in Saint Augustine, FL

Artist: Dirk Stoop (Dutch, c.1615-1686) Title: "Het Leeuwendeel (The Lion's Share)" (Plate 3) Portfolio: The Fables of Aesop Year: 1665 (an earlier state of unknown states) Medium: O...

Category

Old Masters 17th Century Animal Prints

Materials

Gesso, Laid Paper, Etching, Intaglio

Eurito Echione e Etalide Argonote
Eurito Echione e Etalide Argonote

Balthasar MoncornetEurito Echione e Etalide Argonote, 1664

$325

Eurito Echione e Etalide Argonote

Located in Fairlawn, OH

Eurito Echione e Etalide Argonote Etching, 1664 after Remigio Cantagallina From: La manifique carousel fait sur le fleuve de l"Arne a Florence, pour le Mariage du Grand Duc, (18 plates, this no. 14) Depicts Three Argonauts conveyed on aquatic peacock Published by Pierre Giffart, Paris Note: This image is a record of the celebration on the Arno River in Florence of the marriage of Cosimo II de Medici and Maria Madaglena of Austria, 1608 Condition: Trimmed to the border line of the image Slight foxing and staining to the sheet Tipped on an "English Mount" Image size: 3 9/16 x 4 15/16 inches Reference: Bartsch XX.63.37 (copy after) Drugulin 1179 Balthasar Moncornet printmaker; publisher/printer Tapissier, engraver and print publisher in Paris, specialist in ornament prints...

Category

Old Masters 17th Century Animal Prints

Materials

Etching

Related Items
Leda and the Swan

Albert DecarisLeda and the Swan, c.1925

$3,500

H 33.5 in W 37 in

Leda and the Swan

By Albert Decaris

Located in West Hollywood, CA

Presenting a monumental original etching by French artist Albert Decaris. Decaris won many honors in France during his extensive career. "Leda and the Swan", depicts the mythologi...

Category

17th Century Animal Prints

Materials

Etching

Leonor Fini - Cats - Original Etching
Leonor Fini - Cats - Original Etching

Leonor FiniLeonor Fini - Cats - Original Etching, 1985

$1,429

H 17.33 in W 11.03 in D 0.04 in

Leonor Fini - Cats - Original Etching

By Leonor Fini

Located in Collonge Bellerive, Geneve, CH

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Category

Modern 17th Century Animal Prints

Materials

Etching

Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)
Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)

Antoine-Louis BaryeAntique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875), ca. 1880

$628Sale Price|65% Off

H 14 in W 16.25 in

Antique Etching Le Lion Qui Marche by Antoine-Louis Barye (French, 1796-1875)

By Antoine-Louis Barye

Located in SANTA FE, NM

Le Lion Qui Marche Antoine-Louis Barye (French, 1796-1875) Circa 1880 Etching on laid paper after the original bronze by master etcher Abel Lurat (F...

Category

French School 17th Century Animal Prints

Materials

Paper, Ink, Etching

Walasse Ting - Green Cat, etching and aquatint, Signed/N, scarce Italian print
Walasse Ting - Green Cat, etching and aquatint, Signed/N, scarce Italian print

Walasse TingWalasse Ting - Green Cat, etching and aquatint, Signed/N, scarce Italian print, 1984

$4,500

H 29 in W 23.5 in

Walasse Ting - Green Cat, etching and aquatint, Signed/N, scarce Italian print

By Walasse Ting

Located in New York, NY

Walasse Ting 丁雄泉 Green Cat, 1984 Color etching and aquatint on copper plate, printed on Fabriano Rosaspina paper Pencil signed, numbered 178/230, dated 1984 along with artist's perso...

Category

Pop Art 17th Century Animal Prints

Materials

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Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art
Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art

François Nicolas MartinetSacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art, 1770-1786

$250

H 12 in W 8.75 in

Sacelle male, de la cote de Coromandel /// Ornithology Martinet Bird Animal Art

By François Nicolas Martinet

Located in Saint Augustine, FL

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Sacelle male, de la cote de Coromandel" (Plate 949) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Category

Old Masters 17th Century Animal Prints

Materials

Watercolor, Laid Paper, Engraving, Intaglio

A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch

Johan Wilhelm PalmstruchA Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch, Early 1800s

$1,012

H 11.82 in W 15.75 in

A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch

By Johan Wilhelm Palmstruch

Located in Stockholm, SE

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Bear hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Category

Naturalistic 17th Century Animal Prints

Materials

Color

American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition
American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition

John James AudubonAmerican Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition, 1858

$5,200Sale Price|20% Off

H 39.5 in W 26.5 in

American Crow 1858 Chromolithograph by J.J. Audubon Plate, Julius Bien Edition

By John James Audubon

Located in Paonia, CO

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the crow. This original chromolithograph plate no. 226 is in good condition with a repairable water mark in the image on the left side as can be seen in the photos. The ” Birds of America” by John James...

Category

Naturalistic 17th Century Animal Prints

Materials

Lithograph

"L'Oiseau Multicolore" Georges Braque, Modernist Bird, Colorful, Cubist, Fauvist
"L'Oiseau Multicolore" Georges Braque, Modernist Bird, Colorful, Cubist, Fauvist

Georges Braque"L'Oiseau Multicolore" Georges Braque, Modernist Bird, Colorful, Cubist, Fauvist, circa 1950

$8,500

H 21 in W 28 in

"L'Oiseau Multicolore" Georges Braque, Modernist Bird, Colorful, Cubist, Fauvist

By Georges Braque

Located in New York, NY

Georges Braque L'Oiseau multicolore, circa 1950 Signed and numbered "30/200" in pencil Aquatint in colors on BFK Rives wove paper Image 10 1/4 x 19 1/4 inches Sheet 17 5/8 x 24 5/8 i...

Category

Modern 17th Century Animal Prints

Materials

Paper, Aquatint

A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch

Johan Wilhelm PalmstruchA Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch, 1800s

$1,010

H 11.82 in W 15.75 in

A Wolf, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch

By Johan Wilhelm Palmstruch

Located in Stockholm, SE

Johan Wilhelm Palmstruch (1770-1811) Sweden Title: A Wolf hand-coloured print early 1800s print dimensions approx 4.33 x 7.08 inches (11 x 18 cm) frame 11.81 x 15.74 inches (30 ...

Category

Naturalistic 17th Century Animal Prints

Materials

Etching

La Pique (The Pike) Lithograph, French School, Unsigned Proof, 1950
La Pique (The Pike) Lithograph, French School, Unsigned Proof, 1950

Pablo PicassoLa Pique (The Pike) Lithograph, French School, Unsigned Proof, 1950, 1950

$6,000

H 19.75 in W 25.88 in D 2 in

La Pique (The Pike) Lithograph, French School, Unsigned Proof, 1950

By Pablo Picasso

Located in Fairlawn, OH

La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...

Category

French School 17th Century Animal Prints

Materials

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Previously Available Items
The Horse - Etching by Antonio Tempesta - 1610s

Antonio TempestaThe Horse - Etching by Antonio Tempesta - 1610s, 1610s

Sold

H 13.39 in W 19.69 in D 0.04 in

The Horse - Etching by Antonio Tempesta - 1610s

By Antonio Tempesta

Located in Roma, IT

The Horse is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. Image Dimensions: 5 x 7 / 8 x 10 c...

Category

17th Century Animal Prints

Materials

Etching

Bear - Original Etching by Antonio Tempesta - 1610

Antonio TempestaBear - Original Etching by Antonio Tempesta - 1610, 1610s

Sold

H 13.39 in W 19.3 in D 0.04 in

Bear - Original Etching by Antonio Tempesta - 1610

By Antonio Tempesta

Located in Roma, IT

Bear is a wonderful black and white etching on thick laid paper, realized by the Italian master Antonio Tempesta (1555-1630). Not signed. In excellent conditions. Including a cre...

Category

Old Masters 17th Century Animal Prints

Materials

Etching

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