Antonio Fontanesi

Interior of Geneve - Lithograph by Antonio Fontanesi - 19th Century

19th Century

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 20.5 x 15 cm ...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 19.8 x 15.5 cm ...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th century. The state of preservation of the artwork is good. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Interior of Santa Maria del Popolo, Rome – Benoist 1869 Lithograph Description: This finely executed 19th-century lithograph depicts the interior of the Church of Santa Maria del Popolo in Rome, one of the city’s most historically significant Renaissance churches. Created by Félix Benoist after Bayot and published in Paris in 1869, the print belongs to the celebrated series Rome dans sa Grandeur, an ambitious artistic project presenting Rome as a unified monument shaped by centuries of architectural achievement. The composition draws the viewer into the richly articulated interior through a carefully constructed perspective emphasizing monumental arches, sculptural decoration, and layered chapels. The architectural rhythm of massive columns and soaring vaults guides the eye toward the illuminated altar, while refined ornamental details—stucco work, sculptural reliefs, and decorative moldings—are rendered with remarkable precision. Small figures placed throughout the scene animate the space, reinforcing both scale and the lived experience of the church as a place of devotion and contemplation. Benoist’s lithographic technique balances documentary accuracy with atmospheric subtlety. The soft tonal gradations capture the diffusion of light within the sacred interior, lending depth and serenity to the composition. As part of Rome dans sa Grandeur, the image reflects 19th-century fascination with Rome’s layered artistic heritage, presenting ecclesiastical architecture not merely as historical relic but as an enduring cultural environment. Santa Maria del Popolo itself held particular importance for travelers undertaking the Grand Tour, serving as one of the first major churches encountered upon entering Rome from the north. This association enhances the print’s historical resonance, connecting it to centuries of artistic pilgrimage and European cultural exchange. The lithograph is highly suitable for collectors of architectural interiors, Grand Tour imagery, and refined decorative prints. Its balanced composition and elegant monochrome palette make it ideal for sophisticated interiors, libraries, studies, or gallery walls where classical architecture enhances visual depth and historical character. Condition report: Good antique condition overall. Light age-related toning and scattered foxing, mainly visible in the margins. Image remains clear and sharply printed. Plate mark visible. No significant tears or restorations observed. Framing tips: A generous ivory or warm cream mat enhances the architectural perspective and highlights the tonal delicacy of the lithograph. Frames in dark walnut, ebonized wood, or muted antique gold complement the classical subject and create a museum-style presentation. Museum glass is recommended for protection and clarity. Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: Santa Maria del Popolo interior print, Rome dans sa Grandeur lithograph, Félix Benoist Rome, 19th century Rome church interior, Grand Tour Rome print...

'Bibliotheque du Conservatoire des Arts et Metiers', tinted lithograph by Felix Benoist (1818-1896). From a series of lithographs depicting the famous buildings of Paris - 'Paris da...

Title: Basilica of Santa Maria Maggiore Interior, Rome – Benoist 1869 Lithograph Description: This refined 19th-century lithograph depicts the interior of the Basilica of Santa Mari...

Title: Interior of Santo Stefano Rotondo, Rome – Benoist 1869 Lithograph Description: This remarkable 19th-century lithograph depicts the interior of Santo Stefano Rotondo (San Stefano Rotondo al Celio), one of Rome’s most unique and historically significant early Christian churches. Created by Félix Benoist after Bayot and published in Paris in 1869, the print forms part of the celebrated series Rome dans sa Grandeur, an ambitious artistic publication devoted to presenting Rome as a unified historical and architectural panorama. The composition captures the extraordinary circular interior of the church, emphasizing its rare centralized plan supported by a ring of classical columns. The sweeping curvature of the architecture and the rhythm of evenly spaced columns create a powerful spatial effect, drawing the viewer toward the central altar beneath the vast timbered ceiling. Benoist carefully renders the structural clarity of this early Christian monument, whose design reflects the transition from Roman imperial architecture to Christian sacred space. Figures dressed in contemporary 19th-century attire move calmly through the interior, providing scale and reinforcing the continuity between ancient architecture and modern life. Their presence adds a human dimension to the monumental setting, transforming the church from archaeological subject into a living environment. The delicate tonal range characteristic of Benoist’s lithographic style conveys soft interior light and enhances the serene, contemplative atmosphere of the space. Santo Stefano Rotondo, located on the Caelian Hill, is among Rome’s oldest circular churches, traditionally associated with early Christian martyrdom and pilgrimage. Its unusual architectural form fascinated Grand Tour travelers and scholars alike, making it an especially compelling subject within Rome dans sa Grandeur. The lithograph’s strong geometry and balanced composition make it highly decorative while retaining significant historical depth. It works beautifully in refined interiors, libraries, studies, or gallery settings where architectural imagery with intellectual and cultural resonance is desired. Condition report: Good antique condition overall. Light age-related toning and scattered foxing, primarily visible in the margins. Image remains crisp with strong architectural detail. No significant tears or restorations observed. Framing tips: A wide ivory or warm cream mat enhances the circular composition and emphasizes spatial depth. Frames in dark walnut, ebonized wood, or antique gilt complement the classical architecture. Museum glass is recommended to preserve the print and maintain clarity. Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: Santo Stefano Rotondo lithograph, Rome dans sa Grandeur print, San Stefano Rotondo interior, Félix Benoist Rome, early Christian church Rome, 19th century Rome architecture print...