1746-1751
Funeral Ceremonies among the Mexicans and Venezuelans - by G. Pivati - 1746/1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. Funeral Ceremonies among the Mexicans and Venezuelans is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This orig...
Etching
The Wedding among the Indians of Panama - Etching by G. Pivati - 1746/1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. Wedding among the Indians of Panama; Relatives and friends tilling the couple's soil is a fine etching, hand-watercolored, realized by the engraver G...
Etching
Marriage and Birth among the Incas - Etching by G. Pivati - 1746/1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. Marriage and Birth among the Incas is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, represe...
Etching
In Honour of the Sun God - Etching by G. Pivati - 1746/1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. In honour of the Sun God is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representing the...
Etching
Transformations - Etching by G. Pivati - 1746-1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. Transformations is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, representing the "fifth an...
Etching
Mexican Idols, Deities and Ministers - Etching by G. Pivati - 1746/1751
By Gianfrancesco Pivati
Located in Roma, IT
Image dimensions: 25.5 x 18 cm. Mexican Idols, Deities and Ministers is a fine etching, hand-watercolored, realized by the engraver Gianfrancesco Pivati. This original print, repre...
Etching
Native Civilians of America -- "De L'Amerique" Published Frankfurt / 1683
By Alain Manesson Mallet
Located in Soquel, CA
Wonderful etching, originally page 365 in a book De L'amerique by Alain Manesson Mallet, circa 1683, depicts the artist's concept of the appearance and activities of the native occupants of America in graphic detail. Unsigned. Displayed in a black and giltwood frame. Image, 6.5"H x 4.5"L. 1683 Manesson Mallet "Bresiliens" Amerindians, Indigenous Native Brazilians, Brazil, South America, Antique Print...
Paper, Ink, Woodcut
Two Engravings of an Florida King of the Indians in America, 1722
Located in Langweer, NL
Antique print titled 'Ceremonie, observée par un des Rois de la Floride (..)'. Two images on one sheet. 1. A ceremony that takes place before they set...
Paper
Antique Print of Indians from Canada by B. Picart, 1723
Located in Langweer, NL
Antique print of a juggler, trying to cure a sick person, the mourning of the slaves and the relatives, asking the deceased for the cause of his death. This print originates from 'Na...
Paper
Classical Antiquities Engraving, Sepulchrum des Nasonii, Montfaucon 1721
Located in Langweer, NL
Classical Antiquities Engraving, Sepulchrum des Nasonii, Montfaucon 1721 This original early eighteenth-century copper engraving presents a scholarly compilation of classical antiquities drawn from ancient Roman artworks, engraved gems, and sculptural sources. The plate originates from Bernard de Montfaucon’s influential publication *L’Antiquité expliquée et représentée en figures*, published in Paris in 1721, one of the most important antiquarian works of the Enlightenment and a cornerstone in the development of archaeology and classical art history. The composition assembles multiple mythological and archaeological subjects arranged in a structured, comparative format typical of Montfaucon’s method. At the center appears a detailed scene labeled “Sepulchrum des Nasonii,” referring to the celebrated Tomb of the Nasonii located along the Via Flaminia in Rome, an important Roman funerary monument known for its painted mythological decorations. The engraving records figures, animals, and pastoral imagery derived from ancient wall paintings, offering eighteenth-century scholars and collectors access to monuments that were otherwise difficult to study directly. Surrounding vignettes reproduce imagery taken from antique cameos, engraved gems, and sculptural fragments. Oval compositions depict mythological figures and allegorical scenes, while the lower section includes a classical statue and medallion studies attributed to antiquarian sources associated with collectors and scholars such as Maffei and Vaillant. These references reflect Montfaucon’s ambition to synthesize knowledge gathered from Europe’s major antiquities collections into a single visual encyclopedia. Executed with refined precision, the engraving demonstrates the clarity and balance characteristic of Parisian copperplate engraving of the early 1700s. Fine linework and careful tonal shading translate sculptural and painted sources into a harmonious graphic composition. Today, plates from Montfaucon’s work are appreciated both for their scholarly significance and for their elegant decorative qualities, making them highly suitable for libraries, study interiors, or contemporary gallery walls seeking classical visual depth. This original antique engraving is offered unframed, allowing flexibility to select a frame that best complements the intended interior. Condition: Good antique condition with age-related toning and light discoloration consistent with early eighteenth-century paper. Minor edge wear and handling marks mainly confined to the margins. Plate impression visible. Blank verso. Framing tips: A dark walnut, gilt, or ebonized frame with a generous ivory mat enhances the academic and neoclassical character of the engraving. For modern interiors, a slim black gallery frame with wide mat spacing provides a refined museum-style presentation. Technique: Copper engraving Maker: Bernard de Montfaucon, France, Paris, 1721 Keywords: Montfaucon engraving, Antiquité expliquée, Sepulchrum des Nasonii, Roman antiquities print, classical archaeology engraving, antique mythological engraving, 18th century copperplate engraving, French antiquarian print, Roman tomb illustration, Via Flaminia Rome print...
Paper
Birth and Naming Rituals of the Banians – Rare 1734 Indian Custom Engraving
Located in Langweer, NL
Title: Birth and Naming Rituals of the Banians – Antique 1734 Engraving of Indian Customs Description: This rare and evocative copperplate engraving, published in 1734 as part of 'T...
Paper
18th Century Ethnological Engravings of Peruvians and Ecuadorians
Located in Langweer, NL
Title: 18th Century Ethnological Engravings of Peruvians and Ecuadorians Description: These two 18th-century engravings, printed in 1756, are detailed depictions of the social and cultural life in Peru and Ecuador during the colonial era. Created by Quentin-Pierre Chedel (1705–1762), they are part of Histoire générale des voyages by Antoine François Prévost, a monumental collection that documented the world's exploration and cultural encounters. First Engraving (Residents of Peru): This print illustrates the residents of Lima, Peru, highlighting the various social classes and ethnic groups present in the region during the colonial period. The detailed engraving captures: A. Femme de Lima en Habit de Ville – A woman from Lima in formal city dress, representing the elite of society. B. Femme en Habit de Ménage – A woman in household dress, typical of a middle or upper-class domestic attire. C. Espagnol vêtu comme on l’est au Pérou – A Spanish man dressed as one would in Peru, showing the influence of Spanish colonial fashion on local attire. D. Mulatresse – A woman of mixed African and European descent, reflecting the diverse ethnic makeup of colonial Peru. E. Nègre Domestique – A domestic servant of African descent, showcasing the role of enslaved individuals in colonial households. The scene is set in a lush, natural landscape, with attention to the differences in social standing and attire. Second Engraving (Residents of Quito, Ecuador): The second engraving, although similar in style, depicts residents of Quito, Ecuador, and provides an ethnological view of the city’s diverse inhabitants. The composition shows: 1. Espagnole de Quito – A Spanish woman of high status, dressed elegantly, representing the colonial upper class in Quito. 2. Indienne de Distinction – An Indigenous woman of notable status, likely representing the local nobility or important community figures. 3. Barbier Indien – An Indigenous barber, reflecting the occupational diversity and social roles of the Indigenous population in colonial society. 4. Métive de Quito – A Métis woman from Quito, showing the mixed-race population that emerged during the colonial era. 5. Paysan Indien – An Indigenous farmer, indicating the essential role of agriculture and rural labor in the economy of colonial Ecuador. 6. Indienne du Commun – A common Indigenous woman, dressed in traditional attire, representing the majority of the Indigenous population. Like the first engraving, this print captures the varied ethnic and social dynamics in a colonial society, with figures placed in a landscape setting, emphasizing the connection between people and their environment. These engravings are not only artistic representations but also important historical records of colonial Latin America...
Paper
