F. Halpin

Portrait of Fletcher Harper - Lithograph by F. Halpin - 1885

1885

Portrait of Earl Russell is an artwork realized by William Holl (1807-1871), from a Photograph by Mayall. Lithograph, printed in 1872 by Milliam Mackenzie, London. Good condition.

Portrait of Alfredo Tennyson is a modern artwork realized by an Anonymous artist in the 19th Century. Lithograph print on paper. Titled on the lower. Good condition.

Portrait of Charles Philipon is a lithograph on paper realized in the 19th Century by Benjamin Roubaud (1811 - 1847) Signed on the plate. Good condition with some foxing. The artw...

Portrait is a Lithograph realized by Auguste Raffet (1804-1860). Good condition on a yellowed paper. Hand signed and dated by the artist on the lower right corner. Denis Auguste M...

The Right Hon Henry Herbert Asquith, Prime Minister Mezzotint. 1918. India-laid proof before lettering with a remarque of a doorway centre bottom. Herbert Henry Asquith, 1st Earl of Oxford and Asquith, KG, PC, KC, FRS (1852 – 1928), generally known as H. H. Asquith, was a British politician and statesman who served as Prime Minister of the United Kingdom from 1908 to 1916. Norman Hirst...

Line engraving, on India paper, marked 'Private Plate' to lower margin. Circa 1870. 510mm by 380mm (platemark) 575mm by 455mm (sheet) Lehmann's painting dates to 1869 when Reuters ...

'Ape' Vanity Fair portrait of Carlo Pellegrini (1839-1889), nicknamed 'Ape', who was an artist who served from 1869 to 1889 as a caricaturist for Va...

"Portrait of Baron Mayer de Rothschild, Rothschild Collection" by Oscar Gustave Rejlander is done in ink wash on paper. It is framed and matted. The portrait is a bust of Baron Mayer de Rothschild of the Rothschild banking dynasty, who lived 1813-1874. Art size: 11 3/4" x 8 3/4" Frame size: 20" x 17" "Rejlander, Oscar Gustav (1813-75), Swedish-born photographer, active in England and often known as ‘the father of art photography’, having pioneered practices such as combination printing and promoted photography's capacity to tackle subjects conventionally associated with painting. After studying lithography and painting in Rome, Rejlander arrived in England in the early 1840s and settled in Wolverhampton. A day's instruction with Nicolaas Henneman was apparently his only training before he turned to photography in 1853. Throughout his professional career, Rejlander combined studio portrait work and other commissions with particular artistic projects, importing ideas and inspiration from such sources as Flemish and late Renaissance art, 18th-century English narrative works, or contemporary cartoons from papers like Punch. His famous moral allegory The Two Ways of Life (1857) combines sophisticated combination printing with elaborately staged photographs. Although widely condemned as indecent—in Scotland only the ‘virtuous’ side of the picture could be shown—it was bought by Queen Victoria for Prince Albert. Rejlander vigorously defended photography's narrative capability, emphasizing artifice as a way to truth and creative expression, and works like Hard Times and The Dream (both 1860) convey unconscious states hauntingly and in a precociously modern way. In 1862 he left Wolverhampton for a London studio, where judiciously placed windows enabled him to create subtle lighting effects for portraiture. Charles Dodgson (Lewis Carroll) and Alfred...