Basil Beattie

Bubble Wrapped by Basil Beattie, 2001

2001

Relief by Kim Lim, 1993 Additional information: Medium: lithograph 51.3 x 76 cm 20 1/4 x 29 7/8 in signed, dated and numbered in pencil Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Untitled IV, from Waddington Suite by Robyn Denny, 1968-9 Additional information: Medium: screenprint 61 x 53.4 cm 24 1/8 x 21 1/8 in signed and numbered 71/75 in pencil Robyn Denn...

III by Kim Lim, 1991 Additional information: Medium: woodcut on paper 36 x 32.5 cm 14 1/8 x 12 3/4 in signed and dated in pencil verso Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes, Han sculpture, Sung pottery...

Untitled II, from Waddington Suite by Robyn Denny, 1968-9 Additional information: Medium: screenprint 61 x 53.4 cm 24 1/8 x 21 1/8 in signed and numbered 71/75 in pencil Robyn Denn...

John Brunsdon (1933-2014) Reflections, colour etching with aquatint. Presented in a contemporary black frame behind glass. Pencil signed and titled to the lower margin. Editioned 17/...

Turtle is an original artwork realized by Carlo Quattrucci in 1971. Hand Signed and dated on the lower right margin. Numbered on the lower left. Edition of 70 pieces plus some Arti...

Untitled is an original is an original modern artwork realized by the English artist Martin Bradley (b. 1931) in 1983. An amazing mixed co...

Lithograph on paper. Hand Signed and numbered. Edition of 70 pieces. Excellent condition.